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Mike Wesch

The Believer - The Syncher, Not the Song - 0 views

  • Type numa numa into Google Video’s search box, and you’ll get well over 400 hits; in YouTube’s, you’ll get over 1,500. Virtually all of the results are cut from a single template.
  • Brolsma’s video singlehandedly justifies the existence of webcams. His squarish head and shoulders are in the center of the shot. He’s got a short haircut, glasses that are slightly too small for him and reflect his computer’s monitor, and cheap headphones; he’s sitting in a dismal-looking suburban room. And he is going for it: rolling his eyes back in his head, shaking his face, shooting his hands into the air with the beat, saluting along with the word salut, gesturing grandly, lip-synching the whole thing with his grand opera of a mouth, flirting with the camera, utterly given over to the music. It’s a movie of someone who is having the time of his life, wants to share his joy with everyone, and doesn’t care what anyone else thinks.
  • they start to look less like an infectious joke than like a new cultural order. These kids aren’t mocking the Numa Numa Guy; they’re venerating him. They are geeks honoring the King of the Geeks, and they’re beautiful to see, because they’re replicating and spreading his happiness. They’re following a ritual that’s meaningful if not yet venerable: learning the dance, lip-synching the song, documenting their performance just so, making it available for the world to see.
Mike Wesch

Pigslop - Encyclopedia Dramatica - 0 views

  • He had a mutually-beneficial symbiotic relationship with ED, using and creating some of the material contained in these articles for his videos. But as time went on, his e-fame went to his head, and Pigslop developed an extreme case of unwarranted self-importance, resulting in one of the lulziest cases of serial snow-balling self-ownage in YouTube history.
Mike Wesch

videoblogging : Message: (No subject) - 0 views

  • So, what can a video blog do or rather, what can I do with a video blog that I cannot do with other mediums? It attracts me because of this unique combination of traits in a visual medium. It is irrelevant to me if its content is edited or `real' or `art'. What is most interesting to me is that it provides a way to tell a story that could eliminate worn-out narrative forms without relying on `postmodern' or ironic or self-aware tricks, most of which are rapidly becoming traps.
  • blogging shares many common traits with letter writing / diary keeping – it is periodic, its is a dialog and unlike say, a phone conversation, it is author-centric(very much 1st person in its content) and it is a cumulative form of story telling.
Mike Wesch

videoblogging : Message: Welcome - 0 views

  • I've posted a few video entries on my blog, but it's a lot of work, and the bandwidth usage is a bit scary.
Mike Wesch

Media Revolution: Podcasting (Part 2); 2/06 - 0 views

  • By the end of 2004, bloggers were using the ability to add video as an enclosure to an RSS feed, allowing viewers to subscribe to videos and have them delivered automatically to their computers. This solved the problem of click and wait, where you had to wait for a video to start playing when you clicked on it from a web page.
  • podcasting (both video and audio) is a bottom-up movement and squarely the domain of individuals who are being guided by human creativity and expression, rather than corporate agendas and economic exigencies.
  • With the cost of video cameras in the hundreds, sophisticated computers with video editing software available for just over a grand, and high speed always-on internet connections costing less than the average cable television subscription, the means of both production and distribution are now in the hands of practically anyone with something to say
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  • genuine conversation with their audience,
  • Marhshall McLuhan argued that in each socio-cultural era the medium in which information is created and transmitted determines the essential characteristics of that culture. He also predicted the evolution of an interconnected "global village".  The shift from a centralized media industry modeled on industrial revolution structures to a decentralized chaotic information-age soup is having a profound effect on the messages we exchange and shaping the characteristics of our culture. The global village comes to a crescendo with podcasting, and you can participate in the revolution with tools that are easily within reach: your imagination, the computer you're using to read this web page, and a video camera. We're not going to predicting what's next, as that's going to depend on what you, yes you, plan to do with new media. If the flutter of one butterfly wing, can trigger a chain reaction of events resulting in a storm half-way across the planet, imagine the effect millions, or billions, of individually produced videos will have on the characteristic of the global village and the media landscape.
  • You don't even need a video camera to start videoblogging, the mashup culture is in full force
  • most new computers come with free video editing software
  • A large group of vloggers, over 2,000 at last count, actively participate in the Yahoo! Videoblogging Group from all over the world.
Mike Wesch

Prime Time for Vlogs? - May 1, 2006 - 0 views

  • Rocketboom has 250,000 visitors a day, and that number is rising fast.
Mike Wesch

Blogspotting Those darn video blogging pioneers - BusinessWeek - 0 views

  • Vimeo is a video sharing version of Flickr from Zach Klein, Jakob Lodwick, two of the founders of the popular CollegeHumor site. It was purely a pet project by Lodwick, but now has around 3,000 members
  • Mefeedia and FireANT, from the folks at the videoblogging group. Then of course, there is Ourmedia, the nonprofit that offers free grassroots publishing tools and online storage space for video blogs
Teosholo g

Larry Lessig says the law is strangling creativity | Video on TED.com - 0 views

  •  
    8min 14 min - take content down vs. copyright abolitionism
Mike Wesch

Web ushers in age of ambient intimacy - Print Version - International Herald Tribune - 0 views

