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noelbeale

Royal Limo Company Now Serves Most Cities in Greater United Kingdom - 0 views

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    The Royal Ascot race is known to be amongst the most amazing events in the entire UK and quite a sought after one in the well known British calendar.
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Julia Williams

Professional Wealth Management Service - 0 views

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    United American Property Management has specialized and experienced Wealth managers.Wealth management retain is the key to proper planning that determines whether you will be economically stable in the long manage or not. It is an investment fright discipline which deals subsequent to monitory issues.
Julia Williams

Facilities Management for Better Real Estate | Facility Manager - 0 views

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    United American Property Management ensure the facility management models created by our team of experts are bespoke, nimble, transparent, realizable-to-handle and customized for every single one within obtain of our customers subsequent to their varied requirements.
Julia Williams

Affordable Property Management Company | Certified Property Manager - 0 views

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    You must be looking for an elegant support in the segment of the property management. We are among the top property management companies and most importantly we are there in this segment for more than decade. United American Property Management is having the best set of and they are all proficient in this field in terms of experience.
noelbeale

Limo Hire Royal Ascot Races - 0 views

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    Limo Hire Royal Ascot Races is one of Europe's most famous race meetings, and dates back to 1711 when it was founded by Queen Anne.
Mike Wesch

Boxxy - Wikipedia, the free encyclopedia - 0 views

  • This article is being considered for deletion in accordance with Wikipedia's deletion policy. Please share your thoughts on the matter at this article's entry on the Articles for deletion page. Feel free to edit the article, but the article must not be blanked, and this notice must not be removed, until the discussion is closed.
  • Boxxy (also known by the YouTube handle boxxybabee) is an internet meme created by a series of YouTube videos of an American girl referring to herself as Boxxy which became highly popular during January 2009.[1] Her videos have been the subject of much speculation over the reasons behind their making, given their nonsensical and hyperactive nature.[2] Topics covered in Boxxy's most famous video include her assertion that she is not on drugs, her eyeliner, two males named Steve and Brandon, a film about The Beatles, her supposed husband, and her awareness of her digression during the video.[3]
  • The girl known as Boxxy was a user of Gaia Online and had only uploaded three videos in total to YouTube, all in the first week of January, 2009.[when?][4] Within a week, her videos had gained over a million views, reaching two million by January 20.[4] Her YouTube channel was also the most subscribed to during January 2009.[1] On 4chan, the videos caused a great amount of strife when posts related to them became excessive on the site's /b/ imageboard, eventually leading to a DDOS attack against 4chan because of Boxxy,[5] described as a "civil war" on one of the world's biggest websites.[1] Her YouTube account was hacked, and threats of releasing her name and other personal information to the public if she made any more videos were made by the individuals who hacked into her account[who?].[2]
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  • Boxxy has divided opinion on 4chan, between those who greatly like and those who greatly dislike her, and this was the cause of the DDOS attack, with attitudes ranging from love to hate.[1][2] A large number of parodies, spoofs and spinoffs relating to Boxxy were also created by YouTube users during the period of Boxxy's fame.[2] Boxxy also led to notable speculation and reflection over the very nature of internet memes, why they occur, why they exist, and how they will be seen in the future, especially given the fact that they make their subjects famous for being famous.[1][6] The "Boxxy" internet meme has been compared to rickrolling[1] by The Guardian technology correspondent Bobbie Johnson.
Mike Wesch

Gives Life Meaning: Homeless Mind - Modernity's Discontents - 2 - 0 views

  • The discontents derived from the bureaucratization of major institutions are very similar to the ones just mentioned. However, they are even broader in scope for the simple reason that bureaucratization has affected nearly every sector of social life.
  • A congregation of Tibetan Buddhist monks, let us say, transplanted to the United States, can start using electric razors without thereby altering the character of their social relations. If, however, this monastic community started to bureaucratize its procedures, the very fabric of its social life would change almost immediately.
  • The individual is "surrounded" by bureaucracy far more effectively than he is by the technologized economy,
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  • Political life has become anonymous, incomprehensible and anomic to broad strata of the population
  • All the major public institutions of modern society have become "abstract."
  • Because of the religious crisis in modern society, social "homelessness" has become metaphysical--that is, it has become "homelessness" in the cosmos.
  • Modernity has accomplished many far-reaching transformations, but it has not fundamentally changed the finitude, fragility and mortality of the human condition. What it has accomplished is to seriously weaken those definitions of reality that previously made that human condition easier to bear. This has produced an anguish all its own, and one that we are inclined to think adds additional urgency and weight to the other discontents we have mentioned.
  • In the private sphere, "repressed" irrational impulses are allowed to come to the fore. A specific private identity provides shelter from the threats of anonymity. The transparency of the private world makes the opacity of the public one tolerable.
  • A limited number of highly significant relationships, most of them chosen voluntarily by the individual, provide the emotional resources for coping with the multi-relational reality "outside."
  • The most fundamental function of institutions is probably to protect the individual from having to make too many choices.
  • Human beings are not capable of tolerating the continuous uncertainty (or, if you will, freedom) of existing without institutional supports.
  • In their private lives individuals keep on constructing and reconstructing refuges that they experience as "home." But, over and over again, the cold winds of "homelessness" threaten these fragile constructions. It would be an overstatement to say that the "solution" of the private sphere is a failure; there are too many individual successes. But it is always very precarious.
Mike Wesch

