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Joanne S

Scot Colford, "Explaining free and Open Source software," - 0 views

  • Ten criteria must be met in order for a software distribution to be considered open source:
  • Free redistribution
  • the source code freely available to developers.
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  • The license must permit modifications
  • Integrity of the author's source code
  • No discrimination against persons or groups
  • No discrimination against fields of endeavor
  • same license must be passed on to others when the program is redistributed.
  • License must not be specific to a product
  • License must not restrict other software
  • License must be technology-neutral
  • list of the nine most widely used licenses is
  • Apache Software License 2.0 (www.apache.org/licenses/LICENSE-2.0.html) New BSD License (www.opensource.org/licenses/bsd-license.php) GNU General Public License (GPL) (www.gnu.org/licenses/gpl.html) GNU Lesser General Public License (LGPL) (www.gnu.org/licenses/lgpl.html) MIT License (www.opensource.org/licenses/mit-license.php) Mozilla Public License 1.1 (MPL) (www.mozilla.org/MPL/MPL-1.1.html) Common Development and Distribution License (www.sun.com/cddl/cddl.html) Common Public License 1.0 (www.ibm.com/developerworks/library/os-cpl.html)  Eclipse Public License (www.eclipse.org/legal/epl-v10.html) [5].
  • common misconception, alluded to above, is that since the source code is freely distributed without royalty or licensing fee, open source applications are free of cost.
  • Free and open source software application users, on the other hand, must rely on development communities for support.
  • The pervasiveness of the World Wide Web guarantees that nearly every information organization is using free or open source software to perform some function.
Joanne S

K. G Schneider, "The Thick of the Fray: Open Source Software in Libraries in the First ... - 0 views

  • the vast majority of libraries continue to rely on legacy proprietary systems
  • libraries using open source integrated library systems indicates that the vast majority of libraries continue to rely on legacy proprietary systems
  • there are at least a dozen active OSS projects based in or with their genesis in library organizations
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  • xCatalog
  • LibraryFind
  • Blackligh
  • iVia,
  • What makes OSS different from proprietary software is that it is free in every sense of the word: free as in “no cost,” free as in “unencumbered” and free as in “not locked up.”
  • questioned whether OSS is overall less expensive than its proprietary counterparts and has called for libraries to look hard at cost factors
  • OSS projects are thriving communities with leaders, followers, contributors, audiences and reputation systems.
  • Like so many things librarians hold dear – information, books and library buildings themselves – OSS is open, available and visible for all to see
  • OSS presents important opportunities for libraries
  • This is the world we want to be in again. It will not always be easy, and there will be a few spectacular failures. But there will also be spectacular successes – and this time, they will happen in the open.
Joanne S

Towards a Typology for Portals | Ariadne: Web Magazine for Information Professionals - 0 views

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    PORTALS Miller, P. (2003) "Towards a typology for portals" Ariadne Issue 37. Retrieved from http://www.ariadne.ac.uk/issue37/miller
Joanne S

An Alternative to Existing Library Websites : Evaluation of Nine Start Pages using Crit... - 0 views

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    WEB START PAGES AS LIBRARY HOME PAGES This is long, so just browse it to get the gist of the tools examined and the criteria used. Pigott, C. (2009). An Alternative to Existing Library Websites: Evaluation of Nine Start Pages Using Criteria Extracted from Library Literature. School of Information Management, Victoria University of Wellington. Retrieved from http://researcharchive.vuw.ac.nz//handle/10063/1276
Joanne S

Tag Team Tech April 2011 | VOYA - 0 views

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    SELECTING THE RIGHT TOOL FOR A PORTAL-BASED SUBJECT GUIDE Valenza, J. (2011). My Perpetual Pursuit of the Perfect Pathfinder Platform. VOYA: Voice of Youth Advocates. Retrieved from http://www.voya.com/2011/03/18/tag-team-tech-april-2011/
Joanne S

VALA2012 Session 12 Warren - VALA - 0 views

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    NATIONAL AND STATE LIBRARIES OF AUSTRALASIA'S LIBRARY HACK PROJECT Warren, M., & Hayward, R. (2012). Hacking the nation: Libraryhack and community-created aps. VALA 2012: eM-powering eFutures. Presented at the VALA 2012: eM-powering eFutures, Melbourne Australia: VALA: Libraries, technology and the future. Retrieved from http://www.vala.org.au/vala2012-proceedings/vala2012-session-12-warren
Joanne S

