Skip to main content

Home/ Media and Politics in Europe/ Group items tagged coverage

Rss Feed Group items tagged

Ed Webb

How the media is covering ChatGPT - Columbia Journalism Review - 0 views

  • Some observers have felt dissatisfied with the media coverage. “Are we in a hype cycle? Absolutely. But is that entirely surprising? No,” said Paris Martineau, a tech reporter at The Information. The structural headwinds buffeting journalism—the collapse of advertising revenue, shrinking editorial budgets, smaller newsrooms, demand for SEO traffic—help explain the “breathless” coverage—and a broader sense of chasing content for web traffic. “The more you look at it, especially from a bird’s eye view, the more it [high levels of low-quality coverage] is a symptom of the state of the modern publishing and news system that we currently live in,” Martineau said, referring to the sense newsrooms need to be covering every angle, including sensationalist ones, to gain audience attention. In a perfect world all reporters would have the time and resources to write ethically-framed, non-science fiction-like stories on AI. But they do not. “It is systemic,” she added.
  • One story that seems to have gotten lost is the “incredible consolidation of power and money in the very small set of people who invested in this tool, are building this too, are set to make a ton of money off of it.” We need to move away from focusing on red herrings like AI’s potential “sentience” to covering how AI is further concentrating wealth and power.
  • Sensationalized coverage of generative AI “leads us away from more pressing questions,” Simon of the Oxford Internet Institute said. For instance, the potential future dependence of newsrooms on big tech companies for news production, the governance decisions of these companies, the ethics and bias questions relating to models and training, the climate impact of these tools, and so on. “Ideally, we would want a broader public to be thinking about these things as well,” Simon said, not just the engineers building these tools or the “policy wonks” interested in this space.
Ed Webb

Opinion | Biden's media coverage is worse than Trump's at times - The Washington Post - 0 views

  • My colleagues in the media are serving as accessories to the murder of democracy.
  • We need a skeptical, independent press. But how about being partisans for democracy? The country is in an existential struggle between self-governance and an authoritarian alternative. And we in the news media, collectively, have given equal, if not slightly more favorable, treatment to the authoritarians.
  • Trump got roughly twice as much coverage in 2020 as Biden has received in 2021. And the coverage of Biden is noticeably more negative than the tone of news coverage overall. Predictably, Breitbart and the New York Post are among the most negative outlets, but even liberal ones such as HuffPost and Salon have been negative. (The Post was the closest to neutral, at 0.0006.)
  • ...2 more annotations...
  • I suspect my peers across the media have fallen victim to our asymmetric politics
  • Too many journalists are caught in a mindless neutrality between democracy and its saboteurs, between fact and fiction. It’s time to take a stand.
Ed Webb

Most UK news coverage of Muslims is negative, major study finds | News | The Guardian - 0 views

  • Most coverage of Muslims in British news outlets has a negative slant, according to a major analysis by the Muslim Council of Britain, which concludes that news stories in the mainstream media are contributing to Islamophobia.
  • The findings come amid growing scrutiny of Islamophobia in the Conservative party and whether its roots lie in rightwing media coverage. A YouGov poll of Tory members by the campaign group Hope Not Hate found that 60% believe “Islam is generally a threat to western civilisation” and more than half believe “Islam is generally a threat to the British way of life”
  • British television stations, which are regulated for balance by the broadcasting code, were substantially less likely than newspapers to portray Muslims in a negative light, with local television broadcasts particularly likely to feature more positive stories about Islam.
  • ...3 more annotations...
  • Versi helped to launch the Muslim Council of Britain’s new dedicated centre for media monitoring after his success in campaigning for better representation of Muslims in the British media. He has repeatedly won substantial corrections from newspapers over their reporting of Islam.
  • “This is not about censorship, this is about transparency.”
  • Although the methodology has been vetted by external academics, the organisation admits that the classification of exactly what counts as an anti-Muslim story will ultimately be a subjective decision
Ed Webb

Philadelphia-born Action and Eyewitness TV news format impacted Black America - 0 views