Arab Media: The Web 2.0 Revolution - 0 views

  • The Cairo News Company, which provided satellite services and equipment for Al Jazeera, the BBC and CNN, was raided by police after it transmitted footage of the food riots.
  • But new media applications were changing the rules. This was demonstrated by the arrest of a journalism student from Berkeley named James Karl Buck, who was detained along with his Egyptian interpreter as he photographed a street protest. Buck used the Twitter application on his cell phone to send a snapshot of himself and the text message “arrested” to a list serve of his contacts. His friends used the message to prompt intervention from Berkeley and the U.S. consulate. Buck was soon able to Twitter the word “free,” and mounted an online campaign to release his interpreter.
  • police finally located him and tortured him for his Facebook password and names of the other group members (the vast majority of which he didn’t know).
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  • But in the United States, many would-be activists have been frustrated by the gap between an online click and concrete participation. Facebook groups and causes often swell, crest and dissipate without leaving a mark on the outside world. 
  • As of August 5, 2008, Facebook listed 484,137 members in the Egypt Network. The 6 April group was alive and well with 72,274 members (six of them new).
  • There are still important differences in the way content is generated as well. The print tradition of knowledge creation tends to require more research, reflection and refinement in the process of transforming an idea from impulse to public distribution. The online environment encourages instant, reflexive responses. So the Internet as we know it has two powerful functions: as conveyor of its own immediate data, and as an extraordinary portal to traditional repositories of knowledge: the published books, reports, journalism, legal briefs and scholarly articles.
  • The Arab world has had a fundamentally different relationship to print culture, and modern published resources are sorely lacking.
Mike Wesch

Joyce on Esthetic Arrest - 0 views

  • the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the human sufferer
  • You see I use the word ARREST. I mean that the tragic emotion is static. Or rather the dramatic emotion is. The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I used the general term) is therefore static. The mind is arrested and raised above desire and loathing.
  • It means certainly a stasis and not a kinesis
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  • force of generalization which would make the esthetic image a universal one
  • The instant wherein that supreme quality of beauty, the clear radiance of the esthetic image, is apprehended luminously by the mind which has been arrested by its wholeness and fascinated by its harmony is the luminous silent stasis of esthetic pleasure, a spiritual state very like to that cardiac condition which the Italian physiologist Luigi Galvani, using a phrase almost as beautiful as Shelley's, called the enchantment of the heart.
  • If you bear this in memory you will see that art necessarily divides itself into three forms progressing from one to the next. These forms are: the lyrical form, the form wherein the artist presents his image in immediate relation to himself; the epical form, the form wherein he presents his image in mediate relation to himself and to others; the dramatic form, the form wherein he presents his image in immediate relation to others.
  • It awakens, or ought to awaken, or induces, or ought to induce, an esthetic stasis, an ideal pity or an ideal terror, a stasis called forth, prolonged, and at last dissolved by what I call the rhythm of beauty.
Mike Wesch

Anonymous (group) - Wikipedia, the free encyclopedia - 0 views

  • Anonymous broadly represents the concept of any and all people as an unnamed collective
  • none of us are as cruel as all of us.
  • Anonymous is everywhere. Anonymous is legion. Anonymous is nowhere
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  • Anonymous has no identity
  • Anonymous is one; Anonymous is many.
  • Anonymous is united by one, and divided by zero
  • It is important to note that the distinction between this section, and the above, is of necessity somewhat blurred
  • "loose coalition of Internet denizens
  • We have this agenda that we all agree on and we all coordinate and act, but all act independently toward it, without any want for recognition.
  • Anonymous has no leader or controlling party, and relies on the collective power of its individual members acting in such a way that the net effect benefits the group.
  • the group responsible for Forcand's arrest as a "self-described Internet vigilant group called Anonymous" who contacted the police after some members were "propositioned" by Forcand with "disgusting photos of himself". The report also stated that this is the first time a suspected Internet predator was arrested by the police as a result of Internet vigilantism.[15]
Mike Wesch

