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Given the status of the Bible in the western literary tradition as one of the most appropriated and alluded to of all ancient and religious texts, it is not unusual that William Blake writes so extensively about it. While a great body of Blake's mature works, including the longer works "Milton" and "Jerusalem," deal with biblical themes, his early central work, 'The Marriage of Heaven and Hell," gives insight not only into themes that would later occupy Blake's longer works, but also into the unique status of the Bible in western literature

The reputation of Hamlet as one of Shakespeare's greatest plays often times overlooks one of the greatest achievements of the play. While many scholars acknowledge the play as the birth of the modern man, few seem to place as much significance on the language of the play as they do elements such as theme and character. This appears to be oversight, given the fact that the play is one of the single greatest examples of creative use of language in not only Shakespeare's works, but perhaps all works in the English language. This article examines Hamlet from a linguistic perspective to enhance our appreciation of Shakespeare's genius.

When Kurt Vonnegut published his first novel, "Player Piano," in 1952, he wrote about corporate culture taking over in America. It was the end of WWII and Vonnegut, as a young novelist, wrote about a distant future where the corporate powers that were beginning to dominate the American landscape seized the opportunities presented by the fragile post-war economy. Today, 57 years later, Vonnegut's vision is much closer to reality than anyone browsing the "new fiction" section in 1952 would accept. Vonnegut is a visionary. This article examines the lasting value and effect of Vonnegut's ever-true vision and work.

The tradition of oral poetry is shared amongst many ancient cultures, traditions and language families. While there are many similarities, both in the mechanics and the subject matter of these ancient texts, some of the more subtle differences can be extremely enlightening given their significance in understanding the uniqueness of each individual culture and tradition they evolved out of. The Kalevala is a perfect example of how subtle differences in ancient textscan enlighten our understanding of the uniqueness of an ancient culture. This article examines the specific and unique understanding The Kalevala imparts to our Western Tradition.

Kurt Vonnegut, one of the most prolific if not best American writers of the second half of the twentieth century, first earned a reputation for himself as a science-fictionist with his early works, The Sirens of Titan and Cat's Cradle. This reputation, however much it vastly underestimates and misunderstands Vonnegut's work and its significance to the modern era, has been difficult for Vonnegut to escape. It does, however, provide insight into the aspects of the modern situation that Vonnegut sees as central and meaningful. Bluebeard, which trades a more traditionally Vonnegut mad scientist for a retired, eccentric expressionist painter, the same painter from Breakfast of Champions, tackles the issues which have traditionally blurred Vonnegut's role in the literary and popular fiction traditions. This article explores these issues within Vonnegut's version of the fairytale, Bluebeard.

This is part one in a new series of articles all of which are designed to inform and guide anyone who might want to know a little bit more about the rich tradition of art, letters and philosophy we have inherited from those who came before us. As human beings, our connection to the past is one of the greatest resources we have which imparts perpetual significance to the works discussed in this article, no matter how old they are.

In his "The Philosophy of Composition" Poe tells us that he begins writing with "the consideration of an effect" (1598). Almost all of Poe's poetry and fiction give evidence to support Poe's claim that the intended effect, upon the reader, is indeed central to his creative work. This article explores that intended effect and its centrality in Poe's famous short story, "The Fall of the House of Usher".

This article explores Nick Hornby's brilliant short story, "Nipple Jesus". In it, Hornby tackles religion, politics, sex, family and financial responsibility, art and its relationship with the individual, the artist, and society through a "six foot two and fifteen stone" security guard whose only skill is being big, to profound and entertaining\neffect.

various interpretations by interested people of poems, plays, novels etc. always worth a try