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John Lemke

CRIA Watches Massive Music Piracy Crisis Devastate Unknown Band | TorrentFreak - 0 views

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    "The Canadian Recording Industry Association (CRIA) states that, to achieve Platinum status, an album must achieve sales of 100,000 copies/downloads of an album. Sales…that's the key. A random polling of several torrent site's downloads-ILLEGAL downloads-has shown that 1ST, the debut cd by ONE SOUL THRUST has been downloaded over 100,000 times," he wrote. Now, 100,000 downloads is a lot, especially for a band like One Soul Thrust who have just 176 Twitter followers and a single short, non-musical video on their YouTube channel which at the time of writing has 79 views. Incidentally, the video is quite nice, since they have actually taken the time out to thank a radio station for playing one of their songs. However, the band are less pleased that people are apparently sampling their music using newer methods, i.e BitTorrent. "We paid to create that album totally out of our own pockets. People think of illegal downloading not hurting anyone, but we're real people too- with real mortgages, real family to feed and real bills to pay," said lead-vocalist Salem Jones. "By downloading our album from pirate sites, people have stolen from us, our families, everyone involved in the production of our album, and their families."
John Lemke

CRIA Watches Massive Music Piracy Crisis Devastate Unknown Band | TorrentFreak - 0 views

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    A band, almost entirely unknown, is reportedly devastated by piracy.  Thing is, seems there are no torrents out there.
John Lemke

So What Can The Music Industry Do Now? | Techdirt - 0 views

  • The past was, and the future is going to be, much more about performance. In this new world, recordings often function as more as ads for concerts than as money-makers themselves. (And sometimes are bundled with concert tickets, as Madonna's latest album was.) As a result, copying looks a lot less fearsome. A copied ad is just as effective--and maybe much more so--than the original.
  • Just ask pop singer Colbie Caillat. Caillet's music career began in 2005 when a friend posted several of her home-recorded songs to MySpace. One song, Bubbly, began to get word of mouth among MySpace users, and within a couple of months went viral. Soon Colbie Caillat was the No. 1 unsigned artist on MySpace. Two years after posting Bubbly, Caillet had more than 200,000 MySpace friends, and her songs had been played more than 22 million times. Caillet had built a global fan base while never leaving her Malibu home. In 2007, Universal Records released her debut album, Coco, which peaked at No. 5 on the Billboard charts and reached platinum status.
  • The problem of piracy in music is, of course, very different from the problem in comedy. Stand-up comics worry most about a rival, not a fan, copying their jokes. Still, the reduction of consumer copying of music via norms may be possible, and will become more imaginable if the music industry experiences ever-greater fragmentation and communication. There is already an interesting example of norms playing a substantial role in controlling copying in music. In the culture of jambands, we see the fans themselves taking action to deter pirates. What are jambands? In a fascinating 2006 paper, legal scholar Mark Schultz studied the unique culture of a group of bands that belong to a musical genre, pioneered by the Grateful Dead, characterized by long-form improvisation, extensive touring, recreational drug use, and dedicated fans. Although acts like Phish, Blues Traveler, and the Dave Mathews Band vary in their styles, they are all recognizably inspired by the progenitors of jam music, the Dead. But the Dead's influence is not only musical. Most jambands adhere to a particular relationship with their fans that also was forged by the Dead.
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  • it turns out that by killing the single, the record labels made the Internet piracy problem, when it arrived, even worse. One of the major attractions of filesharing was that it brought back singles. Consumers wanted the one or two songs on the album that they liked, and not the ten they didn't.
John Lemke

Rock Band Serenades Discovery Astronauts With Out-of-This-World Music | Space Music, As... - 0 views

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    Big Head Todd & The Monsters
John Lemke

NASA Hosts STS-133 Song Contest Winner Live in Mission Control - Yahoo! News - 0 views

