Skip to main content

Home/ Groups/ Instructional & Media Services at Dickinson College
1More

"1945-1998" by Isao Hashimoto: CTBTO Preparatory Commission - 0 views

    • Ed Webb
       
      The retro computer game aesthetic really works for this atompunk artwork
2More

Ian Bogost - Beyond Blogs - 0 views

  • I wish these were the sorts of questions so-called digital humanists considered, rather than figuring out how to pay homage to the latest received web app or to build new tools to do the same old work. But as I recently argued, a real digital humanism isn't one that's digital, but one that's concerned with the present and the future. A part of that concern involves considering the way we want to interact with one another and the world as scholars, and to intervene in that process by making it happen. Such a question is far more interesting and productive than debating the relative merits of blogs or online journals, acts that amount to celebrations of how little has really changed.
  • Perhaps a blog isn't a great tool for (philosophical; videogame) discussion or even for knowledge retention, etc... but a whole *blogosphere*...? If individuals (and individual memory in particular) are included within the scope of "the blogosphere" then surely someone remembers the "important" posts, like you seemed to be asking for...?
5More

Letting Us Rip: Our New Right to Fair Use of DVDs - ProfHacker - The Chronicle of Highe... - 0 views

  • Motion pictures on DVDs that are lawfully made and acquired and that are protected by the Content Scrambling System [CSS] when circumvention is accomplished solely in order to accomplish the incorporation of short portions of motion pictures into new works for the purpose of criticism or comment, and where the person engaging in circumvention believes and has reasonable grounds for believing that circumvention is necessary to fulfill the purpose of the use in the following instances: (i) Educational uses by college and university professors and by college and university film and media studies students; (ii) Documentary filmmaking; (iii) Noncommercial videos. [Note: the term "motion picture" does not solely mean feature films—for the Library of Congress, it refers to "audiovisual works consisting of a series of related images which, when shown in succession, impart an impression of motion, together with accompanying sounds, if any." Hence, the term includes television, animation, and pretty much any moving image to be found on DVD.]
  • the longer explanation from the Library of Congress specifies that circumventing CSS on a DVD is only justified when non-circumventing methods, such as videotaping the screen while playing the DVD or using screen-capture tools through a computer, are unacceptable due to inadequate audio or visual quality. But nevertheless, this ruling greatly expands who can use ripping software to clip DVDs for academic and transformative use, including a range of derivative works like remix videos and documentaries.
  • Now, no matter your discipline, you (or your technological partners) can do what I've been doing for the past three years: assemble a personal (or departmental) library of clips to access for class lectures. Now we can expand the use of those clips to embed in conference presentations, public lectures, digital publications, companion websites or DVDs to include with print publications, or other innovative uses that had otherwise been stifled by legal restrictions. For me, having a hard drive full of video clips on hand enables a mode of improvisation not available with DVDs—if discussion shifts to talking about an example of a film or television show that I've ripped a clip for another course, I can instantly play it in class even without planning in advance by bringing the DVD. Think of the conference presentations you've seen where a presenter fumbles over cuing and swapping DVDs—with a little bit of planning, clips can be directly embedded into a slideshow to avoid awkwardly wasting time.
  • ...2 more annotations...
  • Fair Use isn't a NEW right under the exemptions, but a REAFFIRMED and RESTORED right
  • .wav, .mpeg, .mp3, .avi are all formats and codecs with owners.
1More

Harvard U. Institute Unveils Software That Helps Build Academic Sites - Wired Campus - ... - 0 views

  •  
    Worth taking a look for Dickinson? Or are we committed to the tepid design and existing CMS? I guess Academia.edu are also in this same market, although that is in the cloud rather than on institutional servers.
2More

Op-Ed Contributor - Lost in the Cloud - NYTimes.com - 0 views

  • the most difficult challenge — both to grasp and to solve — of the cloud is its effect on our freedom to innovate.
  • Apple can decide who gets to write code for your phone and which of those offerings will be allowed to run. The company has used this power in ways that Bill Gates never dreamed of when he was the king of Windows: Apple is reported to have censored e-book apps that contain controversial content, eliminated games with political overtones, and blocked uses for the phone that compete with the company’s products. The market is churning through these issues. Amazon is offering a generic cloud-computing infrastructure so anyone can set up new software on a new Web site without gatekeeping by the likes of Facebook. Google’s Android platform is being used in a new generation of mobile phones with fewer restrictions on outside code. But the dynamics here are complicated. When we vest our activities and identities in one place in the cloud, it takes a lot of dissatisfaction for us to move. And many software developers who once would have been writing whatever they wanted for PCs are simply developing less adventurous, less subversive, less game-changing code under the watchful eyes of Facebook and Apple.

Thimbl - 1 views

« First ‹ Previous 81 - 100 Next › Last »
Showing 20 items per page