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THEORY: "Through a Glass, Darkly: Photography and Cultural Memory" Through a Glass, Darkly: Photography and Cultural Memory By: Alan Trachtenberg, Social Research, Saturday, March 22, 2008 "I don't know why a Replicant would collect photos - maybe they were like Rachel - they needed memories." In the role of the bounty hunter Rick Deckard in Ridley Scott's 1982 cult classic, Blade Runner, Harrison Ford utters these words with a bitter edge. Assigned to "terminate" the beautiful Rachel, an "android" especially menacing because she's almost (almost!) indistinguishable from a "real" person, Deckard lusts after her and wants to be sure she's human, not machine-made, before bedding her. Based on Phillip K. Dick's brilliant science fiction novel of 1968, Do Androids Dream of Electric Sheep? the film adds the bit of sentiment about collecting photographs to the otherwise unmitigated darkness of Phillip Dick's vision of a near future. The year is 2021, and by means of mechanical replication--the electric sheep of Dick's title--warm-blooded animal life has been all but totally replaced by replicants, copies or duplications of almost forgotten originals. Memories of real sheep and toads and living human flesh are struggling against the irresistible tide of a programmed second-order reality unburdened by personal or cultural memory.

Public journalism and investigative journalism need one another, and if we recognize that we have a chance of preserving our cherished First Amendment traditions and responsibilities. Article by Philip Meyer, a Knight Professor at the School of Journalism and Mass Communication, the University of North Carolina at Chapel Hill.