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    "Blue Sky" was written by the band as a tribute for Discovery's return to flight mission (STS-114) in 2005. The song received the most votes in NASA's "Top 40 song contest." The top two songs were played as wakeup music for the shuttle crew. [ For complete coverage of politics and policy, go to Yahoo! Politics ] Receiving 722,662 votes (29 percent), "Blue Sky" outdistanced the "Theme from Star Trek." The theme received 671,133 votes (27 percent) and was played to wake the crew Monday morning with a special introduction by William Shatner, the actor who played Captain James T. Kirk.
John Lemke

Welcome to Brands For Bands - 0 views

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    Met these guys at Van's Warped Tour, 2011, Blossom Music Center
John Lemke

FCC to buy out TV broadcasters to free up mobile spectrum | Ars Technica - 0 views

    • John Lemke
       
      I had my first issue at step one, "asks broadcasters to tell the FCC how much it wold take for the agency to buy them out".  They claim that this is a way to keep cost down by hopefully grabbing the least popular via low bids.   I see two issues immediately.  Number one by asking them what they want they are going to immediately INCREASE the bids.  Two, if you are asking me what I want for my business to change how it broadcasts why would I not include any expense to make the switch. By asking them what they think a fair bid would be, they are, more or less, giving them a blank check.
  • the commission will put the newly-freed blocks of spectrum up for auction. If, as expected, the spectrum is more valuable when used for mobile services than broadcast television, then the FCC should reap significantly more from these traditional auctions than it had to pay for the spectrum in the original reverse auctions, producing a tidy profit for taxpayers.
    • John Lemke
       
      The objective at an auction is to purchase the object at the lowest possible cost.  How much mobile providers are willing to pay will determine how high bids will climb.  Based on how our current mobile providers already provide poor service when compared to the rest of the world, how much is that bandwidth actually worth to these companies that, more or less, have a lobbied stranglehold on the consumer?
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  • Bergmayer also praised an FCC proposal to update its "spectrum screen," a set of rules that prevent any single provider from gaining too large a share of the spectrum available in a particular market. The current scheme, he said, "treats all spectrum alike, even though some spectrum bands are better-suited to mobile broadband than others." As a result, he argued, it has become ineffective at preventing Verizon and AT&T from gaining enough spectrum to threaten competition. He urged the FCC to revise the rules to ensure the new auctions don't further entrench the dominance of the largest incumbents.
    • John Lemke
       
      It is the stuff like this that worries me, on one hand they want a high bid, and on the other it is going to be regulated.
  • Over the last decade, it has become increasingly obvious that America's spectrum resources are mis-allocated. The proliferation of cell phones, and more recently smartphones and tablets, has given mobile providers a voracious appetite for new spectrum. But a big chunk of the available spectrum is currently occupied by broadcast television stations. With more and more households subscribed to cable, satellite, and Internet video services, traditional broadcast television is looking like an increasingly outmoded use of the scarce and valuable airwaves.
  • incumbent broadcasters have controlled their channels for so long that they've come to be regarded as de facto property rights. And needless to say, the politically powerful broadcasters have fiercely resisted any efforts to force them to relinquish their spectrum.
  • incentive auctions
  • The plan has three phases. In the first phase, the FCC will conduct a reverse auction in which it asks broadcasters to tell the FCC how much it would take for the agency to buy them out. Presumably, the least popular (and, therefore, least profitable) channels will submit the lowest bids. By accepting these low bids, the FCC can free up the maximum possible spectrum at the minimum cost
John Lemke

Feathered dinosaur death site is an "animal Pompeii" | Ars Technica - 0 views

  • The fossils of the Jehol Biota are from the Early Cretaceous period, about 130 million years ago, and they comprise a wide variety of animals and plants. So far, about 60 species of plants, 1,000 species of invertebrates, and 140 species of vertebrates have been found in the Jehol Biota.
  • One of the most remarkable discoveries to arise from these fossils came in 2010, when Michael Benton of the University of Bristol found color-banding preserved in dinosaur fossils. These stripes of light and dark are similar to stripes in modern birds, and they provided further evidence that dinosaurs evolved into birds. Benton also found that these fossils had intact mealnosomes—organelles that make pigments. This discovery allowed paleontologists to tell the colors of dinosaurs' feathers for the first time.
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