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""The high school structure doesn't work for every student," said West Seattle Principal Ruth Medsker. Often big high schools like West Seattle require students to be compliant in order to fit in and that can lead to disengagement. Medsker is interested in finding models within her large school that offer something different to students who want it. "How do we make the system fit the child instead of trying to make the kid fit the system?" she asked. Teachers at her school are exploring this question in a variety of ways, including through a pilot advisory-type program that began with a cohort of 25 tenth graders. "The idea was these students have promise, they have skills, they have things to offer, but something about our school system wasn't working for them," said Matt Kachmarik, who acted as the advisor, social studies and English teacher to this group of students. As much as possible, school staff tried to give these 25 kids schedules that would allow them to take classes together. They also focused on non-cognitive skills using reflection, team-building games and discussion to tease out what was going on outside of school, as well as barriers to learning inside its walls. "I definitely have some students who are among the deepest thinking of anyone in the entire grade," Kachmarik said. Some of them are under a lot of stress or have experienced trauma or just don't have strong executive functioning skills, but they've found a home in what they call the Focus program."

"Unlike most American high schools, student leadership at Harwood Union High School isn't limited to campaigns for cleaner bathrooms or better cafeteria food. Here, teenagers are deeply involved in shaping the pillars of school life, from the daily class schedule to the styles of teaching and learning that work best for them. Aided by community groups that have trained them in leadership techniques, young people and adults at Harwood have forged an unusually strong and equal partnership over the past eight years. They developed decisionmaking processes that put students at the heart of the biggest school decisions. When new teachers are hired, report cards are redesigned, or honors classes are revamped, students are at the table, debating, sharing research, listening, and voting. That work has made this unassuming school in Vermont's Green Mountains a national model for educators who believe students deserve the right to play a central role in creating their school experience."

"Morone, with the backing of the high school district's administration, has developed an "open classroom" curriculum for all of the sophomore honors English students where students are given independence to demonstrate they have mastered the same standards the school has been using for years. "We are using the same core texts, the same curriculum designed by the school and approved by the board of education - but the way we are approaching the curriculum is very different," Morone said. "The first word that has to be put out there about it is that it is non-linear." Dr. Barry Bachenheimer, the regional director of curriculum in the district, said Morone's class is part of a "larger idea" of allowing flexibility to foster learning in the Pascack Valley High School District - which includes the "Pascack Period," a weekly 88-minute period where students can study, work out or sign up for non-traditional classes taught by teachers and even students. "

"Two years ago, Zak Malamed and a few friends held their first Twitter chat for students who were feeling frustrated about how little say they had in the school reform debates going on all around them. At the time, Malamed and two other friends were still in high school, and one friend was in college. But when they formed Student Voice, the group that rose out of that first chat, they agreed that "Revolutionizing education through the voices and actions of students," in whatever form that would take, would be their mission. "Students want to achieve in school. They want to find purpose being in school." said Malamed. "They want to discover their talents. Without students having a voice, we cannot collectively ensure that this will all happen for every student.""

StageofLife.com thinks the answer to this phenomenon lies not in pushing against new social media, but rather embracing it: by encouraging high school students to blog. StageofLife.com is a website for the generation growing up with social media embedded into their daily lives to meet, share stories, and learn about those in their generation and other stages of life. It is an educational resource as well, offering lesson plans and contest ideas to educators. One of the most recent creative writing lesson plans is quite innovative: its goal is to break students out of the restrictive environment of 140-character word limits while at the same time promote the use of social media in the classroom. StageofLife.com believes that blogging and other social media is an integral part of the lives of current high school students, and should be incorporated into English classes around the country.

"A new musical explores life in high school in a way that's eerily familiar. It's called Ranked, and it's set in a dystopian world where your class rank - determined by grades and test scores - governs everything from where you sit to what your future holds." This musical, written by a high school teacher, explores some really interesting questions inspired by the students including: "How do we know the difference between who we actually are and what people want from us?" Usually, Granite Bay announces its spring musical by posting headshots of the performers in the hallway. But this year, it tried something a little different: Holmes asked students to anonymously submit personal text messages, exchanges and emails that depicted the pressure the students were under from parents and counselors. One text exchange reads: A: How was the test? B: I got an 86%! A: Oh no what happened? Another: A: I'm watching you B: Where am I currently then A: Failing class They used the messages in a collage that included headlines from recent news stories ("The Silicon Valley Suicides," "Is class rank valid?") and hung it in the hallway instead of the headshots. A banner at the top reads: "Pain is temporary. Grades last forever."

