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Use the creative writing prompts and creative writing ideas to create stories, poems and other creative pieces from your imagination. The writing prompts can even help you come up with creative content for blogs and blog stories

"Now, I know that teaching poetry, in many of our minds, is akin to a nonswimmer diving into the deep end, blindfolded. I also know that teaching poetry is often a balancing act between the technical aspects of form and the creative aspects of writing, and that reciting rules and stressing form can stifle creativity or turn students (and teachers) off of poetry. So, I've devised a method that guarantees your students will get on board. It's worked for me in high schools and summer teen programs, in Virginia and Singapore, in libraries and juvenile detention facilities. The truth is, we all know how to swim; we've just forgotten how much we like it. This is a friendly reminder. Want to get your students excited about poetry? Try love."

"Meridian Stories believes that Digital Literacy needs to be regularly practiced in schools. In support of that, we produce an annual Digital Storytelling Competition in which there are fifteen different Challenges from which to choose: five each in Language Arts, STEAM and History. Each Challenge - 3 to 4 week projects - demands that students (grades 5th - 12th) research deeply, think creatively and problem-solve iteratively, in order to produce short digital stories about curricular content."

Tips for creative instruction

Op-Docs is The New York Times editorial department's forum for short, opinionated documentaries, produced with wide creative latitude and a range of artistic styles, covering current affairs, contemporary life and historical subjects.   Op-Docs videos are produced by both renowned and emerging filmmakers who express their views in the first person, through their subjects or more subtly through an artistic approach to a topic. Each is accompanied by a director's statement. In December 2012, we started a new Op-Docs feature: Scenes. This is a platform for very short work - snippets of street life, brief observations and interviews, clips from experimental and artistic nonfiction videos - that follow less traditional documentary narrative conventions.

Great reading and writing strategies blog

Melissa MongI: "Improv enthusiasts rave about its educational value. Not only does it hone communication and public speaking skills, it also stimulates fast thinking and engagement with ideas. On a deeper level, improv chips away at mental barriers that block creative thinking - that internal editor who crosses out every word before it appears on a page - and rewards spontaneous, intuitive responses, Criess says. Because improv depends on the group providing categorical support for every answer, participants also grow in confidence and feel more connected to others."

Springsteen "expects a lot of his listeners. He puts in some pretty subtle references to other creative works. And if the listener gets the reference, it may actually change how they look at the song a little bit, or even how they look at what Springsteen is referring to."

"Carrie is a professor at a university. She had asked me how to turn an area of her expertise, secondary school education, into writing that the general public would find rewarding and enjoyable. That's when I began talking about scenes, using her accident as an example of how to approach her work. Almost all creative nonfiction, essays or books, are, fundamentally, collections of small stories - or scenes - that together make one big story."

Op-Docs is The New York Times editorial department's forum for short, opinionated documentaries, produced with wide creative latitude and a range of artistic styles, covering current affairs, contemporary life and historical subjects.   Op-Docs videos are produced by both renowned and emerging filmmakers who express their views in the first person, through their subjects or more subtly through an artistic approach to a topic. Each is accompanied by a director's statement. Are there applications for the classroom? Anyone can submit there own Op-Doc.

"As we discuss and debate what should be considered poetry, my goal is to challenge students to think broadly about poetry and creativity. I want them to be ready to create work that has meaning to them and not be preoccupied with rules or conventions. As the unit continues, here are four strategies and a number of resources that I've found helpful."

"In New York City, 26 percent of students in third through eighth grade passed the state exams in English, and 30 percent passed in math, according to the New York State Education Department. The exams were some of the first in the nation to be aligned with a more rigorous set of standards known as Common Core, which emphasize deep analysis and creative problem-solving. Last year, under an easier test, 47 percent of city students passed in English, and 60 percent in math."

"Simmons presents a series of creative activities that have advanced her high school students' vocabularies and impressed on them the power of words."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

"What is your favorite food? How would you describe it? Using the sample descriptions in the article as mentor texts, compose a two or three-sentence description of your favorite food, using figurative language and unusual comparisons."

"Project Ed is a platform dedicated to educational video made for and by 21st century learners. The core of Project Ed is an open, community-driven approach to content. We start by identifying K-12 concepts where a video has the potential to create a meaningful impact.Then we design contests to take these lessons out of the classroom and put them in the hands of digital storytellers. Each contest starts with a "creative brief," that includes everything needed to achieve a specific learning goal. Once the brief is launched on Projected.com, creators from all over craft original narratives to teach in unforgettable ways. Each brief generates hundreds of new ideas and a multitude of submissions. This process brings together the rigor of curriculum experts and the passion of creators to build an open library of effective, engaging lessons."

"If PBL is to become a powerful, accepted model of instruction in the future, a vocabulary change may be in order - preferably to the term project based inquiry. It's time to not only address the flaws in PBL, but to reinvent it in a way that leads to deeper learning, creative inquiry, and a better fit with a collaborative world in which doing and knowing are one thing. Here are thoughts about five areas in which PBL needs to move forward."

"A novelist scrawling away in a notebook in seclusion may not seem to have much in common with an NBA player doing a reverse layup on a basketball court before a screaming crowd. But if you could peer inside their heads, you might see some striking similarities in how their brains were churning. That's one of the implications of new research on the neuroscience of creative writing. For the first time, neuroscientists have used fMRI scanners to track the brain activity of both experienced and novice writers as they sat down - or, in this case, lay down - to turn out a piece of fiction."

"I had tried everything from the traditional book report style assessment to more creative movie trailers, but I didn't feel like they accomplished what I wanted from a silent sustained reading assessment. It wasn't until I went to a book club meeting with some friends that inspiration struck. At our book club meetings we ate food, drank wine, and talked about literature for hours. Why couldn't our SSR assessment be more like that? (Sans the wine, of course.) I thought about what inspired me to read my book club books and the answer was that I really enjoyed that evening of food, conversation, and friends. So, I decided to design a book club style chat assessment for our silent sustained reading. The goal was to get my students having conversations about their various books. Ultimately, I hoped they would turn each other on to titles they had read and enjoyed. Below is a brief overview of the assignment. I've also included a link to a Google document with a detailed explanation of the assignment for any teacher interested in using it!"