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Kennan Institute (covering Russia and surrounding states) : Media : - 4 views

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    The Kennan Institute and National Public Radio in the USA has established an online audio archive of Soviet and Russian history. "The archive consists of recordings dating back to the earliest years of the Soviet state. Included are the voices and speeches of key political figures, including Lenin, Kerensky, Kirov, Beria, Stalin, Gorbachev, and others. Among the recorded interviews are Anna Larina (Bukharin's widow); Valentin Berezhkov, Stalin's wartime interpreter; Yelena Bonner, Sakharov's widow; and Lev Pevsner, a survivor of the Leningrad Blockade. There is also on-the-scene recorded sound of many events in Soviet history, including: the Russian and American armies meeting at the Elbe; Stalin's funeral; the August 1991 coup against Gorbachev. [...] The material comes from Soviet and Russian sources, the NPR archives, the archives of the BBC, and individual donors. Some of the material is in Russian, some in English. "
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    The bulk of the audio files are in Russian, however if you scroll down closely there are speeches by significant Western figures too. Yet another excellent set of resources from the Woodrow Wilson Center.
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Soviet History - 8 views

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    Primary sources from the Soviet History at Marxist.org
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Gulag: Many Days, Many Lives | Home - 12 views

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    Primary sources and teacher resources on the Soviet Gulag system. Part of the excellent Center for History and New Media, George Mason, University
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Seventeen Moments - 4 views

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    Fantastic resource. "SEVENTEEN MOMENTS IN SOVIET HISTORY was funded by a generous educational development grant from the National Endowment for Humanities (NEH). The project was directed and created by James von Geldern (Macalester College) and Lewis Siegelbaum (Michigan State University). Since 2007, Kristen Edwards (Menlo College) has collected materials for the website from the Hoover Archives and Stanford Libraries."
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Seventeen Moments - 16 views

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    A very nice collection of primary sources from the history of the Soviet Union: texts, images, films, audio.
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Homepage | Mémoires européennes DU GOULAG - 5 views

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    From 1939 to 1953, nearly one million people were deported to the Gulag from the European territories annexed by the USSR at the start of the Second World War and those that came under Soviet influence after the War: some to work camps but most as forced settlers in villages in Siberia and Central Asia. An international team of researchers has collected 160 statements from former deportees, photographs of their lives, documents from private and public archives and films. Many of these witnesses had never spoken out before. In these statements and these documents, the Museum invites you to explore a neglected chapter of the history of Europe.
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KOREAN WAR, 1950-1953 Documents - 4 views

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    "KOREAN WAR, 1950-1953 A collection of primary source documents related to the Korean War. Obtained largely from Russian archives, the documents include reports on Chinese and Soviet aid to North Korea, allegations that America used biological weapons, and the armistice." Wilson Center Digital Archive
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Truman Library - Korean War Subject Guide - 2 views

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    "This material covers the historical background of the Korean War, including the division of Korea at the 38th Parallel between US and Soviet occupation forces; reparations reports involving Korea and economic surveys of Korea following World War II; the United Nations Korean Commission and Reconstruction Agency; Office of Strategic Srevices [OSS] reports on Korea; and relations with Republic of Korea (ROK) President Syngman Rhee. This background material also includes the Wedemeyer Report on China and Korea in 1947. The material on the Korean War itself includes a chronology of events relating to the war in the papers of George M. Elsey; selected documents copied from State and Defense Department records relating to the Korean War; and materials from the files of the National Security Council [NSC] and the Psychological Strategy Board [PSB]. The Korean War material also includes information about General of the Army Douglas MacArthur and his dismissal as Supreme Commander Allied Powers; Commander in Chief, United Nations Command; Commander in Chief, Far East; and Commanding General, U.S Army, Far East."
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A Soviet Poster A Day - 9 views

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    I don't usually save blogs, but thought this might be useful for people when you're looking for places to find decorations for your classroom. Why pay a fortune for some dodgy poster from a textbook company when you can download posters directly (or even better, go to www.historicaltweets.com - I've got some up in my classroom in A3 and they rock!) and print them out. Saves on budget, too.
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The Holocaust by bullets - Shoah Memorial - Paris - 10 views

