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This is an additional ironic twist of fate. American pop music star copying Japanese mangas....when for decades, Japanese have been accused of copying everything that was coming from the West and being unable to create anything of their own. However, besides this anecdotic issue, this story points out another that is a lot more preoccupying, that is piracy and copyrights violation. From what I can see on the livejournal entry that offers a frame-by-frame comparison of Simmon's manga and Bleach, it does look like he has been heavily copying not only the graphic style but also the character design and whole scenes from Bleach. However, this doesn't really tell us how much Simmon actually took from Bleach, especially at the narrative level. Did he also heavily take from its story or did he simply inserted scenes that he found cool and inspiring within a fictional universe of his own? This isn't really clear from any of the comments. But then again, when one looks at the extraordinary resemblance between graphic design and characters from one manga to the other, it might also be difficult to accue him of plagiarism. After all, even though there is some diversity of representations in manga, it is kind of limited by some aesthetic codes. In the end, manga heroes within the same genres do tend to look extraordinarily alike to the point that it isn't rare to confuse them, if they are taken out of their original context.

by ジャクリーヌ ベルント, Jaqueline Berndt

Modern Art Asia is a new journal dedicated to the arts of Asia from the eighteenth century to today, presenting postgraduate research from historical perspectives and international news on Asian art. For the rising generation of Asian art scholars, these works exist in a globalized interdisciplinary context at the intersection of scholarship, criticism, and the market. Founded to address the need within art history and art journalism for a space dedicated to the arts of Asia, Modern Art Asia combines peer-reviewed articles with insightful commentary and the latest exhibition reviews from international correspondents, providing a new forum for exchange between scholars that crosses the boundaries of traditional academic disciplines, and engages with a general readership through the addition of journalistic writing on art.