mapjd@lcc

"We the Media, has become something of a bible for those who believe the online medium will change journalism

national press photographers association on amateur photography.

Are "amateurs" replacing the professional photojournalists?

...is proposed: (1) traditional journalism, (2) public journalism, (3) interactive journalism, (4) participatory journalism, and (5) citizen journalism. ...

Today's thirst for news images at the click of a mouse does not sound the death knell for the photojournalist keen to illustrate the story behind the headline, claims Getty Images.Picture credit: Tom Stoddart/Getty Images

The weekend photojournalist. (opportunities for amateur photographers to create photojournalism images in their own communities)

Globalization and the internet have created a space for news and political discourse that overrides geography and increases opportunities for non-mainstream, citizen-based news sources. Drawing a distinction between emerging citizen and professional media, this study examines one rapidly expanding and increasingly influential citizen news source - weblogs. We analyzed the linking patterns, the online network led to by six of the most popular news and political weblogs to study their relationship to other weblogs and the traditional professional news media in the USA and internationally. Findings suggest a more complementary relationship between weblogs and traditional journalism and less echo-chamber political insularity than typically assumed. The blogosphere relies heavily on professional news reports and half of its linked-to sites can be considered non-partisan.

bruce gilden faces of joy on obama

guardian slideshows

War and Peace in Afghanistan Photographs by Louie Palu and audio clips recorded during his travels capture the violence and tranquility in everyday Afghan life.

Episode III - Enjoy Poverty is the second in a series of three films by Martens that raise issues regarding contemporary image production. For Episode III Martens travelled for two years with his video camera in the Democratic Republic of Congo, an area marked by humanitarian disaster, questioning why the Western 'poverty' industry are benefactors rather than the people in the images. Working with Congolese photographers, he attempts to guide them in earning a living from poverty photography - a project doomed to failure. Episode III was screened at London's Wilkinson gallery for several weeks this winter, and during that time Martens spent an evening discussing his work with ArtReview's J.J. Charlesworth. This is Part I of that discussion.

Media and development - Where's the Gap? John Davison, the Head of Media at Christian Aid has begun his personal visiting research fellowship at Polis with a research seminar at which he outlined his plans for a study of the relationship between journalism and NGOs in Africa

Submit between 3 - 6 images as an exhibition series. Images must fall into the criteria of reportage, fashion, documentary, landscape, wildlife, portraiture or fine art photography. The judges are seeking dynamic and arresting images which portray a compelling narrative.