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"Empathy is often confused with sympathy, which is a pretty extraordinary error depending on how tightly wound you are about these things (and whose definitions you stand behind). Dr. Brené Brown offers a divisive take on the difference: "Empathy fuels connections, sympathy drives disconnection." Teaching someone to feel what others feel and sit with emotions that aren't their own couldn't be any further from the inherent pattern of academics, which is always decidedly other. Teaching always begins with detachment -- learn this skill or content strand that is now apart from you. Empathy is the opposite -- it starts in the other, and finishes there without leaving. Here's one way to consider it. Without empathy, you're teaching content instead of students. The concept of teachers as primarily responsible for content distribution is a dated one, but even seeking to "engage" students misses the calling of teaching. To teach a child is to miss that child. You must understand them for who they are and where they are, not for what you hope to prepare them for. "Giving knowledge" and "engaging students" in pursuit of pre-selected knowledge are both natural processes of formal education -- and both make empathy hard to come by. So where to start doing something different? How should you "teach it"? How will you know it when you see it?"

"Sometimes when we are frustrated with students' behavior, it can be easy to blame a student's home life, be exasperated that family expectations are different than those in school, or feel that parents "just don't care." It's a fact that challenges at home often translate into challenges at school, but that fact sets our work in motion rather than halting it. To make change, we must partner with families and caregivers. With the parents of the students who challenge us the most, we must in turn challenge ourselves to reach for empathy and curiosity instead of blame. Here are a few ways to spark connection and empathy with the parents of your most challenging student."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

" In this wonderful animated essay, they extol the value of books in expanding our circle of empathy, validating and ennobling our inner life, and fortifying us against the paralyzing fear of failure."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

""The best literary precedent for what we're enduring now is not the static image of Big Brother but the turbulent eruptions of King Lear," wrote the Washington Post's Ron Charles in May. Or is it The Handmaid's Tale, also an Amazon top seller? Or, maybe, Brave New World? America's high school English teachers are asking the same questions. After watching the tumult of the 2016 presidential election play out inside their classrooms last year, and after a summer of hate-filled violence, many are retooling the reading lists and assignments they typically give their students. They worry that the classic high school canon doesn't sufficiently cover today's most pressing themes-questions about alienation and empathy and power-and that the usual writing prompts aren't enough to get students thinking deeper than an average cable news segment."

"Mortified shows, as they're called, feature adults reading aloud and on stage from their adolescent diaries. Readers typically share their most embarrassing and wrenching youthful stories on a variety of subjects: crushes, body image, self-esteem, divorce. Sharing these intensely private excerpts provokes laughter and connection between the audience and reader. The Mortified "movement" has grown to include podcasts, the film Mortified Nation, a couple of anthologies of stories and a Sundance TV series. Some Mortified fans, Gootee included, have found another medium for these deeply personal stories: the classroom."