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A short article on literary analysis with a nice infographic

"The analysis of a football game directly relates to the analysis of a piece of literature. As a former English teacher and football coach I'm not sure why this didn't hit me earlier, but I'd love to get into the classroom and share this model of analyzing literature with my students "

"In the first large-scale analysis of new systems that evaluate teachers based partly on student test scores, two researchers found little or no correlation between quality teaching and the appraisals teachers received. The study, published Tuesday in Educational Evaluation and Policy Analysis, a peer-reviewed journal of the American Educational Research Association, is the latest in a growing body of research that has cast doubt on whether it is possible for states to use empirical data in identifying good and bad teachers."

Other than a mention of the need to "evaluate information from multiple oral, visual, or multimodal sources," there is no specific reference in the common standards to critical analysis and production of film, television, advertising, radio, news, music, popular culture, video games, media remixes, and so on. Nor is there explicit attention on fostering critical analysis of media messages and representations. A 1999 national survey of state standards found elements of media literacy in almost every state's teaching standards. As states adopt the common-core standards, the result may actually be a reduced focus on media and literacy instruction formally contained in state standards. We therefore recommend four ways to address the common standards' limited focus on media/digital literacies:

"Teaching Mockingbird suggests a central question around which a class's study of Harper Lee's novel can be organized: What factors influence our moral growth? What kinds of experiences help us learn how to judge right from wrong?  As students read and reflect on the novel, they return to this question and can begin to make deeper and broader connections between the novel and their own moral and ethical lives. They begin by considering the pivotal moments in their lives that shape who they are and their senses of right and wrong.  Then they analyze how the characters in To Kill A Mockingbird change over the course of the story, identifying pivotal moments in the story that influence how the characters think about morality and justice.  The complete Teaching Mockingbird guide also introduces models of moral development that have emerged from the field of developmental psychology, which students can use as the basis for even deeper character analysis."

"Using data with students encompasses classroom practices that build students' capacity to access, analyze, and use data effectively to reflect, set goals, and document growth. Using data with students encompasses the following activities: Students use their classwork as a source for data, analyzing strengths, weaknesses, and patterns to improve their work. Students regularly analyze evidence of their own progress. They track their progress on assessments and assignments, analyze their errors for patterns, and describe what they see in the data about their current level of performance. Students use data to set goals and reflect on their progress over time and incorporate data analysis into student-led conferences."

"The key to getting kids to read deeply in any format is to have them engage with the text in meaningful ways. In the digital space, that means disrupting a pattern of skipping around, writing short chats and getting lost down the rabbit hole of the internet. It means teaching kids ways to break down a complex text, find key ideas, organize them and defend them. Practicing those skills in class can be time-consuming, but it also builds good digital reading habits that hopefully become second nature. "The goal in almost all the strategies is to slow the kids down so they are focusing on this text," Hess said. "Number two is to engage them in an active way with the text, and number three you want to encourage oral discourse. And number four you want them to do some reflection." Those steps should sound familiar to teachers because they are important for any kind of reading for comprehension and analysis. The trick for teachers is to learn how to transfer these processes into the digital space and push them even further."

"Fake news is making news, and it's a problem. Not only did a BuzzFeed data analysis find that viral stories falsely claiming that the Pope endorsed Donald Trump and that Hillary Clinton sold weapons to terrorists receive more Facebook attention than the most popular news stories from established news outlets, but a false story about child trafficking in a Washington, D.C. pizza restaurant inspired a North Carolina man to drive 5 hours with a shotgun and other weapons to investigate. This lesson gives students media literacy skills they need to navigate the media, including how to spot fake news."

"To read a text closely one must only rely on the words in the text and their relationships to each other. They don't turn to other sources. Close readers learn to notice metaphors or symbols, interesting juxtapositions of information, ambiguities, and the like (clues authors might have left behind to reveal the text meaning to those who read closely).             The Common Core State Standards require that we teach students to be close readers-to not only grasp the literal and inferential meanings of a text, but to understand how an author's word choices and structures convey higher-level meanings; how to figure out the subtler aspects of a text.             As such, close reading only makes sense is if texts have deeper meanings. If there aren't deeper meanings requiring such text analysis, then close reading would have no value. That means close reading requires certain kinds of text complexity."

"In New York City, 26 percent of students in third through eighth grade passed the state exams in English, and 30 percent passed in math, according to the New York State Education Department. The exams were some of the first in the nation to be aligned with a more rigorous set of standards known as Common Core, which emphasize deep analysis and creative problem-solving. Last year, under an easier test, 47 percent of city students passed in English, and 60 percent in math."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

"Here's an example of a partially deconstructed standard. RI.8.3 Analyze how a text makes connections among and distinctions between individuals, ideas or events. * Students can explain the differences between individuals, events and ideas * Students can attribute the organizational structure of text to the differences between individuals, events and ideas * Students can produce a generalization about the effect of making connections and distinctions between individuals, events and ideas * Students know how to integrate the elements of a well-structured text-based analysis * Students know how to produce the elements of a well-structured text-based analysis"

Interesting advice on literary analysis essay writing: "There should be more or less of a jumble in your head or on your note paper after the first time and even after the second. Much that you will think of in connection will come to nothing and be wasted. But some of it ought to go together under one idea. That idea is the thing to write on and write into the title at the head of your paper… One idea and a few subordinate ideas - [the trick is] to have those happen to you as you read and catch them - not let them escape you… The sidelong glance is what you depend on. You look at your author but you keep the tail of your eye on what is happening over and above your author in your own mind and nature."

"The Scholastic Kids & Family Reading ReportTM: Fifth Edition is out and offers a snapshot of where young people are when it comes to reading independently. Here are some of the findings of a nationally representative survey conducted last fall by Scholastic in conjunction with YouGov. Some of the results are surprising, including the fact that kids prefer to read books in print. Following the findings is an analysis of what they mean for parents and teachers:"

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

Given the recent rise in podcast popularity, it's no surprise that audio narratives are making their way into the classroom. They offer an engaging way for teachers to merge project-based learning with digital media analysis and production skills. That's why we're announcing our first-ever Student Podcast Contest, in which we invite students to submit original podcasts, five minutes long or less, inspired by one of our 1,000-plus writing prompts. The contest will run from April 26 to May 25, so stay tuned for our official contest announcement next week In anticipation of that contest, the mini-unit below walks students through the process of analyzing the techniques that make for good storytelling, interviewing and podcasting. The activities culminate in students producing their own original podcasts.

"In the second half of the year, my writing course shifts to a more focused study of argument. We read and analyze several mentor texts together as a class, starting with speeches and letters, including an in-depth analysis of the classic  "Letter from a Birmingham Jail" by Martin Luther King, Jr. (this year, I also paired King's text with "The Future Needs Us" by Rebecca Solnit and the introduction from Writings on the Wall by Kareem Abdul Jabbar). But the key to teaching students how to analyze argument-particularly in today's media rich world-is to make the time and space for students to take what they have learned and apply it independently. (In fact, that's true when you teach anything.) So this year, I changed up my argument unit a bit to include a two-week workshop period in which students would: Read several arguments from a variety of media (written, visual, auditory, film); Analyze the arguments for their line of reasoning; Write their own original essay which defends, challenges, or qualifies a claim made by one (or more) of the arguments they studied."

"a list to help your students more easily connect the literature they're reading to the world around them - and to help teachers find great works of nonfiction that can echo common literary themes."