Group items tagged

"There is a Middle English aphorism that says, 'Winter all eats / That summer begets'. Living alongside 24-hour supermarkets, it is easy to forget the once vital preoccupation with preserving the autumn harvest and stocking our larders to the brim. As we approach the sign of Aquarius, long nights and short days will persist until mid-March when the sun enters Aries, and we spare a thought for our medieval forebears in the most barren and cold of seasons. Depictions of wintry concerns and activities from the medieval era are frequently featured in the calendars which preface many Books of Hours and Psalters"

"Another year, another crackpot Battle of Hastings theory. Last year it was 'the battle was fought somewhere else'. This year it's 'King Harold survived the battle'. This one is, if anything, even more feeble and confused, so let's put it to bed as soon as possible."

Women's involvement with medieval music took a variety of forms; they served at times as audience, as participant, as sponsor, and as creator. The evidence for their roles, like that for their male contemporaries, is sporadic at best. Many musical sources have been lost, and those sources that do survive only occasionally provide composer attributions. Information on specific performances is virtually non-existent, and the references to musical performances gleaned from literary allusions must be read critically. Similarly, an art-work portraying a women musician may be representational or symbolic--or both. Yet despite these handicaps, modern scholarship reveals many ways in which medieval women were engaged with--and enriched by--the music that flourished around them.

Dr David Starkey's complete history of the British Monarchy, which reveals the epic and bloody stories of our Kings and Queens and charts the course of the oldest surviving political institution in Europe

Dr David Starkey's complete history of the British Monarchy, which reveals the epic and bloody stories of our Kings and Queens and charts the course of the oldest surviving political institution in Europe

THE TREASURY The Winchester Pipe Rolls, the annual accounts of the bishop's extensive estates, and the bishop's money were once stored at the palace gatehouse. The bishops derived their wealth from vast landholdings, one of the richest estates of medieval England. The yearly income and expenditure on the estates was recorded in great detail in the Pipe Rolls, an astonishing surviving series of documents covering the years from 1208-9 until 1710-11.

The many thousands of surviving medieval manorial accounts (sometimes known as compotus rolls and in their enrolled form as Pipe Rolls) contain all the information necessary for the precise calculation of the yields of specified crops, on named demesne farms, in dated years. Each account enumerates the cash and stock received and expended on a single demesne farm managed by or on behalf of a manorial lord over the course of an agricultural year, usually from Michaelmas (29 September) to Michaelmas. Typically, each account records the amount of grain (both threshed and as yet un-threshed) received from the previous year's harvest and the quantity of seed sown in preparation for the next harvest (see 'Woodhay 1254-5 grange account'). The information is hand-written on parchment in abbreviated Latin using Roman numerals and the form of the entries is usually formulaic so that with a little practice they are not difficult to interpret. The following extract recording the amounts of barley (Ordeum) received and expended in 1378-9 on the Battle Abbey manor of Alciston in East Sussex (East Sussex Record Office, SAS/G44/34) is an example of one of the more enigmatic types of entry that can be encountered.

"In his anger at the English barons, William commanded that all crops and herds, chattels and foods should be burned to ashes, so that the whole of the North be stripped of all means of survival. So terrible a famine fell upon the people, that more than 100,000 young and old starved to death. My writings have often praised William, but for this act I can only condemn him." Orderic Vitalis

In the Harrying of the North, William the Conqueror's brutal conquest and subjugation of the North of England, William's men burnt whole villages from the Humber to Tees, and slaughtered the inhabitants. Foodstores and livestock were destroyed so that anyone surviving the initial massacre would soon succumb to starvation over the winter. The survivors were reduced to cannibalism,[4] with one report stating that the skulls of the dead were cracked open so that the brains could be eaten. Between 100,000 and 150,000 perished and the area took centuries to recover from the damage.

Thousands of  painters, craftsmen, patrons of the arts perished during the mid 14th century. The heart of the cultural world was torn open.  The horrors of the black death pervaded all aspects of Medieval culture and especially art. The effects were lasting, bringing a somber darkness to visual art, literature, and music. The dreadful trauma of this era instigated the imaginations of writers and painters in worrying and unsettling ways for decades to follow. The insecurity of daily survival created a atmosphere of gloom and doom influencing artist to move away from optimistic themes and turn to images of Hell, Satan and the Grim Reaper. Many painters simply gave up art believing that it was hopeless to try and create beauty in a hellish world.

"One of the questions we're most frequently asked at the British Library is: why is there more than one manuscript of Magna Carta? The simple answer is that, when the Great Charter was first granted by King John in 1215, numerous copies were made so that its terms could be distributed more easily throughout the kingdom of England. Four of those 1215 manuscripts survive to the present day, one of which is owned by Lincoln Cathedral, another by Salisbury Cathedral and the other two being held at the British Library in London."

"Ever since antiquity astronomy has consisted of both theory and observation, but these two components have often received different treatments in the original sources. In the medieval period we find many texts that present theories (even new theories) for the motions of the Sun, the Moon, and the planets; and other texts that describe instruments (some newly invented) for making observations. Moreover, medieval scholars carefully read various works that survived from antiquity, notably Ptolemy's Almagest, and these treatises served as a guide for the scientific study of astronomy. In particular, Ptolemy described methods of determining the planetary models (or parts of them) from sets of dated observations, and he gave numerous examples (including many based on observations he himself made) which take up a major portion of his magnus opus. In this respect, however, the vast majority of his successors did not follow him, for we find surprisingly few planetary observations in the medieval astronomical corpus. (A similar paucity of observations of the Sun, the Moon, and eclipses has also been noted.) Indeed, in most astronomical tables compiled in the Middle Ages observations play no role, and it can be demonstrated that the tabular entries are largely based on earlier astronomical theories."

"Edward II was born on 25 April 1284 as the youngest child of Edward I and his first wife Eleanor of Castile, and succeeded his father as king of England at the age of twenty-three on 7 July 1307.  On 25 January 1308 at Boulogne in northern France, Edward married Isabella, only surviving daughter of the reigning king of France, Philip IV, and the late Joan I, queen of Navarre in her own right.  Isabella was only twelve at the time of her wedding, born probably in the second half of 1295.  The couple's betrothal had been arranged all the way back in June 1299, when Edward was fifteen and Isabella probably only three."