Library Mashups and APIs - 0 views

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    This "L Plate" presentation was presented at the VALA: Libraries, Technologies and the Future Conference in February 2010. The notes underneath each slide explain them very nicely. It gives you an idea of what is considered "L Plate" material at a professional conference. Hagon, P. (2010, February). Library Mashups and APIs. Presented at the VALA 2010 Conference. L Plate Session, Melbourne Australia. Retrieved from http://www.slideshare.net/paulhagon/library-mashups-and-apis
Joanne S

The Machine is Us/ing Us (Final Version) - YouTube - 0 views

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    The Machine is Us/ing Us (Final Version). (2007). . Retrieved from http://www.youtube.com/watch?v=NLlGopyXT_g&feature=youtube_gdata_player
Joanne S

Reprogramming The Museum | museumsandtheweb.com - 0 views

  • Powerhouse experie
  • her APIs
  • Flickr AP
  • ...23 more annotations...
  • Thomson Reuters OpenCalais
  • OCLC's WorldCat
  • Before we began our work on the Commons on Flickr, some museum colleagues were concerned that engaging with the Flickr community would increase workloads greatly. While the monitoring of the site does take some work, the value gained via the users has far outweighed any extra effort. In some cases, users have dated images for us.
  • In subsequent use of the Flickr API, we appropriated tags users had added to our images, and now include them in our own collection database website (OPAC). We also retrieved geo-location data added to our images for use in third party apps like Sepiatown and Layar.
  • In our case the purpose of creating an API was to allow others to use our content.
  • So consider the questions above not in the context of should we or shouldn't we put our data online (via an API or otherwise) but rather in the context of managing expectations of the data's uptake.
  • Steps to an API
  • several important things which had to happen before we could provide a public web API. The first was the need to determine the licence status of our content.
  • The drive to open up the licensing of our content came when, on a tour we conducted of the Museum's collection storage facilities for some Wikipedian
  • This prompted Seb Chan to make the changes required to make our online collection documentation available under a mix of Creative Commons licences. (Chan, April 2009)
  • Opening up the licensing had another benefit: it meant that we had already cleared one hurdle in the path to creating an API.
  • The Government 2.0 Taskforce (http://gov2.net.au/about/) was the driver leading us to take the next step.
  • "increasing the openness of government through making public sector information more widely available to promote transparency, innovation and value adding to government information"
  • the first cultural institution in Australia to provided a bulk data dump of any sort.
  • The great thing about this use is that it exposes the Museum and its collection to the academic sector, enlightening them regarding potential career options in the cultural sector.
  • I will briefly mention some of the technical aspects of the API now for those interested. In line with industry best practice the Powerhouse Museum is moving more and more to open-source based hosting and so we chose a Linux platform for serving the API
  • Images are served from the cloud as we had already moved them there for our OPAC, to reduce outgoing bandwidth from the Museum's network.
  • Once we had the API up and running, we realised it would not be too much work to make a WordPress plug-in which allowed bloggers to add objects from our collection to their blogs or blog posts. Once built, this was tested internally on our own blogs. Then in early 2011 we added it to the WordPress plugin directory: http://wordpress.org/extend/plugins/powerhouse-museum-collection-image-grid/
  • One of the main advantages the API has over the data dump is the ability to track use.
  • It is also worth noting that since the API requests usually do not generate pages that are rendered in a browser it is not possible to embed Google Analytics tracking scripts in the API's output.
  • y requiring people to sign up using a valid email address before requesting an API key we are able to track API use back to individuals or organisations.
  • Concerns that people would use the API inappropriately were dealt with by adding a limit to the number of requests per hour each key can generate
  • An Application Programming Interface (API) is a particular set of rules and specifications that a software program can follow to access and make use of the services and resources provided by another particular software program
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    Dearnley, L. (2011). Repreogramming the museum. In Museums and the Web 2011 : Proceedings. Presented at the Museums and the Web 2011, Toronto: Archives & Museum Informatics. Retrieved from http://conference.archimuse.com/mw2011/papers/reprogramming_the_museum
Joanne S

Is the Sky Falling on the Content Industries? by Mark Lemley :: SSRN - 0 views

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    Lemley, M. A. (2011). Is the sky falling on the content industries? Journal of Telecommunications and High Technology Law, 9, 125-313. Retrieved from http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1656485##
Joanne S