  • The institution of local broadcast news is a young one, but among the most ubiquitous in the United States. It’s a pair of routines that unfold each night: As Americans gather to wind down their days, the medium has worked to deepen racial tensions and reinforce racial stereotypes about communities of color.
  • This format launched in Philadelphia, first with the birth of Eyewitness News in 1965, and then with Action News in 1970. Over the next few generations, the pervasive and seductive twin broadcasts would spread to stations across the country — and with them, negative narratives about neighborhoods that would effectively “other” certain groups based largely on race, class, and zip code.
  • The new breed of local news would transform how Americans received the day’s headlines. It would even change the substance of the news itself. Before Eyewitness appeared on America’s small screens, local television news hardly existed, with national stories dominating the day’s headlines as anchors vied for spots at big-city network markets. And it was delivered largely behind a desk, by a suited white man in a series of passive sentences.
  • ...27 more annotations...
  • Primo repackaged the day’s events as infotainment — a fast-paced series of vignettes delivered by a “news family,” complete with a male-female pair of attractive, bantering anchors and intrepid reporters interviewing sources on the scene.
  • That year, another Philadelphia station, envious of KYW-TV’s ratings, sought to make an even more profitable newscast. WPVI-TV’s answer was Action News, a faster-paced, intentionally more upbeat and entertaining format. Within a year, WPVI shot to the top from its long-held spot at the bottom of the rankings, former producer and executive Bob Feldman said.
  • more coverage of crime in less time
  • “Funny, bloody, and quick, somebody referred to it as. You'll laugh, you'll cry, you'll watch him die,”
  • The two Philly originals — Eyewitness and Action News — spread to major markets in more than 200 U.S. cities from Atlanta to San Francisco.
  • As local TV news ratings rose and ad earnings rolled in through the end of the 20th century, Philadelphia lost hundreds of thousands of white residents to the suburban locales seen in newscast commercials for four-door sedans, Ethan Allen bedroom sets, and real estate brokerages. Images of white families in tidy subdivisions and spacious homes broke up dispatches that more often than not cast the city and its Black residents in a negative light.
  • “Crime was cheap to cover. It was easy to cover. [The assignment desk] said to the cameraman, ‘You shoot the scene, you shoot the blood, you shoot victims, whatever they got.’ And you can do it in 20 seconds.”
  • reporting shifts spent listening to the police scanner at the corner of Kensington and Allegheny Avenues, waiting for a crime to occur
  • The format didn't often encourage reporters to return to the scene of the crime, follow up on root causes or the lives affected, or document the good in complex neighborhoods like Kensington— where, just like everywhere else, people live, work, and play.
  • “This format is specifically geared toward telling the pain and tragedy of these communities without any real attempt to provide a greater context for the everyday lived experience in these communities,”
  • little incentive for local news stations to change course
  • local news was often a station’s “biggest money maker” by the mid-1970s and the TV medium had at that point become America’s biggest source of news. And with many local news shows enjoying large year-to-year increases in viewership — more than 9% for many local stations in the 1970s — more eyes were on the sensationalized problems of cities like Philadelphia than ever before
  • crime stories that disproportionately represented Black people as perpetrators and victims affected perceptions in damaging ways.
  • One of the first known examples of Black people correcting a racist, criminal media narrative happened in Philadelphia, during a health crisis in 1793. Christian leaders and abolitionists Richard Allen and Absalom Jones printed a pamphlet correcting the record of Mathew Carey, a white man who accused Black Philadelphians of plundering the sick while caring for yellow fever victims.
  • Mayor Frank Rizzo. The former police commissioner would infamously order officers to beat civil rights protesters and cultivate an environment where police shot civilians at a rate of one per week between 1970 and 1978
  • The format invited an emotional connection with viewers and foreshadowed the rise of infotainment. It was an approach to news that would reshape media and America’s understanding of the cities that became network news’ stages.
  • Philadelphia had long been a site of innovation in the world of television. Channel 3, where Eyewitness News was born, was the city’s first station, growing out of the experimental station W3XE in the early 1930s and receiving its FCC commercial license in 1941.
  • Compared with newspapers and magazines, TV news was the most accessible because it was effectively free for households with television sets and it became the most popular source of news for Americans, a status it still holds.
  • in an industry where higher ratings meant bigger profits, the temptation to lure viewers by turning news into entertainment eventually undercut well-intentioned commitments to public service
  • The National Advisory Commission on Civil Disorders, led by Gov. Otto Kerner Jr. of Illinois, dedicated an entire chapter to the media's role in the unrest. The Kerner Commission determined that while television networks and newspapers had “made a real effort” to integrate Black leaders into their coverage of the civil rights movement and report fairly, they missed the mark when it came to covering the racial uprisings, exaggerating violence and failing to capture the tone of events accurately.The American media, the commission declared in the report, continually failed to adequately report on the root causes of racial unrest specifically, and Black America in general.
  • As the television networks ascended in ratings and revenue, American perceptions of urban life and the people who lived in increasingly diverse cities were in free fall. Philadelphia, like many urban centers nationwide, was grappling with growing poverty, police brutality, and the exodus of industry and the tax dollars it brought — complex problems that could not easily be explained in 15-second clips.
  • Study after study showed local news did have a crime problem and it was drawn along the color line.
  • ven as the crime wave of the 1990s ebbed, analyses of local TV news showed coverage of violence didn’t relent.
  • “If the public always thinks that crime is a problem, it's going to support things like incarceration, more police, all the things that we now see could have adverse effects on certain communities, especially communities that are disadvantaged,”
  • Across America, TV networks focused their gaze on violence happening in urban communities. That coverage of violence became so disproportionate that in 1994, U.S. District Judge Clyde S. Cahill Jr. in Missouri cited it for his refusal to sentence a Black defendant for a crack-cocaine offense. The judge argued that frenzied rhetoric fanned by the media led Congress to usurp legislative processes to pass racist antidrug legislation that went against the logic of data.
  • For the companies that own Eyewitness News and Action News, 2020 served as a call to action, station executives said in comments prepared for The Inquirer, which faced its own racial reckoning that year.
  • The mainstream news media need to look at crime and violence holistically after 50 years of treating violence like a series of independent episodes.
Ed Webb

