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This article examines the American literary tradition, specifically early American writing, to understand the roots of the concept of Manifest Destiny. It examines literature in America as well as literature and nature during colonialism in the Americas and on into the United States as it expanded westward. The article also has links, books, ebooks, and ebook readers as well as other academic resources available.

Given the status of the Bible in the western literary tradition as one of the most appropriated and alluded to of all ancient and religious texts, it is not unusual that William Blake writes so extensively about it. While a great body of Blake's mature works, including the longer works "Milton" and "Jerusalem," deal with biblical themes, his early central work, 'The Marriage of Heaven and Hell," gives insight not only into themes that would later occupy Blake's longer works, but also into the unique status of the Bible in western literature

Kurt Vonnegut, one of the most prolific if not best American writers of the second half of the twentieth century, first earned a reputation for himself as a science-fictionist with his early works, The Sirens of Titan and Cat's Cradle. This reputation, however much it vastly underestimates and misunderstands Vonnegut's work and its significance to the modern era, has been difficult for Vonnegut to escape. It does, however, provide insight into the aspects of the modern situation that Vonnegut sees as central and meaningful. Bluebeard, which trades a more traditionally Vonnegut mad scientist for a retired, eccentric expressionist painter, the same painter from Breakfast of Champions, tackles the issues which have traditionally blurred Vonnegut's role in the literary and popular fiction traditions. This article explores these issues within Vonnegut's version of the fairytale, Bluebeard.