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"EST&OST is a European network of photographers and photographic collectives specializing in Eastern Europe. EST&OST constantly presents a coverage of current events and social issues in Central and Eastern Europe, based on a perfect under-standing of the region and the subjects at hand. "

Avaaz.org is a new global web movement with a simple democratic mission: to close the gap between the world we have, and the world most people everywhere want. "Avaaz" means "Voice" in many Asian, Middle Eastern and Eastern European languages. Across the world, most people want stronger protections for the environment, greater respect for human rights, and concerted efforts to end poverty, corruption and war. Yet globalization faces a huge democratic deficit as international decisions are shaped by political elites and unaccountable corporations -- not the views and values of the world's people. Technology and the internet have allowed citizens to connect and mobilize like never before. The rise of a new model of internet-driven, people-powered politics is changing countries from Australia to the Philippines to the United States. Avaaz takes this model global, connecting people across borders to bring people powered politics to international decision-making.

Middle Eastern Photography

MediaStorm produces 'Condition: Critical, Voices from the War in Eastern Congo' for Médecins Sans Frontières

A Gear Guide For Going Freelance By David McIntyredavid-mcintyrecloseAuthor: David McIntyre See Author's Posts (2) Recent Posts * Nine Essentials (Besides a Camera) You'll Need as a Freelance Photographer * A Gear Guide For Going Freelance David McIntyre is a photographer for Black Star based in China and Hong Kong since 1995. Prior to becoming a freelance photographer, he was a staff photographer for The Phoenix Gazette. He has also worked for UPI, the Associated Press, EPA, Asiaweek Magazine, the Far Eastern Economic Review, Baseball America, and the minor league baseball teams in Denver and Phoenix before they had Major League teams. Visit David's Web site. in Business of Photography on March 13th, 2009 I've read the articles and postings about newspaper layoffs, and I've gotten my share of e-mails from former staff photographers asking for guidance. As someone who's been freelancing for most of my career, what's the first advice I would give to those of you striking out on your own? Get the right equipment. A lot of corporate and editorial assignments require portrait work, for example - which requires lighting gear. But most new freelancers don't realize they will need more than their one shoe mount strobe. Others may have more or less gear than what I find works best. But here are my recommendations for the equipment you'll need to fulfill the majority of requests from potential clients.

The ethical and real hazards of citizen journalism People powered People powered Who is responsible for the risks taken by citizen journalists who become 'accidental' reporters in dangerous situations? This was the excellent question asked by Slawek Kozdras, a Polish student, who was in the audience when I gave a talk at Cumberland Lodge to LSE Government scholars. I was doing my usual schtick about how networked journalism could alter the terms of the political communications trade. I put up slides about activists in Burma, G20 protestors and other people using new media technologies to report where professional journalists can't go. Slawek made a good point drawn from a fellow eastern European's work: "I remember a story told in Kundera's Unbearable Lightness of Being. After the Soviet army stormed into Prague in 1968 the brave Czech people (as opposed to cowardly Czech politicians) were mocking the army, women were teasing with Russian soldiers, laughing at them, taking pictures with them knowing the Russians can't react. The paradox is that later on these pictures with people mocking Russians turned against the Czechs and served as evidence in trials."

tony suau's project on eastern europe

photojournalist