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    Between 1941 and 1944, almost one and a half million Ukrainian Jews were assassinated when Nazi Germany invaded the Soviet Union. The immense majority was killed by Einsatzgruppen firing squads (mobile execution units in the East), Waffen SS units, the German police and local collaborators. Only a small minority was assassinated after having been deported to extermination camps. Since 2004, Father Patrick Desbois and the Yahad-In Unum research team regularly travel across the regions of Ukraine, intent on identifying and assessing every site in eastern and western Ukraine in which Jews were exterminated by mobile Nazi units during World War II.The exhibition at the Shoah Memorial, from the 20th of June, 2007 to the 6th of January, 2008, presents their ongoing research. By reconstituting the assassins' procedural methods, it provides one with a better understanding of how the genocide of Eastern European Jews was actually put into practice. It has finally become possible to preserve and respect the victims' burial places
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Modern art was CIA 'weapon' - World, News - The Independent - 6 views

  • The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
  • in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
  • The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.
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  • Initially, more open attempts were made to support the new American art. In 1947 the State Department organised and paid for a touring international exhibition entitled "Advancing American Art", with the aim of rebutting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his Hottentot remark and one bitter congressman to declare: "I am just a dumb American who pays taxes for this kind of trash." The tour had to be cancelled.
  • This philistinism, combined with Joseph McCarthy's hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.
  • If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.
  • Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another
  • As president of what he called "Mummy's museum", Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting"). His museum was contracted to the Congress for Cultural Freedom to organise and curate most of its important art shows. The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
  • "It was very difficult to get Congress to go along with some of the things we wanted to do - send art abroad, send symphonies abroad, publish magazines abroad. That's one of the reasons it had to be done covertly. It had to be a secret. In order to encourage openness we had to be secret."
  • Would Abstract Expressionism have been the dominant art movement of the post-war years without this patronage? The answer is probably yes. Equally, it would be wrong to suggest that when you look at an Abstract Expressionist painting you are being duped by the CIA. But look where this art ended up: in the marble halls of banks, in airports, in city halls, boardrooms and great galleries. For the Cold Warriors who promoted them, these paintings were a logo, a signature for their culture and system which they wanted to display everywhere that counted. They succeeded.
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Gus Hall (1910-2000): Stalinist operative and decades-long leader of Communist Party USA - 2 views

  • The Stalinist apparatus in the Kremlin was able to carry out its taming of the American party in large measure by appropriating the mantle of the Russian Revolution. At the same time it exploited ideological and political weaknesses within the American party and the US labor movement in general, weaknesses that took the form of national provincialism and indifference to theory.
  • By the time of the Great Depression, which brought new political opportunities and challenges in the US and elsewhere, the Stalinist grip on the American CP was complete.
  • Equating Stalinism with Marxism, this group saw the crisis of the bureaucracy as proof that the building of a Marxist party in the working class was impossible.
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  • Earl Browder, general secretary of the party during this period, dubbed communism “twentieth century Americanism.” The party devoted itself to fervent support of the administration of Franklin D. Roosevelt, and gave even more enthusiastic support to Stalin's purges and the counterrevolutionary terror
  • 1956 and 1958 the majority of CP members, increasingly demoralized and lacking any clear analysis of the upheavals taking place within the Soviet bloc, simply left the party.
    • Aaron Palm
       
      The new leadership of the Communist Party in 1958 found that bringing Communism to the US working class was impossible (It had been tied to Stalin who was hated by all in America.)  So they decided to get their way by workign within the exisiting political structure.  They became staunch supporters of the Democratic Party and the Unions to make their initiatives reality.  
  • They remained unswerving in their support for the Democratic Party and the trade union bureaucracy. Millions of American workers, students and youth found themselves well to the left of the misnamed Communist Party during the 1960s and 1970s. The CPUSA, or what remained of it, could always be relied upon—in the struggle for civil rights, the movement against the war in Vietnam, and upsurges of working class militancy—to prop up the AFL-CIO and the Democrats in the White House, Congress and state and local office.
  • The CP, in fact, has supported every Democratic candidate for US President from Roosevelt to Gore, with the single exception of the 1948 race,
  • The Stalinists barely complained of the AFL-CIO's record of corruption, strike-breaking and anti-immigrant chauvinism, and avidly backed its support for the Democratic Party representatives of big business. All they wanted was the opportunity to serve the American trade union bureaucracy as they had before the Cold War. Hall would often hark back to the days when the “center-left” alliance of Stalinists and labor bureaucrats worked in tandem for Roosevelt.
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