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We are encouraged by the recent announcement of MIT accepting maker portfolios as part of their college application process. Portfolios are often described as a more authentic means of assessment than the traditional classroom test.

to understand what’s really going on, the climate jigsaw puzzle needs to be complete. That, says climate scientist Gavin Schmidt, is where climate modeling comes in. The discipline synthesizes data from multiple sources, including satellites, weather stations, even from people camping in the Arctic and submitting measurements of the ice they see around them. Climate modeling, Schmidt says, gives us our best chance of understanding the bigger picture of the world around us. “We take all of the things we can see are going on, put them together with our best estimates of how processes work, and then see if we can understand and explain the emergent properties of climate systems,” he says. These four silent animations show what he means.

Every morning as a child, I'd watch thousands of men walk down that hill to work in the shipyard. I'd watch those same men walking back home every night. It has to be said, the shipyard was not the most pleasant place to live next door to, or indeed work in. The shipyard was noisy, dangerous, highly toxic, with an appalling health and safety record. 2:34 Despite that, the men and women who worked on those ships were extraordinarily proud of the work they did, and justifiably so. Some of the largest vessels ever constructed on planet Earth were built right at the end of my street.

He said, "What the hell are you gonna do?" ♪ 11:23 ♪ I said, "Anything but this!" ♪ 11:26 ♪ These dead man's boots know their way down the hill ♪ 11:29 ♪ They can walk there themselves and they probably will ♪ 11:32 ♪ But they won't walk with me ‘cause I'm off the other way ♪ 11:35 ♪ I've had it up to here, I'm gonna have my say ♪ 11:37 ♪ When all you've got left is that cross on the wall ♪ 11:40 ♪ I want nothing from you, I want nothing at all ♪ 11:43 ♪ Not a pension, nor a pittance, when your whole life is through ♪ 11:46 ♪ Get this through your head, I'm nothing like you ♪ 11:49 ♪ I'm done with all the arguments, there'll be no more disputes ♪ 11:54 ♪ And you'll die before you see me in your dead man's boots ♪

So the procession is moving at a stately pace down my street, and as it approaches my house, I start to wave my flag vigorously, and there is the Queen Mother. I see her, and she seems to see me. She acknowledges me. She waves, and she smiles. And I wave my flag even more vigorously. We're having a moment, me and the Queen Mother. She's acknowledged me. And then she's gone. 13:50 Well, I wasn't cured of anything. It was the opposite, actually. I was infected. I was infected with an idea. I don't belong in this street. I don't want to live in that house. I don't want to end up in that shipyard. I want to be in that car.

we sometimes forget that cultural differences represent profound psychological differences. The critical question for all nations is, “How can we engage globalization without losing our traditions?” For traditions are our links with the past. How do our traditions become integrated into some new worldview?At its core, globalization is not about communications technology; it’s about personal identity. It goes to the psychological foundations of a people. It is the process of realizing that wherever we come from, from now on, we are “one people” with one destiny.

WILLIAM V. WISHARD Lake Ridge, Va., May 27, 2014 The writer is a former trends analyst and author of “Between Two Ages: The 21st Century and the Crisis of Meaning.”