The media feel safest in the middle lane. Just ask Jeff Flake, John Kasich and Howard S... - 0 views

  • One of supposed golden rules of journalism goes like this: “If everybody’s mad at your coverage, you must be doing a good job.” That’s ridiculous, of course, though it seems comforting. If everybody’s mad, it may just mean you’re getting everything wrong.
  • the middle-lane approach to journalism — the smarmy centrism that often benefits nobody, but promises that you won’t offend anyone.
  • the supposedly daring, supposedly against-the-grain hires made by magazines and by newspaper op-ed pages. In their quest to run the full gamut from center-left to center-right, they are already well-equipped with anti-Trump conservatives.
  • ...4 more annotations...
  • Even the cable news panels that purport to express opposing views are part of the damaging both-sides syndrome. A view from the left, a view from the right, and repeat. But take the average, and you’re right back in the comfortable, unilluminating middle.
  • Impartiality is still a value worth defending in mainstream news coverage. But you don’t get there by walking down the center line with a blindfold on.
  • they want to appear fair without taking any chances
  • Mostly, we have the irresistible pull to the center: centripetal journalism. It’s safe. It will never cause a consumer boycott. It feels fair without really being fair. And it’s boringly predictable. In the end, the media’s center-lane fixation puts us all to sleep. And that’s no way to drive a democracy.
Ed Webb

Trust in journalism: almost half of Brits actively avoid reading news media - 0 views

  • Almost half (46%) of British people actively avoid reading the news as a result of fatigue at excessive Covid and political coverage and a drop in trust in journalism
  • trust in the UK media had undergone a dive recently despite rising slightly during Covid, with just 34% of those polled in 2022 saying they trusted UK news, compared to 51% in 2015
  • far above the last-placed USA where just 26% of people trusted most news reporting
  • ...5 more annotations...
  • While the BBC remained the most trusted and biggest news brand in the UK, the public service broadcaster had one of the most dramatic drops in trust in Europe in recent years. In 2018, 75% of respondents reported trusting the corporation’s coverage, while 11% didn’t. In 2022, that figure had shifted to 55% and 26% respectively.
  • More than half of those (53%) who didn’t trust the BBC voted Conservative at the last election
  • the UK’s ‘news avoidance’ rates far above the average 38% level recorded across the 46 countries analysed, and second only to Brazil where the figure was 54%
  • “Large numbers of people see the media as subject to undue political influence, and only a small minority believe most news organisations put what’s best for society ahead of their own commercial interest.”
  • 20% of those interviewed believed in the political impartiality of the media, down from 34% in 2017, while the same number said the media was free from business influence, down from 29% in 2017
Ed Webb

How UK journalists compare with their German counterparts - new research - 0 views

