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Photographer and MacArthur fellow Susan Meiselas is best known for her work covering political upheavals in Central America in the 1970s and 80s. The International Center of Photography (ICP) is hosting the first U.S. overview of her work, "Susan Meiselas: In History." It's on display through January 4, 2009.

pbs film on capa and the falling man controversy

David Rose was a founding staff photographer with the Independent and Independent on Sunday. He has covered many issues in Britain, Europe and the developing world.\n\nHe now works for a range of National and International titles and undertakes commissions for corporate clients. He has won several major UK and Overseas Press Awards.\n\nRepresented by Panos Pictures, London

It wasn't all that long ago when I was interviewed for Black Star's terrific new project on photojournalism ethics. The book could not come at a better time for an industry that is trying to redefine itself in the face of public cynicism and distrust. Here an excerpt from the text. Photography has always been about manipulation....Even the smile is a form of manipulation, because it may mask the true feelings of the subject."

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Images shape our perceptions. The manufacture of consent has rarely been more engineered. With everything from wars to presidential campaigns being stage managed and with mainstream news increasingly fed by official sources, reliance on usual sources of news images has become increasingly dangerous. Majority world countries suffer particularly from stereotypical representations, and while the media worldwide is increasingly being dominated by a few players, it becomes particularly important for news sources to be diverse and varied. With Getty and Corbis controlling the stock market, and Reuters, AP, AFP and EPA dominating the wires, communities in the west are looking for new ways to challenge established media, especially through citizen journalism. The majority world has traditionally been represented by white, middle class, western photographers. But having local photographers is not in itself sufficient. While editorial control remains in the North, stories will continue to have a northern slant, and the only way in which this can be challenged is through alternative sources being formed that are independent of western and corporate media. DrikNEWS is designed to fill this void. This agency, an independent body of Drik Picture Library, aims to cover news photography and investigative reporting by disseminating both locally and internationally through the web.

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