"Recent events in the world have again raised the issue of citizen journalism, especially for recording events in the "global war on terror". The events in Mumbai, India, have demonstrated that citizen journalism is now an established way to relate events, such as acts of terror, to the mainstream media-consuming public. This is certainly not the first time that citizen journalists have recorded an act of terrorism. It is unlikely to be the last time.
When discussing an issue like citizen journalism, initial clarifications need to be made. The first question that comes to mind: What is citizen journalism? This needs to be broached before anything else in order to bring clarity of understanding and to ensure readers have a common understanding about this key element. There are some who object to the use of the term 'citizen journalist', dismissing it as inadequate in correctly describing what is really happening. "
"Khalid Mohtaseb was on the ground shooting in Port-au-Prince less than a week after the earthquake hit Haiti on 12 January, 2010. His job was not an easy one.
Today, those behind the lens covering the news are rapidly becoming the news themselves.
The dramatic footage that Wikileaks released of the Reuters' photographer and driver shot in Iraq has focused attention on the dangers of covering news on the ground; it has also sparked a discussion about how news videos should be packaged. Did the effects Wikileaks staff added to the footage bias the story of what happened to these Reuters' newsmen?"
"January 12 marked the anniversary of the devastating earthquake that shook Haiti last year, killing more than 230,000 people and leaving several million inhabitants of the small island nation homeless. Though natural disasters are common, the humanitarian response this time was different: New media and communications technologies were used in unprecedented ways to aid the recovery effort.
A report recently released by Communicating with Disaster Affected Communities, with support from Internews and funding from the Knight Foundation, takes a critical look at the role of communications in the crisis and recommends ways to improve the effectiveness of utilizing media in future disaster relief efforts. (The Knight Foundation is a major funder for MediaShift and its sister site MediaShift Idea Lab.)"
"Corentin Wauters: Gamma is one of the most famous photojournalism agencies. Some even call it legendary. How important has it been for photojournalism?
Michiel Munneke: I think Gamma - but also others like Magnum, for instance - played an extremely important role from early years on, especially in documenting crucial news events around the world. It's important to realise that in those days you had magazines like Life and the Picture Post who very generously allocated tens of pages to events like the war in Vietnam, for example. Those publications and photographs made a huge impact on their readerships.
I think it's fair to say that the founders of Gamma, like Raymond Depardon - although he moved to Magnum at the end of the '70s - and Gilles Corron, who died in 1970 in Cambodia, can be classified as legendary. They played a very important role in news documenting in those years.
Raymond Depardon said that in 1966 you only had to travel far away and take three shots to get published in magazines Paris Match or Le Nouvel Observateur. How has the profession of photojournalism changed since Gamma was founded?
If Depardon was saying that competition for space in publications like Paris Match or Le Nouvel Observateur is stronger, then he's absolutely right. Competition is far more severe. Circulations are going down, advertising revenues are shrinking, and consequently budgets for journalism and for photography are being cut.
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Nowadays its very rare that publications send photographers for assignments overseas. Take a renowned magazine like Time. They still have photographers on staff but they very rarely get assignments to go overseas. It's a sign of the times.
Gamma, but also other big photojournalism agencies like Sipa, were founded in Paris. The city had a big name as a centre for photojournalism. To what extent is that true today?
I think for those years it was really true. But now, in the era of globalisation and digitisation, it doesnâ
"For several years, the predominant blog layout has remained unchanged. Posts, usually shortened to fit neatly, sit on top of each other in descending order, headlines over each post. This creates a "log" feel from which the term "web log" or "blog" came.
However, redesigns at two of the web's best-known blogs, Techcrunch and Mashable seem poised to shake up the traditional layout, offering slight variations that make the sites appear more like a traditional newspaper.
The trend appears to be spreading. While no hard numbers exist, magazine layouts are among the most popular themes for existing blogs. These themes are generating some of the most hype among bloggers.
Although the design of a blog is not always of particular import, as many readers read the content in an RSS reader, it is still an important consideration. It is one to which many novice bloggers don't give adequate weight. Choosing the wrong theme can make a site look dated or unprofessional, completely destroying any attempt to modernise one's web presence.
For those seeking to enter the blogging realm, or to modernise an existing platform, a magazine theme may be a major step in the right direction. "