  • we compared British journalists’ professional attitudes to those of journalists in another country with a similar media landscape but a more muted press: Germany. German media tend to be noticeably more restrained in their coverage of controversial issues than British papers.
  • We used two representative surveys of British and German journalists to analyse the professional attitudes of both groups. Both surveys were part of the Worlds of Journalism Study, which brings together researchers from 67 countries, including the UK and Germany. Between 2012 and 2016 over 27,500 journalists across the world were interviewed, using a common methodological framework.
  • Our statistical analysis revealed several significant differences between journalists in Britain and Germany. Most importantly, we found that British journalists believe it more important than their German colleagues to confront those in power and hold them to account. But – contrary to expectations – we found no difference between British and German journalists’ eagerness to set the political agenda or influence public opinion. The second significant difference we found concerned how they thought they should report reality. Whereas British journalists tend towards objective, factual reporting as detached observers, German journalists see their role as more analytical.
  • ...3 more annotations...
  • German journalists proved to be significantly more rigid in their general ethical stance whereas their British colleagues felt freer to follow their own personal judgements
  • What we found was that – despite an eye-catchingly partisan press in Britain – the country’s journalists are not more determined than their German colleagues to set the political agenda or influence public opinion. But they do consider it significantly more important than German journalists to confront those in power and hold them to account.
  • journalists such as Amelia Gentleman, who unearthed the Windrush scandal, or Carole Cadwalladr, who doggedly investigated the role Cambridge Analytica played in the Brexit vote, appear to be more typical of what British journalists think they should do: scrutinising and standing up to those in power.
Ed Webb

Why political journalism keeps getting it wrong - 0 views

  • Historians warn about “the teleological view of history” – assuming a fixed endpoint and then telling the story as if it was always heading for that end point. Something similar has happened, over and over again, in political journalism.
  • a version of the Hawthorne effect in science, where study participants alter their behaviour because they know they are being observed. By focusing so strongly on the possibility of a deal with the SNP, journalists made it look extremely likely. That, in turn, drove voter behaviour.
  • once again political journalism struggled because it assumed the result – Remain – and worked backwards from there. In the course of the campaign, I can remember hardly any consideration being given to what form Brexit would take: there was no appetite for discussions of the merits of “Norway plus” against a Canada-style trade deal. Leaving the EU was deemed unlikely to happen, and therefore not sufficiently interrogated. That has had enormous repercussions ever since.
  • ...19 more annotations...
  • There aren’t many things that Donald Trump and Jeremy Corbyn have in common, but here is one. Both were treated as joke candidates at the start of their campaigns. And joke candidates don’t face the same level of scrutiny as front-runners – which is a problem when they turn out to be serious contenders
  • Even once it was a straight fight between Trump and Hillary Clinton, too often she was treated like the next president and he was treated like the entertainment. There was a double standard of scrutiny.
  • With the EU referendum months and months away – and a win for Remain expected – Corbyn’s Euroscepticism seemed like a minor quirk, rather than a defining part of his politics. Journalists failed again to make the case for what really mattered.
  • the war of facts against narrative
  • “What happens in a hung parliament?” became one of the most searched-for terms in the UK. Hundreds of thousands of people were reading our piece at once. I was happy – it was a great article. I was also struck by something. As a specialist website, the New Statesman often struggles to compete with the huge newspaper websites on Google search results. Here, we had triumphed… because, it seemed, our rivals hadn’t written the piece.
  • I hope that my colleagues will continue their proud tradition of ignoring the herd – and therefore increasing their chances of being right
  • The seductive power of the conventional narrative is one of the most distorting forces in political journalism. Jeremy Corbyn is useless, Donald Trump is a joke, Theresa May is the Iron Lady, Remain will win, the Liberal Democrats are finished, Nigel Farage has retired from politics. All of these seem true, until – suddenly – they are not
  • One of my favourite sayings about journalism is this: “It’s not journalism’s job to report that people are saying it’s raining. It’s journalism’s job to look out of the window.” Too often, the words of a high-profile politician are repeated uncritically
  • the job of journalists is not to tell you what the Labour spokesman and “sources close to Michael Gove” are saying. It’s to evaluate their words and deliver them to readers or viewers in context. We need to look out of the window.
  • Tweet early, tweet often and don’t worry too much if you get something wrong, the thinking goes, because any attention is good.
  • Political journalism is often speculative, so there has to be latitude for predictions that prove incorrect. Sometimes that is taken as licence to write stories that are unfalsifiable, or will be correct – eventually
  • Among the journalists I spoke to, there was a general acceptance that some of their colleagues treated political journalism as entertainment. A story could be just that. At outlets such as the Financial Times and Bloomberg, which cater to a specialist audience who may make investment decisions based on their coverage, there are heavy sanctions for getting it wrong. Elsewhere, attitudes are more relaxed.
  • As humans, we find people more interesting than policies. But that has huge distorting effects. The best political journalists use people to tell their stories, reducing an abstract clash of ideas to a human scale. The worst ones treat existential questions as props for a Punch and Judy show
  • “All our stories are told through other people’s mouths,”
  • Journalists “create” public figures all the time. We decide which YouTuber to interview, which athlete to put on the front page, and which politicians are at the top of our mental Rolodex. We are, quite rightly, beginning to reckon with the lack of race, class and gender diversity in political journalism, and to expand our pool of sources. Why shouldn’t that apply on ideological grounds too?
  • Too often, I think, journalists identify one type of person with “true Britons”. We talk about Labour’s “heartlands” in working-class northern English regions, when the party is now strongest in multi-ethnic big cities. Asked to reflect on Labour’s loss of votes in the European elections, Richard Tice, chair of the Brexit Party, said: “This has happened because they haven’t listened to their core heartlands, they’ve listened to people in Islington.” But Labour has two Westminster seats in the Islington region, each with a thumping majority. So where is the party’s heartland now?
  • Because political journalists are stuck in the Commons and on Twitter – real world and digital versions of Versailles – they are prone to panic about not representing “real people”. But who gets depicted as the authentic voice of unheard Britain is governed by implicit assumptions that are grim when exposed to the light. Why are the views of a retired steelworker in Grimsby about “where the country has gone wrong” more important than those of a second-generation Nigerian-British nurse in Plaistow? Citizenship is supposed to transcend personal identity, and yet we still indulge an idea of the “volk”. This tendency applies equally in America, where retired steelworkers in Pennsylvania were held up as the Great Unheard, but the same epithet was not bestowed on black voters in Detroit.
  • Across Europe, the story of the latest EU elections was the rise of environmentalist parties. But somehow, their voters aren’t held up as “real people” whose real concerns must be heeded by the main parties. Why not?
  • There is excellent political journalism out there. And god, do we need it now more than ever. 
Ed Webb

