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Ian Gabrielson

Why Are They Talking? - 3 views

historymatters.gmu.edu/...question4.html

oral oral history Service Learning History

shared by Ian Gabrielson on 15 Mar 16 - No Cached
David Hilton liked it
  • Community-based oral history projects, often seeking to enhance feelings of local identity and pride, tend to side step more difficult and controversial aspects of a community's history, as interviewer and narrator collude to present the community's best face.
  • More practically, narrators whose interviews are intended for web publication, with a potential audience of millions, are perhaps more likely to exercise a greater degree of self-censorship than those whose interviews will be placed in an archive, accessible only to scholarly researchers. Personal motives too can color an interview.
David Hilton

1906: vintage color photos of Europe - Boing Boing - 16 views

www.boingboing.net/...1906.html

modern europe greece italy russia germany images primary sources c20th

shared by David Hilton on 14 Aug 10 - Cached
  • David Hilton on 14 Aug 10
     
    Collection of photos of Europe in 1906.
Christina Briola

Famous People Painting "Discussing the Divine Comedy with Dante" - 9 views

cliptank.com/PeopleofInfluencePainting.htm

art history

shared by Christina Briola on 12 Nov 10 - Cached
  • Christina Briola on 12 Nov 10
     
    Discussing the Divine Comedy with Dante. Wow!!
  • ...1 more comment...
  • Jeremy Greene on 16 Nov 10
     
    I have created a very successful lesson/activity around this painting. The details are as follows. This window has this year's assignment. The next reply has the previous years. Advice: WHAP Review Activity: The Twittering Masses Review activity (mostly 1914- and East Asia) Description - I previously set up 103 discussions on turnitin.com for this lesson so they post into that person's discussion board and all replies are kept under the initial post. This year they posted on our classes Ning.com in the discussion forum. Grading is also difficult - Since not every one will have the same amount of replies - people are more likely to write to Hitler than Cui Jian for instance. So, I am grading the posts holistically out of 10 (I often only have 100-200 points in a quarter, so for instance a test might only be worth 40 points). I have students use a heading that states who [character] is tweeting what topic they are focusing on and who they are writing to. I would be interested in feedback or improvements people think they can make on this lesson - should I use Moodle, [Again, I have switched to Ning.com] etc.? Many thanks. And you can add or subtract people as you wish, so we have actually added Marcus Garvey, Jomo Kenyatta, Stephen Biko, and Emiliano Zapata to our role play and taken the painters (of this painting) out of the role play - Write up for students: Go to http://www.dailymail.co.uk/news/worldnews/article-1162771/The-Internet-sensation-dinner-party-painting-103-historical-guests--spot.html#comments to see who all these individuals are, in color. The rules: You will imagine that each of the historical actors above has access to twitter, the expanded edition, 140 words as compared to 140 characters, to communicate to the other guests present. You will choose six of them (from my list below - my list is the final list - some people pictured have been replaced) to role-play in the "Twittering Masses." As your historical
  • Jeremy Greene on 16 Nov 10
     
    See previous post for advice. This is how I set it up the first two years without specific WHAP content or themes: The rules: You will imagine that each of the historical actors above has access to twitter, the expanded edition, to communicate to the other guests present. You will choose up to four (at least three) of them to role play in the "Twittering Masses" role play. As your historical person, during the Twittering Masses role play you will write, "tweet," at least four other persons. Two of the people should be in close proximity to you based on the painting above. Another tweet should go to the person you feel closest to (not by proximity) at the party - this could be based on ideology (MLK Jr. and Gandhi), background (Tagore and Gandhi), lifestyle (Gandhi and Mother Theresa), etc. Explain in your tweet why you are writing them. The other tweet should go to the person you see as most opposed, or farthest from you - Gandhi and Hitler or Gandhi and Gates or Gandhi and Churchill - in this tweet you should either try to bridge the gap between your differences or explain why the person is wrong in their beliefs. If you have only three guests - you will need to make 5 initial tweets. You will respond to each initial tweet. Then who knows . . . All tweets should have some connection to WHAP content or themes. You may want to comment on the surroundings or other guests . . .
  • Jeremy Greene on 16 Nov 10
     
    I would love comments as to the posts above. Something similar I do is written up here: http://worldhistoryconnected.press.illinois.edu/7.3/gregg.html
Annabel Astbury

Digital Library on American Slavery - 7 views

library.uncg.edu/slavery

slavery history voyages sugar sources database

shared by Annabel Astbury on 12 Apr 10 - Cached
David Hilton liked it
  • Kay Cunningham on 12 Apr 10
     
    'Underwritten by a "We the People" grant from the National Endowment for the Humanities, The Digital Library on American Slavery is a cooperative venture between the Race and Slavery Petitions Project and the Electronic Resources and Information Technology Department of University Libraries at The University of North Carolina at Greensboro. The Digital Library offers a searchable database of detailed personal information about slaves, slaveholders, and free people of color. Designed as a tool for scholars, historians, teachers, students, genealogists, and interested citizens, the site provides access to information gathered and analyzed over an eighteen-year period from petitions to southern legislatures and country courts filed between 1775 and 1867 in the fifteen slaveholding states in the United States and the District of Columbia.'
Mila Saint Anne

Lyon en 1700 - 7 views

lyon-en-1700.blogspot.com

modern france c17th c16th europe virtual_tour 3d

shared by Mila Saint Anne on 01 Aug 11 - No Cached
  • e du centre historique de la presqu'île disparu quasi intégralement, avec des commentaires audio et/ou des illustrations agrémentant la visite selon le lieu où le visiteur se trouve. La restitution permettra donc de servir de fil conducteur pour présenter des documents d'archive pouvant intéresser le public, gravures, peintures, plans ou autres. Elle permettra également de présenter des articles concernant tel ou tel bâtiment ou secteur de la ville.L'objectif adopté pour la restitution des immeubles disparus est de retrouver à minima le nombre d'étages, d'arcs de boutique et l'emplacement de la porte principale, mais cela n'est pas toujours possible. De vieilles gravures ou même certaines photographies du milieu du 19ème siècle permettent parfois de retrouver l'organisation des fenêtres. La couleur des façades est nécessairement imprécise. Les bâtiments publics ou religieux sont reconstitués à partir de plans et de gravures.Lyon en 1700 est une association régie par la Loi de 1901 et composée de passionnés d'histoire.Tout Lyonnais amateur de recherches en archives ou sur le terrain est bienvenu pour donner un coup de main ! Vous pouvez nous écrire à l'adresse lyonen1700@live.fr. Méthode adoptée à télécharger Méthodologie.pdf Diaporama http://lh5.ggpht.com/-wlkqc48Ln2o/S7BNnpE2ycI/AAAAA
Mary Higgins

Silk Road Seattle Virtual Art Exhibit - 8 views

depts.washington.edu/...index.shtml

Silk Road

shared by Mary Higgins on 15 Aug 11 - No Cached
  • This exhibit was organized as part of Silk Road Seattle, a collaborative public education project exploring cultural interaction across Eurasia from the first century BCE to the sixteenth century CE.
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