ラフ集合による「漫画の読みやすさ」の分析 - 0 views
Outrage as Politician Mocks Lady Mangaka for Opposing Ban | Sankaku Complex - 3 views
Tokyo Assembly Passes Bill 156 - Anti-Anime and Manga Bill is now Law | Dan Kanemitsu's... - 2 views
Okazu: Who Will Think of the Children? 誰が子供達のことを考えてくれるのか? - 0 views
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I don't think this ordinance is the end of the world, but I do think it will hasten the end of the printed manga industry. Readers all over the world have been waiting for the push that will provide them with online versions of their favorite comics. I believe that this law will be that push. It will force publishing companies to move more explicit work underground - the online world is eminently suited for that. Less questionable materials will follow, because printing on paper costs more than not printing on paper and distribution costs less for digital material. There is a provision for the industry to self-regulate and, like most obscenity laws, this one may be hard to enforce, except for when someone is running for office and picks some scapegoat to make an example of. (As happened with Christopher Handley, who was sacrificed to a campaign strategy.)
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I worry a bit about group shows like Comiket. Like Tokyo Anime Fair, it is held in Tokyo, where the ordinance has been passed. If you were a creator of materials that are regulatable, would you bring them to a public show right now? Consider that the law goes into effect on July 1, but in the half million people at Winter Comiket, there may be people who will be tasked with rounding up the creators next summer. Sure, it could go underground, become "a hydra," but what does that do for an already tenuous industry? It pushes extreme fetishists under the table to continue doing what they are doing, and leaves all the other creators sort of out there to be harassed. Probable? No. Possible? Yes.
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2nd Update: Brian Ruh on Twitter has pointed out that this Ordinance focuses on companies and their access to distribution, not creators, so at least for the moment, Comiket and other markets are not targeted.
Nanotechnology through the lenses of science fiction: Case Study of a Manga: Ganmu (Bat... - 2 views
DMP Launches the Digital Manga Guild - 2 views
CFP: Conference 2011 - Graphic Medicine - 0 views
大学でのマンガ教科書利用と学生評価 (メディアの活用と教育・学習環境/一般) - 0 views
電子媒体におけるマンガ読解 (メディアの活用と教育・学習環境/一般) - 0 views
"Looking back on Manga" 2010 - Osaka University - 1 views
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On Thursday, December 16, three guests as well as ITO Yu, the café master, will discuss the manga arena of 2010. The three guests to the Café are YOSHIMURA Kazuma, KURAMOCHI Kayoko, and OMOTE Tomoyuki. They are staff members of the International Manga Center, Kyoto Seika University, and manga freaks. If you join this discussion, you'll learn a lot about manga for this year. Specifically, Mr. Yoshimura reads all genre of manga, but, in particular, is an expert in manga about gambling. Ms. Kuramochi is a master of manga for girls, and Mr. Omote is familiar with manga geeks. These three contribute a series of articles to the Asahi newspaper and write for Konomanga ga sugoi [This manga is great], manga ranking book, and Konomanga wo yome [Read this manga]. When it comes to talking about manga, they have no equal.
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