The Man Behind the Kremlin's Control of the Russian Media - OCCRP - 0 views

  • Alexey Gromov, formerly the president’s press secretary and now first deputy head of the presidential administration.
  • Described as an unassuming man whose passions include collecting antique coins, Gromov is nonetheless a key manager of the Putin government’s control over what gets said — or not — in Russia’s major print and broadcast media. He is also a co-creator of RT, the international propaganda network formerly known as Russia Today.
  • Elena Tregubova, a journalist whose 2003 tell-all book “Tales of the Kremlin Digger” warned that Putin was reinstituting Soviet-style control of the media, describes Gromov as a modest man who treated people well and, most critically, never expressed his own opinion on political issues during his tenure. In 2000, he was appointed as the press secretary for Russia’s new president, Vladimir Putin. This promotion radically changed Gromov, Tregubova wrote. He began to behave less like a press secretary and more like a security guard, driving away journalists from the president and forbidding reporters from asking questions.
  • ...9 more annotations...
  • Vladimir Putin began his presidency by distancing Russia’s influential oligarchs from power. In particular, he deprived them of their national TV stations: Vladimir Gusinsky lost NTV and Boris Berezovsky lost ORT (now Channel One). The process involved both criminal cases and arrests; first Gusinsky, then Berezovsky were forced to leave Russia by the end of 2000.
  • A prominent Russian broadcast journalist tells a story of needing money to make a documentary and asking for a meeting with Gromov. To his surprise, Gromov not only met with him, but immediately started making calls to line up the financing. The journalist asked Gromov why he didn’t have a subordinate make the calls. “Shit doesn’t work if I don’t do it myself,” Gromov told him. That’s Gromov’s approach in all things television. He alone has the authority to order state channels to air a news item. He also retains the authority to prevent news from being shown.
  • in most cases, no call is needed. The heads of television channels attend weekly meetings at Gromov’s office at the presidential administration building in Moscow, where they are told what must be broadcast and what is forbidden.
  • Gromov’s sessions bring together the heads of all Russia’s major public and private TV companies — Channel One, VGTRK, NTV, TVC, REN TV, and Channel Five — plus representatives of key government agencies, including the office of the president, the government, and the parliament. A Kremlin official responsible for election campaigns also participates, along with foreign ministry spokeswoman Maria Zakharova
  • instructions may also invoke restrictions on coverage in so-called “control regions.” If an important event is taking place — the election of a governor or the construction of a World Cup stadium, for example — the stations are forbidden to air negative information about anything happening in the entire region
  • The Attorney General’s Office, the Ministry of the Interior, the Investigative Committee, and other state bodies also generate large flows of information through their press services. Representatives of these services also attend a special regular meeting with Gromov, who dispenses instructions on what not to cover.
  • Gromov is also widely considered a master at managing up. Like few others, he knows how to obtain the decisions he wants from Putin, sometimes by selectively presenting unflattering information.
  • the presidential press pool is also a source of income for people close to Gromov
  • In 2005, when Gromov and Mikhail Lesin, then an adviser to Putin, created Russia Today (now known as RT), Gromov insisted that Margarita Simonyan be the channel’s first editor-in-chief, according to a man who participated in the discussion. Gromov and Simonyan remain good friends, and Simonyan’s family has done well from the relationship. (Read more.) Lesin himself would later die under mysterious circumstances in a Washington DC area hotel after breaking with Putin.
Ed Webb

