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Get set for next year's overhaul of official kanji | The Japan Times Online - 0 views

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    Kanji aficionados and educators are buzzing over the biggest kanji news in nearly three decades: Next fall, for the first time since 1981, Japan's government is expected to announce a revision of the joyo (general-use) kanji list. Currently numbering 1,945, these kanji comprise the official list allowed for use in newspapers and government publications, and Japanese school children are meant to learn them all during their compulsory education.
Nele Noppe

Cross-Cultural Space: Spatial Representation in American and Japanese Visual Language - 0 views

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      quote! en meer zoeken over die theorie van visual language
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      aspecten van een situatie tonen eerder dan de actie
  • subjectivity can be encoded in a panel as a whole, shifting the viewpoint of the panel to a member of the fictive narrative.
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      subjectiviteit viewpoints
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  • Japanese children use aerial and close up (“exaggerated”) viewpoints en masse and were not found in the American children’s representations at all.
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      close-ups belangrijk: tonen emoties? (shonen van nabij bekijken)
  • Aerial High-angled Lateral Low-angled Ground-up American 1 (SD = 1.2) 9.7 (SD = 8.5) 82.1 (SD = 8.5) 6.1 (SD = 3.7) 0.25 (SD = 0.4) Japanese 1.2 (SD = 0.9) 14.9 (SD = 5.1) 73.4 (SD = 8.6) 8.9 (SD = 3.9) 1.3 (SD = 1.5)
    • Nele Noppe
       
      blijkbaar zijn manga relatief gevarieerd qua perspectieven
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      dit klinkt gek, denkende aan shojo-layouts. bekijken -> aan afbeelding te zien: lijkt op eerste gezicht niet Japans, nee. is er rekening gehouden met zaken zoals shojo stijl, waar de frames vaak helemaal afwezig zijn??
  • Though the numbers are minor, American books seem to modify their panels with framing types more than Japanese books do.
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      statistieken voor close-ups, linken!
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      is relatief minder diepte in manga een gevolg van minder achtergrond?
  • a greater variation across authors for LRM categories than Japanese books do. I hypothesize that this variation can be attributed to a willingness of American authors to experiment more with the visual language as an “artistic” medium, as opposed to the Japanese usage of more of a communicative system akin to language (Cohn 2004)
    • Nele Noppe
       
      heel interessant! worden manga in japan meer gebruikt voor 'communicatie', en comics in de vs meer voor 'artistieke expressie'? (ook superhero comics van dertien in een dozijn?)
  • An “Art” treatment emphasizes individualistic and innovative techniques for authors, while a “Language” system promotes shared techniques amongst a community.
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      gebruiken om erop te wijzen dat manga een 'taal' bevatten! -shared techniques wil niet zeggen minder originele inhoud, gaat over structural means
  • difference is recognizable in other domains such as drawing style. While American authors draw in dramatically varying ways, Japanese authors are similar enough in structure to belong to an overarching “Japanese style” that is recognizable at a glance.
  • Of course, the need for an explanation for variance at all is in part a curious one when dealing with the notion of languages, since usually languages are expected to vary.
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