Investigative Report Reveals Hackers Terrorize the Internet for LULZ | Threat Level fro... - 0 views

  • Mr. Shuman and the FoxLA News Team, True to your vociferous journalistic fashion, you recently ran a piece on Anonymous and the "Internet Hate Machine". In your zeal, you've distorted the truth. We, Anonymous, have been victims of a gross mischaracterization. Anonymous is a docile beast, and never attacks without provocation, or just cause. Over 9000 strong, Anonymous is legion. Anonymous is NOT a terrorist. Anonymous is not a gang. Anonymous is not a hacker, and Anonymous if not a racist. Anonymous is the sick little bastard inside all of us. Anonymous giggles at accidents and cackles at tragedies. Anonymous is humanity when the spotlight of society is shining elsewhere. Anonymous is your neighbor and your grocer, your doctor and your friend. Anonymous is not to be feared, but respected and ignored.Anonymous wants to be left ALONE. "...and he ashed him, What is thy name? And he saith unto him, My name is Legion; for we re many." ANONYMOUS is legion. Anonymous doesn't forgive. Anonymous doesn't forget. EVER. United as one, divided by zero.
  • Anonymous is a docile beast, and never attacks without provocation, or just cause. Over 9000 strong, Anonymous is legion. Anonymous is NOT a terrorist. Anonymous is not a gang. Anonymous is not a hacker, and Anonymous if not a racist. Anonymous is the sick little bastard inside all of us. Anonymous giggles at accidents and cackles at tragedies. Anonymous is humanity when the spotlight of society is shining elsewhere. Anonymous is your neighbor and your grocer, your doctor and your friend. Anonymous did the mash. He did the monster mash. The monster mash. It was a graveyard smash. He did the mash. It caught on in a flash. He did the mash. He did the monster mash
Adam Bohannon

Gin, Television, and Social Surplus - Here Comes Everybody - 0 views

  • Desperate Housewives essentially functioned as a kind of cognitive heat sink, dissipating thinking that might otherwise have built up and caused society to overheat.
  • And it's only now, as we're waking up from that collective bender, that we're starting to see the cognitive surplus as an asset rather than as a crisis. We're seeing things being designed to take advantage of that surplus, to deploy it in ways more engaging than just having a TV in everybody's basement.
  • So how big is that surplus? So if you take Wikipedia as a kind of unit, all of Wikipedia, the whole project--every page, every edit, every talk page, every line of code, in every language that Wikipedia exists in--that represents something like the cumulation of 100 million hours of human thought. I worked this out with Martin Wattenberg at IBM; it's a back-of-the-envelope calculation, but it's the right order of magnitude, about 100 million hours of thought.
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  • And I said, "No one who works in TV gets to ask that question. You know where the time comes from. It comes from the cognitive surplus you've been masking for 50 years."
  • It's precisely when no one has any idea how to deploy something that people have to start experimenting with it, in order for the surplus to get integrated, and the course of that integration can transform society.
  • At least they're doing something. Did you ever see that episode of Gilligan's Island where they almost get off the island and then Gilligan messes up and then they don't? I saw that one. I saw that one a lot when I was growing up. And every half-hour that I watched that was a half an hour I wasn't posting at my blog or editing Wikipedia or contributing to a mailing list. Now I had an ironclad excuse for not doing those things, which is none of those things existed then. I was forced into the channel of media the way it was because it was the only option. Now it's not, and that's the big surprise. However lousy it is to sit in your basement and pretend to be an elf, I can tell you from personal experience it's worse to sit in your basement and try to figure if Ginger or Mary Ann is cuter.
  • But media is actually a triathlon, it 's three different events. People like to consume, but they also like to produce, and they like to share.
  • One per cent of that  is 100 Wikipedia projects per year worth of participation.
  • I think that's going to be a big deal. Don't you? Well, the TV producer did not think this was going to be a big deal; she was not digging this line of thought. And her final question to me was essentially, "Isn't this all just a fad?" You know, sort of the flagpole-sitting of the early early 21st century? It's fun to go out and produce and share a little bit, but then people are going to eventually realize, "This isn't as good as doing what I was doing before," and settle down. And I made a spirited argument that no, this wasn't the case, that this was in fact a big one-time shift, more analogous to the industrial revolution than to flagpole-sitting.
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