Group items tagged

The smartphone is more dangerous than Israel to them now.” (In December, Syria banned the iPhone, saying it was detrimental to the country’s stability.)

A report released last week by Paris-based media freedom group Reporters Without Borders (RSF) ranks Syria 176th in the world in terms of media freedom, a drop from last year's already dismal ranking of 173rd out of 179. When it comes to freedom of the media, Syria is now the worst country in the Middle East, ranking just below Iran. And internationally, it fares better than only Turkmenistan, North Korea and Eritrea, described by the report as “absolute dictatorships that permit no civil liberties.”

In a report issued in November, Reporters Without Borders urged foreign journalists to take utmost care in protecting local sources. The non-governmental organization noted: “If a foreign reporter is arrested in Syria, he faces a few days in detention and then deportation. But Syrians pay a much higher price for their involvement.”

“I can’t make a living reporting from the Middle East anymore,” said Sulome in mid-December. “I just can’t justify doing this to myself.” The day we spoke, she heard that Foreign Policy, one of the most reliable destinations for freelancers writing on-the-ground, deeply reported international pieces, would be closing its foreign bureaus. (CJR independently confirmed this, though it has not been publicly announced.) “They are one of the only publications that publish these kinds of stories,” she said, letting out a defeated sigh.

Sulome blames a news cycle dominated by Donald Trump. Newspapers, magazines, and TV news programs simply have less space for freelance international stories than before—unless, of course, they directly involve Trump.

Trump was the focus of 41 percent of American news coverage in his first 100 days in office. That’s three times the amount of coverage showered on previous presidents

Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

Earlier this year, Messi signed a deal with the kingdom to promote tourism there as it reportedly mulls a candidacy to host the 2030 World Cup. The terms and length of the deal were not made public, but The Athletic reported Messi may be receiving as much as $30 million per year. A potential Saudi Arabian bid would pit the country against Argentina’s own proposal to host the tournament together with Chile, Uruguay, and Paraguay.

Embracing international sports icons is just one way that Gulf countries have worked in recent years to boost their international influence. Qatar sits on the world’s third-largest natural gas reserves and has found itself in a powerful position in the age of energy supply strains. Since the start of the World Cup just two weeks ago, Qatar has signed a 15-year deal with Germany to supply it with natural gas, and the United States—whose largest military base in the Middle East is already near Doha—greenlit a $1 billion arms sale to the country. Washington considers Qatar a major non-NATO ally critical to stability in the Persian Gulf and beyond.

when Brazil hosted the World Cup in 2014, FIFA successfully pressured the country to change its legislation to permit alcohol sales in stadiums. But Qatar was able to impose its own laws on FIFA, in this case prohibiting alcohol sales to regular fans in the stands (though alcohol is freely available to VIP guests in luxury suites). It was one sign of the varying degrees of power held by recent World Cup host nations

Thousands of Sharif University alumni power Iran’s most sensitive industries, including nuclear energy and aerospace. One of supreme leader Ayatollah Ali Khamenei’s closest advisors has taught there for decades. But as demonstrations erupt across Iran — first sparked by the death in September of 22-year-old Mahsa Amini in the custody of the country’s morality police — the scientific powerhouse known as “Iran’s M.I.T.” has emerged as an unexpected hub for protest, fueling Iran’s biggest antigovernment movement in over a decade.

Across the country and despite a violent crackdown, Iranians have taken to the streets, venting their outrage over social repression, economic despair and global isolation — crises that have clipped the ambitions of Iran’s young and educated generation.

“They are demanding the end of the Islamic Republic.”

A battered plaque in a rundown hospital and a crackly, black-and-white newsreel are all that remain of Queen Elizabeth II's 1954 visit to Aden, the war-torn Yemeni city whose troubles are a reminder of Britain's complicated legacy in the Middle East.

mildew, emaciated children and the stench of urine, as the under-equipped facility grapples with an impossible workload in the face of a long-running conflict.

British colonialism is inextricably linked with the Middle East partly because of the 1916 Sykes-Picot agreement, when Britain and France carved up much of the region between them amid the collapse of Ottoman rule during World War I. Many Arab leaders remain close to British royalty, however. After the queen's death this month at 96, sombre tributes were offered by monarchies that thrived under British protection.

Across the Middle East, LGBTQ communities face a growing crackdown, echoing efforts by prominent American conservatives to restrict the rights of gay and transgender people and erase their influence from society.

Lebanon, Jordan and Turkey have always stood out in the region on LGBTQ issues. All have queer scenes, all have hosted Pride parades or similar events. But in all three places, the community exists in a legal gray area — neither criminalized nor protected by the law. As anti-LGBTQ+ sentiment intensifies and is championed by some of the region’s most powerful figures, gay and trans people feel more vulnerable than ever.

