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Laura Stankiewicz

Adventures in Twitter fiction - Ted Talk - 3 views

This was interesting, Heidi! Thanks for sharing. I can't tell how I feel about the idea of "Twitter Fiction," but it is something I'd like to learn more about.

education t561 educational_technology social_media literature

Anna Ho

Is interactive fiction the future of books? | Technology | guardian.co.uk - 2 views

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    IDEO's take on the future of the book
Sunanda V

First Twitter Fiction Festival Might Mutate Storytelling Forever - 0 views

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    Intrigued to see what comes of this
Matthew Ong

How to separate fact and fiction-lessons from journalism for educators? - 0 views

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    This is an interesting talk which shares techniques that journalists use to determine fact from fiction. Could be very useful for teaching critical thinking skills.
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    Really interesting and definitely related to developing critical thinking skills. However, the idea that someone can crosscheck sources using Google maps to identify locations makes me wonder about how journalism in a web 2.0 ecology impacts privacy.
Jenny Reuter

50 Fictional Technologies We Wish Existed | Complex - 1 views

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    Not really educational, but our section this week got me thinking about what *could* exist
Garron Hillaire

Writer Neal Stephenson Unveils His Digital Novel The Mongoliad - NYTimes.com - 1 views

  • The company, based in Seattle and San Francisco, has developed what it calls the PULP platform for creating digital novels
  • aterial like background articles, images, music, and video. There are also social features that allow readers to create the
  • There are also social features that allow readers to create their own profiles, earn badges for activity on the site or in the application, and interact with other readers.
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  • Stephenson isn’t writing the book alone. There’s a team led by a writer Mark Teppo; it also includes Greg Bear, author of Blood Music and other science fiction novels. Stephenson compared the experience to writing a TV show, and not just because it’s a team of writers.
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    The PULP platform is an example of a writer trying to respond to people wanting more than traditional publishing. If this platform, or something like it, was widely accepted by people it might build a better case for alternative forms of publishing in education
Devon Dickau

BBC News - The rights and wrongs of digital books - 2 views

  • The latter part of 2010 may mark the point from which future historians date the transition to screen-based reading for literary fiction as well as reference works
  • However, even they are not yet willing to accept that the price of electronic texts is too high, and that readers will not pay the same for a bunch of bits as they will for a bound book, since the market knows that it costs less to send electrons over a network than it does to buy paper, make books out of it and ship the physical objects around the world
  • When you buy an digital copy to read on your e-book reader, phone or laptop all you get is the copyrighted bit, and what you pay for is a licence to have a copy or copies of the text.
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  • Amazon recently announced that it will let Kindle owners "lend" books, but only for two weeks and only once per title.
  • The idea of "intellectual property" deliberately conflates the two and allows politicians to pretend that laws about physical property should extend to digital downloads. We need to challenge this unjustifiable elision if we are to think seriously about copyright and business models in the age of electronics.
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