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Why you need releases A release is a written agreement between you and the person you are photographing, or the person who owns the property you are photographing. The purpose of the release is to protect you from any future lawsuits the person might file for claims such as defamation and invasion of privacy. A model release says the person being photographed has given consent to be photographed and to the use of the images you capture. It doesn't just apply to professional models or situations where people know they are posing for photos. You should seek to get a signed model release any time that your photos contain recognizable images of people, unless you are certain that you will never want to use them for anything other than editorial purposes. A property release says that the owner of a certain property, such as a pet or a building, has given you consent to take and use images of the property. You don't need one for public property, such as government buildings (although you may run into problems just from photographing them, for security reasons). But for images of private property - and particularly of objects that are closely identified with specific people - you are safer if you get a release. The releases you obtain should be saved forever and should be linked in some way with the photographs to which they relate. You can expect to be asked to produce them whenever you license an image, and you will need them if you ever have to defend yourself in court.

Copyright and Intellectual Property

David Goldblatt has photographed his native South Africa since the early 1970's, carefully observing the social, cultural and economic divides that characterise the country. His first publication, On the Mines, examined gold-mining in the East Rand area of the country. In Boksburg documented a small town which he sees as "shaped by white dreams and white properties" but which is ultimately "nondescript and elusive". Goldblatt often creates webs of likenesses and contrasts across an image, such as seen and seeing; young and old.

"Courts have long ruled that the First Amendment protects the right of citizens to take photographs in public places. Even after the terrorist attacks of Sept. 11, 2001, law enforcement agencies have reiterated that right in official policies. But in practice, those rules don't always filter down to police officers and security guards who continue to restrict photographers, often citing authority they don't have. Almost nine years after the terrorist attacks, which ratcheted up security at government properties and transportation hubs, anyone photographing federal buildings, bridges, trains or airports runs the risk of being seen as a potential terrorist. (Can an entire downtown be declared a no-photo zone?) Reliable statistics on detentions and arrests of photographers are hard to come by, but photographers, their advocates and even police agree that confrontations still occur frequently. Photographers had run-ins with police before the 2001 attacks, but constitutional lawyers say the combination of heightened security concerns and the spread of digital cameras has made such incidents more common. "

Digital Photographic Library Noire et blanches 1926 Larmes 1932 Internet site officially authorized by the Man Ray Trust to offer, under certain conditions, reproductions of the Man Ray artworks. These images are displayed only to allow the inspection for purposes of placing reproduction orders, within a professional framework. These works of Man Ray are protected by the legislation concerning literary and artistic property in all countries. The rights of the beneficiaries, the Man Ray trust, are managed by ADAGP. To reproduce, represent, publish or broadcast an artwork of Man Ray, you must obtain the prior authorization of ADAGP or its foreign correspondents and pay the relevant royalties. E-mail : adagp@adagp.fr Any saving to hard drive and any diffusion or reproduction whatsoever of these images by whatever means, including via the Internet, is prohibited, except for the said inspection.

FREE DOWNLOAD - The UK Photographers Rights Guide. Permalink 19/11/04 22:33 , Categories: Photographers Rights I'm pleased to announce the launch of the UK Photographers Rights PDF. This is intended to provide a short UK guide to the main legal restrictions on the right to take photographs and the right to publish photographs that have been taken. The guide was written by Linda Macpherson LL.B, Dip.L.P., LL.M, who is a lecturer in law at Heriot Watt University, with particular experience in Information Technology Law, Intellectual Property Law and Media Law.

PHOTOGRAPHY IN PUBLIC AREAS » FREE DOWNLOAD - The UK Photographers Rights Guide. Permalink 19/11/04 22:33 , Categories: Photographers Rights I'm pleased to announce the launch of the UK Photographers Rights PDF. This is intended to provide a short UK guide to the main legal restrictions on the right to take photographs and the right to publish photographs that have been taken. The guide was written by Linda Macpherson LL.B, Dip.L.P., LL.M, who is a lecturer in law at Heriot Watt University, with particular experience in Information Technology Law, Intellectual Property Law and Media Law.

note this is in 2 parts 1: the recorder (JP) We begin this unit by exploring the idea of the photographer as a recorder of the world. This session investigates questions of photographic truth and objectivity; the nature of photographic evidence and the ethics of photographic manipulation. It examines photography's earliest history and how its properties and purposes have been imagined from the beginning. Required reading: Batchen, G. (1999) Burning With Desire: The Conception of Photography. Cambridge, Mass: MIT; chapter 1.

part 2 1: the recorder (JP) We begin this unit by exploring the idea of the photographer as a recorder of the world. This session investigates questions of photographic truth and objectivity; the nature of photographic evidence and the ethics of photographic manipulation. It examines photography's earliest history and how its properties and purposes have been imagined from the beginning. Required reading: Batchen, G. (1999) Burning With Desire: The Conception of Photography. Cambridge, Mass: MIT; chapter 1.

4. All copyright, trade marks, design rights, patents and other intellectual property rights (registered and unregistered) in and on bbc.co.uk and all content (including all applications) located on the site shall remain vested in the BBC or its licensors (which includes other users). You may not copy, reproduce, republish, disassemble, decompile, reverse engineer, download, post, broadcast, transmit, make available to the public, or otherwise use bbc.co.uk content in any way except for your own personal, non-commercial use. You also agree not to adapt, alter or create a derivative work from any bbc.co.uk content except for your own personal, non-commercial use. Any other use of bbc.co.uk content requires the prior written permission of the BBC.