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Few things must be more emotionally paradoxical for the anti-patentistas of the world than to see Microsoft get clobbered on a patent infringement action. Do you rejoice because one of the great advocates, and enforcers, of software patents has gotten a strong dose of their own medicine? Or do you fret at yet another example of a patent system gone mad?

Obi, an open source audio recording tool released by the DAISY Consortium, enables a broader audience to produce accessible, navigable information for people with print disabilities. DAISY audio books created with Obi can be produced with chapters, sections, sub-sections and pages, providing navigation to the content. Obi is fully accessible through assistive technologies such as screen readers. In addition, Obi reduces the time required to work with sophisticated production tools and significantly reduces tool costs that may create barriers for some.

Alex explains that the goal of Google Books was to make books easier to find. He references an article in the New York Times in which librarians lamented that people were only searching online materials, not printed books. He references a story in which a research assistant was asked by Larry Lessig to come back with "everything Senator X said about topic Y" and returned only with results after 1996… which is to say, only results from the web.

So I buy a Kindle book for my Kindle 2. It downloads to my machine. I open up the book -- it has no relation (except the relation of "not") to the book I ordered. Three emails, 4 days later, Amazon has still not responded to the problem. I wonder how they begin to discover/fix such a problem.

Ursula K. Le Guin, the science fiction writer, was perusing the Web site Scribd last month when she came across digital copies of some books that seemed quite familiar to her. No wonder. She wrote them, including a free-for-the-taking copy of one of her most enduring novels, "The Left Hand of Darkness."

A landmark study by the Institute of European Media Law (EML) found that a levy on internet usage legalising non-commercial online exchanges of creative works conforms with German and European copyright law, even though it requires changes in both. The German and European factions of the Green Party who had commissioned the study will make the "culture flat-rate," as the model is being called in Germany, an issue in their policies. The global debate on a new social contract between creatives and society is getting more pronounced by the day. Two models are emerging: a free-market approach based on private blanket licences and voluntary subscriptions, and a legal licence approach based on exceptions in copyright law and mandatory levies, that now has been proven legally feasible and appropriate by the EML study.

This column argues that the proposed settlement of this lawsuit is a privately negotiated compulsory license primarily designed to monetize millions of orphan works. It will benefit Google and certain authors and publishers, but it is questionable whether the authors of most books in the corpus (the "dead souls" to which the title refers) would agree that the settling authors and publishers will truly represent their interests when setting terms for access to the Book Search corpus.

The Coalition's mission statement says, "Sadly, the Authors Guild does not support equal access for us. The Guild has told us that to read their books with text-to-speech we must either submit to a special registration system (that not all may qualify for and that would expose disability information to all future eBook reader manufacturers) and prove our disabilities -- or pay extra." (...) The Guild issued a statement following the protests, explaining its position: "The Authors Guild will gladly be a forceful advocate for amending contracts to provide access to voice-output technology to everyone. We will not, however, surrender our members' economic rights to Amazon or anyone else. The leap to digital has been brutal for print media generally, and the economics of the transition from print to e-books do not look as promising as many assume. Authors can't afford to start this transition to digital by abandoning rights." If the guild is trying to gain sympathy, it will have a very difficult time when it pits "economic rights" against civil rights.

"An Amazon spokesman declined to comment on either issue." (Reading Rights protest about disabling TTS and people grumbling about books over $9.99)

GIMP is the favorite graphics editing program of many designers and graphic artists. It is free and compatible with Windows, Mac and Linux (the two big reasons for its popularity). It has a wide array of features, as well as plug-ins, filters and brushes. Documentation is primarily available in online communities, as well as through extensive add-ons

Non boycottate gli e-book per il Kindle di Amazon che costano più di $9.99. Boycottate Kindle, il lettore di e-book di Amazon.

Time and again, the Author's Guild has shown itself to be the epitome of a venal special interest group, the kind of grasping, foolish posturers that make the public cynically assume that the profession it represents is a racket, not a trade. This is, after all, the same gang of weirdos who opposed the used book trade going online. I think there's plenty not to like about the Kindle -- the DRM, the proprietary file format, both imposed on authors and publishers even if they don't want it -- and about Amazon's real audiobook section, Audible (the DRM -- again, imposed on authors and publishers even if they'd prefer not to use it). But if there's one thing Amazon has demonstrated, it's that it plans on selling several bazillion metric tons of audiobooks. They control something like 90 percent of the market. To accuse them of setting out to destroy it just doesn't pass the giggle-test.

The Authors Guild is pressuring Amazon to modify the Kindle 2 so that the synthetic speech function can only be used with the express authorization of the owner of the copyright of a work. A coalition of organizations that represent or work with persons with reading disabilities is organizing a protest to persuade the Guild to change its position. KEI supports the protest, and makes this statement on the Kindle 2 issue:

This isn't a new issue. George Kerscher and I wrote a major essay on the topic seven(!) years ago entitled the Soundproof Book. In it, we pointed out the irony that the first generation of ebook readers being inaccessible to blind people. This irony continues: it's a terrible shame that Amazon (and other ebook device vendors) keeps putting out ebook products that are inaccessible to the blind! More on that in another essay. The essence of the Soundproof Book essay was the dueling moral high grounds: author's rights vs. the right to access. Since these are both generally good from society's standpoint, how do you handle the conflict between them?

"Amazon has taken a step in the right direction by including text-to-speech technology for reading e-books aloud on its new Kindle 2," Dr. Maurer [President of the National Federation of the Blind] continued. "We note, however, that the device itself cannot be used independently by a blind reader because the controls to download a book and begin reading it aloud are visual and therefore inaccessible to the blind. We urge Amazon to rectify this situation as soon as possible in order to make the Kindle 2 a device that truly can be used both by blind and sighted readers. By doing so, Amazon will make it possible for blind people to purchase a new book and begin reading it immediately, just as sighted people do."

All you really need to know about the dangers of digital commodification you learned in kindergarten.\n\nThink back. Remember swapping your baloney sandwich for Jell-o pudding? Now, imagine handing over your sandwich and getting just a spoon.\n\nThat's one trade you'd never make again.\n\nYet that's just what millions of Americans are doing every day when they read "books" on Kindle, Amazon's e-reading device. In our rush to adopt new technologies, we have too readily surrendered ownership in favor of its twisted sister, access.

Serves readers, pays writers: so far, so good. But there's another thing about Kindle 2 - its heavily marketed text-to-speech function. Kindle 2 can read books aloud. And Kindle 2 is not paying anyone for audio rights.

Just found myself having a long argument/discussion with my agent over the Amazon Kindle text-to-speech capability. I'm going to summarise it here. Her point of view: The Kindle reading you the book-you-just-bought infringes the copyright (or at least, the rights) to the audiobook. We've sold audiobook rights and print book rights as separate things. We must stop this. My point of view: When you buy a book, you're also buying the right to read it aloud, have it read to you by anyone, read it to your children on long car trips, record yourself reading it and send that to your girlfriend etc. This is the same kind of thing, only without the ability to do the voices properly, and no-one's going to confuse it with an audiobook. And that any authors' societies or publishers who are thinking of spending money on fighting a fundamentally pointless legal case would be much better off taking that money and advertising and promoting what audio books are and what's good about them with it.

Serves readers, pays writers: so far, so good. But there's another thing about Kindle 2 - its heavily marketed text-to-speech function. Kindle 2 can read books aloud. And Kindle 2 is not paying anyone for audio rights.