Getty Co-founder and CEO Jonathan Klein interviews Getty Photographer, Brent Stirton about the Virunga Gorilla murders and much more in the on-going podcast series "Getty Images Passion for Pictures".
Every year, National Geographic Photocamp travels around the US and the world touching young people's lives through the power of photography. In 2007, NY edition of the 'camp was realized in Queens, with NG photographer Ed Kashi and students from Newcomers High School, a NYC public HS dedicated to serving kids who have been in the US for less than one year.
Four Media Ethics students take on the ethics case of Photojournalist Kevin Carter and his infamous and award winning photograph "Sudanese Girl". We take a look at Carter's life as well as taking his case through Garry Bryant's Photojournalism Ethical Model. Finally, we come up with a decision on whether or not Carter was ethical in taking that heart wrenching photograph.
Kim Phuc was the subject of a famous photo from the Vietnam war which shows her as a child running naked after being severely burned by a napalm attack. She is joined by UC Davis faculty to consider photographic images that have changed history. Series: "Mondavi Center Presents" [5/2007] [Public Affairs] [Humanities] [Show ID: 12409]
Vietnam War - "The Impact of Media" explores in detail the 'media distortions' due to television's misrepresentations during the Vietnam War. It rebuts the view promoted by PBS 's 13-part documentary series, "Vietnam: A Television History". The rebuttal also applies to "The Ten Thousand Day War" series.
"The Impact of Media" is a must-see for historians and politicians alike. The late president Ronald Reagan lauded this rebuttal video when he watched it and said that it's "something all Americans should see".
Made in 1984.
Nguyen Ngoc Loan, South Vietnam's national police chief, executed a prisoner who was said to be a Viet Cong captain. AP photographer Eddie Adams won a Pulitzer Prize for a picture that, as much as any, turned public opinion against the war.
Defending the Barricade
On Feb. 1, 2006, Associated Press photographer Oded Balilty was in the West Bank settlement of Amona when a violent confrontation broke out between Jewish settlers and Israeli security forces. The troops were attempting to enforce a government order to tear down nine houses built on private Palestinian land after Israel's Supreme Court rejected a final appeal by the settlers.
Balilty, camera ready, stood about 3 meters from the end of the barricade. Crowds lined up on a wall overlooking the holed-up settlers, while Israeli troops in riot gear advanced. "Nili, a young settler ... was standing 15 meters away, biting her fingernails, when she saw them coming and ran toward the barricade," Balilty said.
Said Nili: "I felt a stranger pushing me to defend the barricade. It was God who gave me the courage."
Moments after Balilty took the photograph that won him the Pulitzer Prize, Nili was beaten by club-wielding police.
Bruce Gilden walks up and down streets, lingers at corners, and waits for his unsuspecting subjects. Then, with camera in one hand and flash in the other, he swoops in for the shot and passersby are caught in his frame. EGG catches up with Bruce Gilden at work and in action in New York City, his home turf.
Home in Elephant
London College of Communication has embarked on a long-term project to document the regeneration of Elephant and Castle in south London. A new book featuring the first batch of MA students' work examines the theme of 'home'
Photographer Gilles Peress talks about the role of photography in the struggle for human rights. Series: Conversations with History [Public Affairs] [Humanities] [Show ID: 7134]
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IN THIS SCENE: James philosophizes on photography's importance and responsibility to humanity.
"Why photograph war? Is it possible to put an end to human behavior which has existed throughout history by means of photography? The proportions of that notion seem ridiculously out of balance yet that very idea has motivated me." - James Nachtwey
ABOUT THIS FILM: War Photographer is the 2001 Academy Award Nominee for Best Documentary Feature that follows preeminent war photographer James Nachtwey for two years as he bravely documents the harrowing realities of Kosovo, Rawanda, Indonesia, and the West Bank.