RSF launches Tracker 19 to track Covid-19's impact on press freedom | RSF - 0 views

  • Reporters Without Borders (RSF) is launching Tracker-19 to monitor and evaluate the impacts of the coronavirus pandemic on journalism and to offer recommendations on how to defend the right to information.
  • Called “Tracker 19” in reference not only to Covid-19 but also article 19 of the Universal Declaration of Human Rights, this project aims to evaluate the pandemic’s impacts on journalism. It will document state censorship and deliberate disinformation, and their impact on the right to reliable news and information. It will also make recommendations on how to defend journalism.
  • without journalism, humankind could not address any of the major global challenges, including the climate crisis, biodiversity loss, discrimination against women and corruption.
  • ...2 more annotations...
  • “Censorship cannot be regarded as a country’s internal matter. Information control in a given country can have consequences all over the planet and we are suffering the effects of this today. The same goes for disinformation and rumours. They make people take bad decisions, they limit free will and they sap intelligence.” 
  • RSF has taken measures to ensure that it remains as fully operational as possible while guaranteeing the safety of its personnel and partners. The data RSF collects comes from its network of bureaux and correspondents. Tracker-19 offers an interactive world map on the press freedom situation, constant coverage of developments and analyses of key issues. 
Ed Webb

As populists hold on to power in Poland, press freedom fears rise | Media | Al Jazeera - 0 views

  • The re-election of the conservative-nationalist group, founded and led by Jaroslaw Kaczynski, has heightened fears among the journalists and academics that freedom of the press will be further restricted in the party's pursuit of a proposed "new media order".  PiS announced in its 232-page election manifesto that it wanted to regulate the status of journalists
  • The deputy culture minister, Pawel Lewandowski, has said: "[The media] is a type of state power. "We must have 100 percent certainty that everything that happens in Poland is overseen by the Polish authorities."
  • Since 2015, PiS has taken control of public companies, the courts and state-run broadcasting in its remoulding of society.  Press freedom in Poland has fallen from 18th to 58th place out of 180 countries in an annual index conducted by Reporters Without Borders (RSF).
  • ...9 more annotations...
  • A turning point for the media came in January 2016 when Polish President Andrzej Duda signed controversial laws enabling the government to appoint the heads of public TV and radio, as well as civil service directors. 
  • More than 200 people were fired as a result, and their roles were taken over by people who support the government
  • the EU said it jeopardised the bloc's values.
  • There is greater trust in private independent media compared with public service broadcasters; only 20 percent of Poles believe the media is free from political influence, according to a study published last year.
  • Private media groups that have supported the opposition complain that they are losing advertising contracts from state-owned companies, which are increasing their spending to pro-government outlets
  • Since Gazeta Wyborcza published a series of stories that revealed corruption at the Financial Supervision Authority, forcing its chairman Marek Chrzanowski to resign, the ruling party and other state bodies have filed some 50 legal challenges against the newspaper and the lead reporter, Wojciech Czuchnowski.
  • Another major outlet that has come under pressure is TVN, a private television station owned by Discovery, Inc., a US media company.  In 2018, the government accused a TVN of promoting fascism, referring to photos taken during an undercover assignment that infiltrated Polish neo-Nazis and broadcast footage of its members holding a birthday party for Adolf Hitler.
  • Poland's media regulator issued a 1.5 million zloty ($389,000) fine to TVN for its coverage of anti-government protests outside Parliament, on the basis that it "propagated illegal activities and encouraged behaviour threatening security."
  • State media described the July anti-government protests as a "street revolt" that aimed to "bring Islamic immigrants to Poland".
Ed Webb

