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MediaStorm: Visionary Journalism Weaving Stories Producers start by cutting audio, creating a "radio edit" of the story. Then they work with the journalist to craft a working narrative. A cohesive story emerges, and then it's time to pair the images with the audio. For that, they use Final Cut Studio. "Final Cut is our workhorse," says Storm. "Our producers live inside Final Cut all day long. It's a simple and powerful tool. It does everything you need it to do, yet I can teach a new producer how to create our type of project in a day." Images are exported out of Aperture at twice 1080p resolution, giving producers the flexibility they need to experiment with shots. "We pull everything into bins in Final Cut, and we use a lot of labeling to organize it," says Storm. "It's very simple: We use green for a picture that's in, red for one that's out, blue for a maybe. We have a very visual environment inside Final Cut to get things done quickly."

German Amateur Photographers in the First World War A View from the Trenches on the Western Front

"Do you ever shut down your computer at the end of the week, and all of the sudden it hits you: You haven't kept up with your social sites for the week.twitter-logo With less than 7 percent of all Twitter users using it on a regular basis, it can be a little frustrating knowing you have a tool ready to help grow your business, yet unsure of how to truly use it. Just like blogging, Twitter takes work. But there are ways you can incorporate it into your photography business, and have it start working for you."