Library 2.0 : service for the next generation library. - 0 views

  • he heart of Library 2.0 is user-centered change
  • nviting user participatio
  • It also attempts to reach new users and better serve current ones through improved customer-driven offerin
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  • Technological advances in the past several years have enabled libraries to create new services that before were not possible, such as virtual reference, personalized OPAC interfaces, or downloadable media that library customers can use in the comfort of their own homes. This increase in available technologies gives libraries the ability to offer improved, customer-driven service opportunities.
  • Libraries are in the habit of providing the same services and the same programs to the same groups
  • , Stephens believes that “Library 2.0 will be a meeting place, online or in the physical world, where [library users'] needs will be fulfilled through entertainment, information, and the ability to create [their] own stuff to contribute to the ocean of content out there.”
  • . It's never been easy to reach this group with physical services, because libraries are constrained by space and money and cannot carry every item that every user desires
  • Chris Anderson, editor-in-chief of Wired, who coined the phrase in an article of the same name in 2004, argues that the demand for movies or books that are not hits far outnumbers the demand for those that are hit
  • Going after the diverse long tail requires a combination of physical and virtual services
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    Casey, M. E., & Savastinuk, L. C. (2006). Library 2.0 : service for the next generation library. Library Journal, 131(4), 40-42. Retrieved from http://www.libraryjournal.com/article/CA6365200.html
Joanne S

Kroski, E. (2008). Web 2.0. In Web 2.0 for librarians and information professionals - 0 views

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    Kroski, E. (2008). Web 2.0. In Web 2.0 for librarians and information professionals. New York: Neal-Schuman.  (Available from: https://auth.lis.curtin.edu.au/cgi-bin/auth-ng/authredirect.cgi?redirurl=http://edocs.lis.curtin.edu.au/eres.cgi&url=dc60266981 )
Joanne S

Archives 2.0? | ArchivesNext - 0 views

  • Do we need Archives 2.0? Clearly, yes, I think we do.
Joanne S

Library 2.0 Theory: Web 2.0 and Its Implications for Libraries - 0 views

  • Already libraries are creating RSS feeds for users to subscribe to, including updates on new items in a collection, new services, and new content in subscription databases.
  • hybrid applications, where two or more technologies or services are conflated into a completely new, novel service.
  • personalized OPAC that includes access to IM, RSS feeds, blogs, wikis, tags, and public and private profiles within the library's network.
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    Maness, J. (2006). Library 2.0 Theory: Web 2.0 and its Implications for Libraries. Webology, 3(2). Retrieved from http://webology.ir/2006/v3n2/a25.html
Joanne S

Library 2.0 Discussion: Michael Squared | Librarian in Black Blog - Sarah Houghton - 0 views

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    Houghton-Jan, S. (2005, December 19). Library 2.0 Discussion: Michael Squared. The Librarian in Black. Retrieved April 16, 2011, fromhttp://librarianinblack.net/librarianinblack/2005/12/library_20_disc.html
Joanne S

What Is Library 2.0 ? - 0 views

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    Greenhill, K. (2007, October 10). What Is Library 2.0 ? Presented at the Library 2.0 Unconference, State Library of Queensland. Retrieved from http://www.slideshare.net/sirexkat/what-is-library-20 This is a 20 minute presentation with audio synced to the slides. To hear the audio, click on the green arrow in the centre of the box
Joanne S

blyberg.net » Blog Archive » 11 reasons why Library 2.0 exists and matters - 0 views

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    Blyberg, J. (2006, September 1). 11 reasons why Library 2.0 exists and matters. blyberg.net. Retrieved September 14, 2010, from http://www.blyberg.net/2006/01/09/11-reasons-why-library-20-exists-and-matters/
Joanne S

What Is Web 2.0 - O'Reilly Media - 0 views

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    O'Reilly, T. (2005, September 30). What Is Web 2.0 - O'Reilly Media. Retrieved September 10, 2010, from http://oreilly.com/web2/archive/what-is-web-20.html To discover how Tim O'Reilly originally conceptualised Web 2.0, please read the following explanation. Do not worry too much about understanding every web tool mentioned or all the technical processes. Do pay particular attention to the discussion of RSS on page 3 and the different ways that users relate to the web in this vision.
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