The trust gap: how and why news on digital platforms is viewed more sceptically versus ... - 0 views

  • Levels of trust in news on social media, search engines, and messaging apps is consistently lower than audience trust in information in the news media more generally.
  • Many of the same people who lack trust in news encountered via digital media companies – who tend to be older, less educated, and less politically interested – also express less trust in the news regardless of whether found on platforms or through more traditional offline modes.
  • Many of the most common reasons people say they use platforms have little to do with news.
  • ...3 more annotations...
  • News about politics is viewed as particularly suspect and platforms are seen by many as contentious places for political conversation – at least for those most interested in politics. Rates of trust in news in general are comparatively higher than trust in news when it pertains to coverage of political affairs.
  • Negative perceptions about journalism are widespread and social media is one of the most often-cited places people say they see or hear criticism of news and journalism
  • Despite positive feelings towards most platforms, large majorities in all four countries agree that false and misleading information, harassment, and platforms using data irresponsibly are ‘big problems’ in their country for many platforms
Ed Webb

Illustrating China Is More Than Dragons and Pandas - 0 views

  • Aesthetic choices have long shaped how American audiences see the world. Historically speaking, the West’s visual vocabulary tends to champion a fascination “with abjection and violence” in foreign subjects, whether that be the sinister depictions of Japanese people in World War II propaganda, Native American mascots in sports, or distressed communities in Africa and the Middle East.
  • Using repetitive, stereotyped tropes to signify that China is exotic, authorientalism visually links these tropes to abuses of government power, thereby promoting the view that authoritarianism is part of the essential character of Chinese-ness. It conflates the culture and the government, and reinforces the state’s own frequent claims that authoritarianism is innate to Chinese history or society.
  • Turning authoritarian behavior into an exclusively alien phenomenon also implies that it does not apply to Western political culture, making it harder to recognize totalitarian behavior in more familiar contexts.
  • ...8 more annotations...
  • the Yellow Peril illustrations of the 19th century that shaped racist measures like the Chinese Exclusion Act of 1882. Across these movements, illustrators formalized Chinese influence as fictitious characters—ghosts, apes, Godzilla communists, Uncle Sam-eaters—neglecting the reality of what actually met the eye: exploited workers, opportunity-seeking immigrants, new markets for Western enterprise interests, etc.
  • Such visual shorthands are useful but also dangerous. They mirror the way America is depicted from the other side. China Daily’s political cartoons fanatically use Uncle Sam or the Statue of Liberty in any opportunity to portray American hypocrisy, in the same fashion as Soviet media did during the Cold War.
  • Every photo montage or threatening Maoist rendering of Xi promotes a simplified narrative of China and authoritarian horror.
  • The Chinese government has implemented an extremely comprehensive surveillance regime, especially in colonized areas such as Tibet and Xinjiang. Increased reporting on this topic has given way to a sub-branch of visuals characterizing China as a mass-surveillance state. Imagery of security cameras, facial recognition frames, and dramatically posed or saluting soldiers are among the usual suspects that are superimposed on a red background with the five gold stars of the Chinese flag.
  • Authorientalism visually links surveillance with Chinese nationalism, thus de-emphasizing how technological surveillance also pervades the world outside of China.
  • These images also emphasize the technological aspect of surveillance over the human. Global tech runs on human power, from Facebook’s Philippines-based monitoring centers to the estimated 2 million workers who maintain China’s own firewall. It takes people to scrutinize and interpret behavior even if it has been filtered by artificial intelligence, to identify keywords for monitoring online, to decide whether an action crosses a line, and to choose what the punishment will be for crossing it
  • when the toll of COVID-19 on American lives became too real to ignore, U.S. coverage expanded to show its impacts in hospitals, schools, the workplace, and the home. As a result, we witnessed innovations in how we could tell these stories visually. The attitude went from “look at them” to “this is us.” Editors, photographers, and illustrators were obligated to consider how subjects would be depicted with respect, honesty, and care.
  • Authoritarianism can be treated as a threat to Chinese life, rather than a Chinese threat to the United States. To take China seriously means taking seriously the pain and deaths of the people in Wuhan alongside anxieties about how Xi’s leadership or surveillance affects the West. The focus must shift to processing life under the circumstances created by authoritarian rule, rather than reproducing the illusions spun by headline culture. It should center the people affected themselves. How might they reflect on China’s issues? How might we portray those views?
Ed Webb

