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It often seems that the clean-shaven Morey was sent to Spain's North African colony not to investigate corruption, but to liberate its Muslim women from tradition and patriarchy; to show them that their freedom lies not in allegiance to family, but in loyalty to the Spanish state (ie the modernity that Morey represents). But, of course, Morey's romance with Fatima recycles the most vulgar, racist fantasies that white men have of Arab women. In one episode, Fatima spends five long minutes disrobing for Capitan Morey, her veil falling to the floor in slow motion.

"The series doesn't address any of these policy issues and makes it seem that the problems in El Principe are all because of our culture and religion - as always." 

Of course, this hyper-nationalist turns out to be a jihadist and a double agent. The message to Spanish viewers is clear: even your most patriotic Muslim neighbour might be a terrorist. This is irresponsible. El Principe is perpetuating injurious stereotypes of Spanish Muslims at a time when the PP government is passing draconian security laws targeting minorities in Spain.

The history of Muslims in Ceuta is rarely represented in Spanish media. There are streets named after colonial leaders like Enrique El Navegante - who killed thousands of us - but little about our contributions. And when a series finally talks about us, we're moros and terroristas

Twenty-two years after Tiananmen and a lifetime away from the journalism of the 1980s, the 2011 uprising in Tahrir Square brought not only mainstream news crews, but smaller outlets, freelancers, and even bloggers to the table. These varied actors were able to challenge the often Orientalist mainstream narrative, and - thanks to social media - share their content with the world.

virality requires consent

We should be more concerned with the amount of advertising content masquerading as journalism

It seems highly unlikely that, in the days before the internet, #BlackLivesMatter would have made it to the front page of the New York Times - or, for that matter, that it would've happened on such a large scale at all

This is in great contrast to the compelling stereotypes unleashed by the corporate-controlled media following the 1992 Los Angeles riots

we simply have to understand virality for what it really is: A means through which truly great content and cute cat video alike have become available to the world, as well as the means by which news organisations now make money

We must therefore make digital literacy a priority - so as to ensure readers know how to responsibly consume the media that surrounds them

certain passages in the novel some Muslims had found blasphemous

In many significant ways, the "Salman Rushdie Affair" marked the start of the rise of Islamophobia in the US and Europe, affecting millions of Muslim communities and particularly, the refugees forced to flee their homelands. Rushdie himself became a key culprit in fomenting that hatred against Islam and Muslims. As Ayatollah Khomeini led the militant Muslim fanatics, Rushdie did the same with Islamophobe liberal imperialists like Bill Maher, Christopher Hitchens and Sam Harris, with Muslim communities inadvertently getting caught in between.

Satanic Verses was the first casualty of the Salman Rushdie affair and the last novel that Salman Rushdie would write - no matter how many more he published. After February 1989, it ceased to be read on its own merits or maladies. It became an allegory, an icon, a dead certainty - non-Muslims used it to explain or to camouflage their anti-Muslim hatred, and Muslims - to denounce "the West" and its plots against the Muslim world.

weeks of mass demonstrations against Bouteflika's plan to extend his 20-year rule

"All eyes are on the army now. Is the army going to let new protests to happen next Friday?... With Bouteflika aside, the army is going to have its say as to what kind of position they will accept." "Now it seems the regime of Bouteflika is done but [the question is] are we going to get back the state civilly without... any pressure on all these people who have been using the state for their interest for so long? "If we look at the Tunisian transition for example, we saw that  we could not avoid having the old elite come back, but they did so through new institutions; it was more or less easier for people to control this outcome."

a long tradition of exploiting the most painful, brutal moments of those in geopolitical locations that the West continues to regard in a condescending, paternalistic manner - particularly those in Africa, the Middle East and Asia. Others  shared examples of The New York Times' past reports on atrocities and terror attacks in the West, which did not include any gruesome images, to disprove the editors' claim that they would "show reality…wherever in the world" in a similar fashion.

Kenyans compared The New York Times' coverage of this story - without photos of dead, white, American bodies - to its coverage of the attack in Nairobi and pointed out the newspaper's hypocrisy

In response to the charges that Kenyans are engaging in "anti-democratic" behaviour, many pointed out that such lectures on media freedom smack of a smug, "First World" brand of racist superiority. It is a defensive reaction that also allows powerful, privileged news organisations and their foreign correspondents to deflect attention from legitimate criticism of their practices by focusing on "irrational" "mob reactions"

"freedom of the press really needs to be distinguished from the foreign press…do[ing] whatever they like. One is about critiquing state excesses and advancing democracy. The other is not necessarily that." 

there is ample evidence showing that mainstream media in the US routinely treats black victims of violence differently, that "black people's lives are valued less than whites' in the US". Given that context, she argued, "#RiversideAttack photos are not an isolated incidence. They continue a long tradition of presenting white grief as important and black grief as irrelevant." 

Sentilles argued that this discrepancy - and "the very fact of visual access to the dead" from regions that we have historically positioned as "other" - creates and maintains a hierarchy. It encourages those in the geopolitical West to objectify the victims of terror and disaster in "other" lands as lesser beings who do not require the same level of dignity with which we would approach our own. Those others' lives in those far-away locations are less valued, their deaths less impactful, and thus less respect needs to be shown around their deaths. Moreover, "publishing some images while suppressing others sends the message that the visible bodies are somehow less consequential than the bodies granted the privilege of privacy."

it remains important that foreign journalists operating in Africa remember to examine and critique their positionality as they report on events in countries into which they have just "parachuted". Members of the foreign press should know that, as representatives of powerful news organisations, they have enormous power to influence the ways in which those in the "West" view "Africa" and "Africans". However, their reports often lack this necessary self-awareness and critique. Instead, their work reflects the lineages of power that come with Western news institutions and the fact of being in a "Western" body (which, no doubt, also depends on how a particular reporter is read as a "racialised" and gendered body) in a particular setting and context.

Most Western media outlets' reports on Africa continue to offer their readers predictable, contemporary versions of deeply problematic colonial images of "Africa" that allows them to safely imagine themselves as "civilised", and "Africans" as…well, you know the rest

Africans are no longer staying silent

Within Sisi’s approach to Islam, censorship remains key. In addition to going after the Muslim Brotherhood, he has locked up thousands of youth and other perceived dissidents. His brutal crackdown has ensnared over 40,000 prisoners of different political stripes. In the security-first mindset of the Sisi regime, writers and other dissidents pose a considerable threat: They have the ability to make the larger population question his policies

Fahmy is optimistic that the current repressive period is already creating burgeoning subversive spaces of critical resistance. “Within the readership there actually is a more healthy and critical reception of books and engagement with them [than before]. The reading public hasn’t expanded but deepened.”