Turkey’s Radio and Television Supreme Council levied fines against streaming platforms including Netflix, Disney and Amazon Prime for showing “homosexual relationships” that are “contrary to social and cultural values and the Turkish family structure.”

Al-Monitor:  In the old days, the Iranians and the Saudis used to talk to each other and resolve issues. Now, this is a missing piece. Patterson:  It goes back 20 years [to Lebanon]. This is a missing piece. And so the proxy war has gotten a lot worse and you see it all over now in frankly scary dimensions. But it wasn’t that long ago when they had some kind of relationship. … They never liked each other, but they weren’t at this level of animosity.

Al-Monitor:  Let’s turn to Egypt. General, now Field Marshal [Abdel Fattah] al-Sisi seems on his way to becoming Egypt’s next president. How would you characterize our relationship with him and the Egyptian government at this point? Patterson:  Personal relationships with him have been good — certainly with ambassadors, including me and with [Defense] Secretary [Chuck] Hagel and with Secretary Kerry and a lot of people on the Hill. But it’s certainly no secret that we’re concerned about freedom of the press, freedom of association, all the fundamentals that are being thrown into question right now in Egypt, not to mention the huge economic issues.

Al-Monitor:  There have been some incredibly anti-American statements lately in Egypt. [Former parliament member and current Al-Osboa editor] Mustafa Bakri openly called last week for attacks against Americans. What are we doing to counter this? Patterson:  We complain to the government. Mr. Bakri did sort of back off that statement. But now there has been a rash of hugely anti-American stuff in the press. This ebbs and flows, … [but] it’s really a quite dangerous game, because you fan up public opinion and then you’re hostage to public opinion.

Turkish series, including shows about Ottoman sagas, have enticed audiences in the Middle East and beyond for the last decade. Particularly “The Magnificent Century,” a hundred-episode series of love and intrigue at the Palace of Suleiman the Magnificent, created a strong audience in the first half of the 2010

“Kingdoms of Fire” ("Mamlakaat al-Nar") tackles the struggle between the Mamluks and the Ottomans over the control of the Middle East, particularly in Syria and Egypt. Produced by the Emirati production company Genomedia, it is shown both on Saudi channel MBC and Netflix. However, it is not being streamed in Turkey.

The historical drama revolves around two central figures: Sultan Selim I, the Ottoman ruler (r. 1512-1520) known as Selim the Grim, who is played by young Syrian actor Mahmoud Nasr. Toman Bay, the Mamluk sultan, is played by Khaled Nabawy, an Egyptian actor known for his leads in historical drama ever since his discovery by award-winning director Youssef Chahine in 1994.

Jordan’s strategic relationships and regional importance continue to win it unmatched financial support from the international community. And as a result, the government has felt little urgency or pressure to undertake real reform or respond to the legitimate demands of its youth. With trust between the youth and the regime low and the perception of corruption high, however, remaining complacent carries grave risks for the country’s stability.

“Economic optimism is scant, particularly among the youth,” the Arab Barometer found, adding that the economic crisis was “leading many to consider migration despite global travel restrictions.”

the rate of suicide in Jordan has also increased over the past few years amid the dire economic conditions. In 2020, the rate was the highest in 10 years and 45 percent higher than the year before, with one suicide on average every other day. After university graduates threatened earlier this year to commit mass suicide over widespread unemployment, Jordan’s parliament passed legislation criminalizing suicide and attempts to commit suicide in a public place, doubling the fine if it is a mass suicide attempt.

Going back 10 years to the Arab Spring and eight years before that to the invasion of Iraq, much of the region has experienced terrible loss not only on a human scale, but also of its archaeological heritage. The culmination of both came in 2015 with the brutal murder of the 82-year-old archaeologist Khaled al-Asaad — who had been in charge of the Syrian UNESCO World Heritage site of Palmyra for 40 years — and the destruction of part of the 2,000-year-old site by the Islamic State group

Three countries — Iraq, Syria and Libya — have an extraordinary heritage of ancient archaeological sites, many of them now endangered, and had in common long-standing dictators, (although in the case of Syria, of course, the Assad regime continues), all of whom used their cultural heritage in various ways to define how they saw their nation

That dictators draw inspiration from ancient history to shape their nations is nothing new — Mussolini looked back to the Roman empire, while Hitler and the Nazi party developed their mythical, ancient “Aryan” race. The last shah of Iran, Mohammad Reza Pahlavi, threw one of the most lavish parties in history at Persepolis in 1971 during national celebrations to illustrate the grandeur of the 2,500-year-old Persian empire founded by Cyrus the Great in the sixth century B.C.

the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 

One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.

Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!