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John Lemke

CRIA Watches Massive Music Piracy Crisis Devastate Unknown Band | TorrentFreak - 0 views

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    A band, almost entirely unknown, is reportedly devastated by piracy.  Thing is, seems there are no torrents out there.
John Lemke

Recording Industry Rep Suggests Parents Should Slap Their Children To Stop Piracy | Tec... - 0 views

  • A ruling handed down yesterday by Germany's highest court represents a blow to rightsholders in their quest to clamp down on illicit file-sharing. The court ruled that the parents of a teenager who had made available more than 1,100 songs on file-sharing networks can not be held responsible for their son's infringements, nor be required to monitor or hinder his online activities.
  • The Court ruled that the parents had met their parental obligations when they informed their child of "basic do's and don'ts" including that file-sharing copyrighted content online is illegal. Furthermore, the Court ruled that the parents were not required to monitor their child's online activities nor install special software to restrict his online behavior. This would only be required should the parents have "reasonable grounds" to presume that their child would engage in infringing activities online.
John Lemke

Fraud and Embezzlement Drives Anti-Piracy Group into Bankruptcy | TorrentFreak - 0 views

  • The organization’s board filed for bankruptcy after it discovered a wide range of serious problems. The group’s financial statements were falsified, the books were not in order, and taxes haven’t been paid since 2007.
  • CEO Snæbjörn Steingrímsson has admitted to embezzlement
  • The last time SMAIS made international headlines was last year, when the group pulled its Facebook page offline after four days. According to Steingrímsson, SMAIS didn’t have enough resources to handle the constant flaming comments from the public.
John Lemke

So What Can The Music Industry Do Now? | Techdirt - 0 views

  • The past was, and the future is going to be, much more about performance. In this new world, recordings often function as more as ads for concerts than as money-makers themselves. (And sometimes are bundled with concert tickets, as Madonna's latest album was.) As a result, copying looks a lot less fearsome. A copied ad is just as effective--and maybe much more so--than the original.
  • Just ask pop singer Colbie Caillat. Caillet's music career began in 2005 when a friend posted several of her home-recorded songs to MySpace. One song, Bubbly, began to get word of mouth among MySpace users, and within a couple of months went viral. Soon Colbie Caillat was the No. 1 unsigned artist on MySpace. Two years after posting Bubbly, Caillet had more than 200,000 MySpace friends, and her songs had been played more than 22 million times. Caillet had built a global fan base while never leaving her Malibu home. In 2007, Universal Records released her debut album, Coco, which peaked at No. 5 on the Billboard charts and reached platinum status.
  • The problem of piracy in music is, of course, very different from the problem in comedy. Stand-up comics worry most about a rival, not a fan, copying their jokes. Still, the reduction of consumer copying of music via norms may be possible, and will become more imaginable if the music industry experiences ever-greater fragmentation and communication. There is already an interesting example of norms playing a substantial role in controlling copying in music. In the culture of jambands, we see the fans themselves taking action to deter pirates. What are jambands? In a fascinating 2006 paper, legal scholar Mark Schultz studied the unique culture of a group of bands that belong to a musical genre, pioneered by the Grateful Dead, characterized by long-form improvisation, extensive touring, recreational drug use, and dedicated fans. Although acts like Phish, Blues Traveler, and the Dave Mathews Band vary in their styles, they are all recognizably inspired by the progenitors of jam music, the Dead. But the Dead's influence is not only musical. Most jambands adhere to a particular relationship with their fans that also was forged by the Dead.
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  • it turns out that by killing the single, the record labels made the Internet piracy problem, when it arrived, even worse. One of the major attractions of filesharing was that it brought back singles. Consumers wanted the one or two songs on the album that they liked, and not the ten they didn't.
John Lemke

CRIA Watches Massive Music Piracy Crisis Devastate Unknown Band | TorrentFreak - 0 views

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    "The Canadian Recording Industry Association (CRIA) states that, to achieve Platinum status, an album must achieve sales of 100,000 copies/downloads of an album. Sales…that's the key. A random polling of several torrent site's downloads-ILLEGAL downloads-has shown that 1ST, the debut cd by ONE SOUL THRUST has been downloaded over 100,000 times," he wrote. Now, 100,000 downloads is a lot, especially for a band like One Soul Thrust who have just 176 Twitter followers and a single short, non-musical video on their YouTube channel which at the time of writing has 79 views. Incidentally, the video is quite nice, since they have actually taken the time out to thank a radio station for playing one of their songs. However, the band are less pleased that people are apparently sampling their music using newer methods, i.e BitTorrent. "We paid to create that album totally out of our own pockets. People think of illegal downloading not hurting anyone, but we're real people too- with real mortgages, real family to feed and real bills to pay," said lead-vocalist Salem Jones. "By downloading our album from pirate sites, people have stolen from us, our families, everyone involved in the production of our album, and their families."
John Lemke

Kim Dotcom Teases Megabox, Reveals Exclusive Artists? | TorrentFreak - 0 views

  • Kim Dotcom is determined to put the major music labels out of business with Megabox. At the same time he promises to give artists full control over their own work and a healthy revenue stream. Today Dotcom released a video on the making of Megabox which unveils some of the service’s features. The video also shows “The Black Keys,” “Rusko,” “Two Fingers” and “Will.i.am” as exclusive artists.
  • So why would artists join Megabox in the first place? The goal of Megabox is to give the public access to free music and compensate artists through advertising revenue. Megaupload’s founder believes that this “free music” business model has the potential to decrease music piracy while giving artists proper compensation for their work. This revenue comes from the Megakey application that users have to install. Megakey works like an ad blocker, but instead of blocking ads it replaces a small percentage with Mega’s own ads. Those who prefer not to install the app have the option to buy the music instead.
  • “These new solutions will allow content creators to keep 90% of all earnings and generate significant income from the untapped market of free downloads,” Dotcom said.
John Lemke

Iron Maiden makes millions of dollars by playing live for pirates | The Verge - 0 views

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    The only thing the article got wrong is that they are not "pirates"... they are fans.
John Lemke

File-Sharing Boosts Creation of New Hit Music, Research Finds | TorrentFreak - 0 views

  • It is clear that file-sharing encourages the distribution of existing music, and in a paper titled “A Case Study of File Sharing and Music Output” the professor examines what the connection is between music piracy and the creation of new music.
  • The paper provides empirical evidence that file sharing did not reduce the creation of new hit songs. Instead, more new music entered the hit charts, an effect that’s driven by existing artists.
  • The data shows that the output from existing artists increased, while new artists appeared less frequently in the hit charts. However, since the new material from existing artists was greater than the loss from new artists, the “creation” of new music increased overall.
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  • “Specifically, the [result] suggests that the 58.92 percent decline in record sales would be associated with a net increase of 20.6 new songs in the study’s sample annually, all else constant,” Professor Lunney writes.
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