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THEORY - "An Interview with Garry Winogrand" From Visions and Images: American Photographers on Photography, Interviews with photographers by Barbara Diamonstein, 1981-1982, Rizoli: New York Garry Winogrand is one of the most important photographers at work in America today. His sophisticated snapshot-aesthetic pictures celebrate ordinary events, and transform them with precise timing and framing into astute visual commentaries on modern life.

An Interview with Garry Winogrand from Visions and Images: American Photographers on Photography, Interviews with photographers by Barbara Diamonstein, 1981-1982, Rizoli: New York Garry Winogrand is one of the most important photographers at work in America today. His sophisticated snapshot-aesthetic pictures celebrate ordinary events, and transform them with precise timing and framing into astute visual commentaries on modern life.

Documentary on Garry Winogrand - Part 2

Documentary on Garry Winogrand - Part 1

By A. D. Coleman The "New Documents" exhibition opened at New York's Museum of Modern Art on February 28, 1967, almost exactly a third of a century ago. Organized by John Szarkowski for the museum's Department of Photography, this show featured almost 100 prints by three relatively unrecognized younger photographers from the east coast of the U.S. - Diane Arbus, Lee Friedlander, and Garry Winogrand - and came as a watershed moment in the evolution of contemporary photography. What exactly did this exhibition signify?

The Center for Creative Photography is an archive and research center located on the University of Arizona campus. We retain the archives of Ansel Adams, Edward Weston, Garry Winogrand, Harry Callahan, and other great 20th century photographers-over fifty archives in all.

2.8: a wide-open view on the practice of street photography by Michael David Murphy, While Seated