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Jason Dillon

Sting: How I started writing songs again | Talk Video | TED.com - 0 views

  • Every morning as a child, I'd watch thousands of men walk down that hill to work in the shipyard. I'd watch those same men walking back home every night. It has to be said, the shipyard was not the most pleasant place to live next door to, or indeed work in. The shipyard was noisy, dangerous, highly toxic, with an appalling health and safety record. 2:34 Despite that, the men and women who worked on those ships were extraordinarily proud of the work they did, and justifiably so. Some of the largest vessels ever constructed on planet Earth were built right at the end of my street.
  • He said, "What the hell are you gonna do?" ♪ 11:23 ♪ I said, "Anything but this!" ♪ 11:26 ♪ These dead man's boots know their way down the hill ♪ 11:29 ♪ They can walk there themselves and they probably will ♪ 11:32 ♪ But they won't walk with me ‘cause I'm off the other way ♪ 11:35 ♪ I've had it up to here, I'm gonna have my say ♪ 11:37 ♪ When all you've got left is that cross on the wall ♪ 11:40 ♪ I want nothing from you, I want nothing at all ♪ 11:43 ♪ Not a pension, nor a pittance, when your whole life is through ♪ 11:46 ♪ Get this through your head, I'm nothing like you ♪ 11:49 ♪ I'm done with all the arguments, there'll be no more disputes ♪ 11:54 ♪ And you'll die before you see me in your dead man's boots ♪
  • So the procession is moving at a stately pace down my street, and as it approaches my house, I start to wave my flag vigorously, and there is the Queen Mother. I see her, and she seems to see me. She acknowledges me. She waves, and she smiles. And I wave my flag even more vigorously. We're having a moment, me and the Queen Mother. She's acknowledged me. And then she's gone. 13:50 Well, I wasn't cured of anything. It was the opposite, actually. I was infected. I was infected with an idea. I don't belong in this street. I don't want to live in that house. I don't want to end up in that shipyard. I want to be in that car.
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  • there's a symbiotic and intrinsic link between storytelling and community, between community and art, between community and science and technology, between community and economics. It's my belief that abstract economic theory that denies the needs of community or denies the contribution that community makes to economy is shortsighted, cruel and untenable.
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