a sweeping historical recalibration that centers on the importance of 14th-century trade routes that crossed the Sahara Desert and drove the movement of people, goods, and culture. As one flyer exclaims: “Weaving stories about interconnected histories, the exhibition showcases objects and ideas that connected at the crossroads of the medieval Sahara and celebrates West Africa’s historic and underrecognized global significance.” This is ambitious. The show doesn’t aim for less than decentering the idea that the medieval epoch should only be envisioned through a European lens, which are typically stories of feudalism, war, chivalry, and the Bubonic plague. These European sagas are the ones I grew up with, saw dramatized on television, and valorized in film. Caravans of Gold also seeks to put Islam at this reconstructed world’s fulcrum and regard it as a force which impelled cultural advance, rather than to associate it with iconoclastic destruction of historical patrimony — stories we know too well. Even more, it subtly raises up the entire African continent, which becomes through this retelling, a force of profound socioeconomic change at the global level. As their handout highlights: “Journey to a medieval world with Africa at its center.”