  • In essence, Facebook users didn't think they wanted constant, up-to-the-minute updates on what other people are doing. Yet when they experienced this sort of omnipresent knowledge, they found it intriguing and addictive. Why?
  • Social scientists have a name for this sort of incessant online contact. They call it "ambient awareness."
  • The growth of ambient intimacy can seem like modern narcissism taken to a new, supermetabolic extreme
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  • taken together, over time, the little snippets coalesce into a surprisingly sophisticated portrait of your friends' and family members' lives, like thousands of dots making a pointillist painting. This was never before possible, because in the real world, no friend would bother to call you up and detail the sandwiches she was eating. The ambient information becomes like "a type of ESP," as Haley described it to me, an invisible dimension floating over everyday life.
  • ad hoc, self-organizing socializing.
  • The Japanese sociologist Mizuko Ito first noticed it with mobile phones: lovers who were working in different cities would send text messages back and forth all night
  • You could also regard the growing popularity of online awareness as a reaction to social isolation, the modern American disconnectedness that Robert Putnam explored in his book "Bowling Alone."
  • "Things like Twitter have actually given me a much bigger social circle. I know more about more people than ever before."
  • Online awareness inevitably leads to a curious question: What sort of relationships are these? What does it mean to have hundreds of "friends" on Facebook? What kind of friends are they, anyway?
  • Dunbar noticed that ape groups tended to top out at 55 members. Since human brains were proportionally bigger, Dunbar figured that our maximum number of social connections would be similarly larger: about 150 on average
  • where their sociality had truly exploded was in their "weak ties"
  • "I outsource my entire life," she said. "I can solve any problem on Twitter in six minutes."
  • She also keeps a secondary Twitter account that is private and only for a much smaller circle of close friends and family — "My little secret," she said. It is a strategy many people told me they used: one account for their weak ties, one for their deeper relationships.)
  • Psychologists have long known that people can engage in "parasocial" relationships with fictional characters, like those on TV shows or in books, or with remote celebrities we read about in magazines. Parasocial relationships can use up some of the emotional space in our Dunbar number, crowding out real-life people.
  • Danah Boyd, a fellow at Harvard's Berkman Center for Internet and Society who has studied social media for 10 years, published a paper this spring arguing that awareness tools like News Feed might be creating a whole new class of relationships that are nearly parasocial — peripheral people in our network whose intimate details we follow closely online, even while they, like Angelina Jolie, are basically unaware we exist.
  • "These technologies allow you to be much more broadly friendly, but you just spread yourself much more thinly over many more people."
  • She needs to stay on Facebook just to monitor what's being said about her. This is a common complaint I heard, particularly from people in their 20s who were in college when Facebook appeared and have never lived as adults without online awareness. For them, participation isn't optional. If you don't dive in, other people will define who you are.
    • Mike Wesch
       
      like PR for the microcelebrity
  • "It's just like living in a village, where it's actually hard to lie because everybody knows the truth already," Tufekci said. "The current generation is never unconnected. They're never losing touch with their friends. So we're going back to a more normal place, historically. If you look at human history, the idea that you would drift through life, going from new relation to new relation, that's very new. It's just the 20th century."
  • Psychologists and sociologists spent years wondering how humanity would adjust to the anonymity of life in the city, the wrenching upheavals of mobile immigrant labor — a world of lonely people ripped from their social ties. We now have precisely the opposite problem. Indeed, our modern awareness tools reverse the original conceit of the Internet. When cyberspace came along in the early '90s, it was celebrated as a place where you could reinvent your identity — become someone new.
  • "If anything, it's identity-constraining now," Tufekci told me. "You can't play with your identity if your audience is always checking up on you.
  • "You know that old cartoon? 'On the Internet, nobody knows you're a dog'? On the Internet today, everybody knows you're a dog! If you don't want people to know you're a dog, you'd better stay away from a keyboard."
  • Young people today are already developing an attitude toward their privacy that is simultaneously vigilant and laissez-faire. They curate their online personas as carefully as possible, knowing that everyone is watching — but they have also learned to shrug and accept the limits of what they can control.
  • Many of the avid Twitterers, Flickrers and Facebook users I interviewed described an unexpected side-effect of constant self-disclosure. The act of stopping several times a day to observe what you're feeling or thinking can become, after weeks and weeks, a sort of philosophical act. It's like the Greek dictum to "know thyself," or the therapeutic concept of mindfulness.
Mike Wesch

YouTube Blog - 0 views

  • 13 hours of video uploaded every minute, hundreds of millions of views a day and 23 country-specific versions of the site,
Mike Wesch

Digital Web Magazine - The Rise of Flash Video, Part 1 - 0 views

  • The next iteration of Flash, Flash Professional MX 2004, solved those issues. Instead of embedding video into the Flash timeline, developers and designers could stream video from a web server.
  • the FLV format became an output format for all of the major video editing applications, including QuickTime.
  • In 2004 Flash Video was still a bit of a novelty
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