French Education Minister Pap Ndiaye Is at the Center of France's Culture Wars - 0 views

  • Pap Ndiaye, a 56-year-old history professor specializing in American politics, looks the very model of a soft-spoken academic in tortoiseshell horn-rimmed glasses.  Ndiaye is the first Black education minister of France. A similar historical milestone in the United States would have been prominently noted in articles about his sudden rise in politics. But in a country that prides itself on being officially colorblind—to the extent that the government keeps no statistics on the racial or ethnic makeup of its population—this fact was omitted even in press coverage of his critics, who fretted that he would fling wide the doors of French classrooms to American-style “wokisme.” (That word resonates with some French parents and politicians the same way “critical race theory” does with some Americans.)
  • Blanquer focused on the teaching of basic skills and introduced free breakfasts for children in poor neighborhoods; he may be best known today for a group he co-founded dedicated to French republican principles like secularism and humanism and critical of what they perceive as the contagion of “woke” ideas from American campuses
  • Critics view an emphasis on racial matters as a nefarious U.S. import —like Coca-Cola, only with the risk not to the consumer’s waistline but to the national psyche, which they say will be debilitated by American-style culture wars.
  • ...9 more annotations...
  • France operates a highly centralized public education system, with the education ministry managing the nation’s schools from Paris. Ever since waves of immigrants arrived after World War II, during a period the French refer to as the “30 glorious years” of rebuilding and economic expansion, schools have been perceived as imparting certain ideals about French citizenship. Even slight changes to the curriculum may be put under the microscope. 
  • Ndiaye’s rapid elevation from the director of a humble national monument to the head of France’s education ministry marks a leap of faith by Macron, who described Ndiaye as an example of universalism and equal opportunity when they appeared together at an elementary school in Marseille last month. Having survived a recent reshuffling of the president’s cabinet, Ndiaye has moved from managing the Porte Dorée Palace, an institution with around 100 employees and an annual budget of 15 million euros, to leading the country’s largest public institution, with more than 1.2 million employees, an annual budget of more than 55 billion euros, and the responsibility of educating more than 12 million public school students
  • it wasn’t until living in the United States that he reflected upon what it meant to be Black
  • “When you have even the smallest commitment to the United States, they think you talk on behalf of Americans,” the Senegalese-born French politician said in a recent phone call. “The French are fascinated by America, but at the same time they are very careful about being under U.S. influence. They want to think that their culture is different from the community-oriented model of the United States.”
  • “What’s confusing is that you had in the previous government a line of assertive secularism that was very opposed to any conversation on race, which in the French context is very delicate,” Belin said. “Macron has demonstrated a willingness to tackle some of the most difficult elements of the French colonial period, moving the conversation forward on Algeria and Rwanda. He is a modernizer for France’s history, but not particularly avant-garde on racial justice and postcolonial matters.”
  • Nathalie Heinich, a French sociologist, said that she thought Ndiaye’s report for the Paris Opera demonstrated “a sociological misunderstanding of an actual problem” that should be addressed by reducing socioeconomic inequalities. She felt that Ndiaye’s analysis had been influenced by his time living in the United States, with its multicultural social model, “which tends to reduce individuals to their belonging to collective entities.”
  • Somewhat controversially, for France, he has referred to systemic racism in housing, employment, and in police relations with the Black and immigrant communities. But compared with U.S. academics plowing similar terrain, his views are relatively moderate
  • Jean-Luc Mélenchon, a hard-left political figure who placed third in the presidential race in April, scorned the new cabinet when it was announced in May but singled out Ndiaye as an “audacious” choice—echoing the Revolution-era words of Georges Danton, who called for “audacity, more audacity, always audacity.”
  • Some role models whom Ndiaye has referenced over the years—Frantz Fanon, Césaire, and Léopold Sédar Senghor—were Black French colonial authors who in one way or another turned to politics.
1 - 20 of 24 Next ›
Showing 20 items per page