"The most frequent cliché I hear regarding educational policy is, "We're doing this for the good of the students." We undoubtedly mean that, but the fact that students are not included in district-wide and school-wide decision making essentially excludes them from expressing what they perceive as "for the good of the students." It should be conventional wisdom that including students directly and empowering them to help shape high school and district policy would be educationally beneficial for both schools and students."

"For years, we've thought that the answer to boosting adolescent reading comprehension lay in building students' vocabulary. Teens often struggle with the jargon and advanced terminology they encounter as they move into middle and high school, so educators have designed curricula and interventions that explicitly teach these complex words. But these strategies aren't always fully effective, according to literacy researcher Paola Uccelli. As she writes, many of these interventions have yielded "significant growth in vocabulary knowledge yet only modest gains in reading comprehension." Too many teens still struggle to understand assigned texts. Uccelli's research explores a new approach. By focusing on how words connect in academic texts - and by recognizing that this connecting language is a possible source of difficulty for adolescent readers - teachers may be better able to equip middle and high school students with the tools to comprehend the texts they're reading for higher-order learning. Her work identifies a set of language features that are common in academic text but rare in informal spoken language. She's found that many of the most common language features of middle school texts are unknown to large proportions of students, even by eighth grade. "

This is the list that Kathy Dittirch sent out. Some interesting pairings here. "The classics tend to dominate English teachers' plans, and throughout grade school, high school and college you're often stuck reading the same ol' tomes off the same ol' lists. So, let's fix that. The writers at HuffPost Culture teamed up to create an alternative back-to-school reading list, in which books like The Giver and Heart of Darkness are replaced with works like On Such A Full Sea and The World and Me."

TED's educational arm is launching TED-Ed Clubs, an effort to support students who research, write and present and record their own ideas in a TED talk format. "The goal is to stimulate and celebrate the best ideas of students around the world," said TED-Ed Director Logan Smalley. TED-Ed piloted the project with 100 schools, focusing mostly on middle and high school aged students. Most of the pilot schools started with TED-Ed clubs held during lunch or after school, but some teachers incorporated materials into the classroom. TED-Ed also offers free guiding materials for 13 club meetings, taking students through the step-by-step process of creating a TED talk.

"Poetry 180 is designed to make it easy for students to hear or read a poem on each of the 180 days of the school year. Michael Collins selected these poems with high school students in mind. They are intended to be listened to, and he suggests that all members of the school community be included as readers. A great time for the readings would be following the end of daily announcements over the public address system.

"The move from middle to high school is proving to be a critical transition, one in which students must deal with great changes in academics, responsibility and social structure all at the same time. Recent research showing a strong correlation between failing classes in ninth grade and not graduating puts an even stronger emphasis on making sure the eighth-to-ninth-grade transition goes smoothly - and puts added pressure on the 14-year-olds making their way from a more nurturing environment to the "Wild, Wild West." Formal structures for helping students transition smoothly appear to be relatively uncommon, leaving the work to already overburdened counselors and families, or sometimes no one but the students themselves. Yet two particular standout programs - one in Boston, one in St. Paul, Minnesota - are trying to help connect the dots for freshmen, and may serve as a model for other schools and systems to create a strong bridge over the rough waters from middle to high school."

"Last year, Mr. Olsen and Ms. Gross, who work at High Technology High School in Lincroft, N.J., a school that U.S. News ranks as the No. 1 S.T.E.M. school in the nation, created short daily reading and writing prompts for their students to use with that day's Times. They told us they wanted to do it again this year, but wanted to tailor the tasks more closely to Common Core demands. So we agreed. Each week, they will send us the questions they tried in class that they and their students felt were the most successful. So, beginning Sept. 21, each Friday you'll find three quick, classroom-tested tasks that ask students to do Common Core-focused work with that week's Times. Our hope is that you'll see at least one each Friday that works for you, and that you'll write in and help us shape the feature as we go. It's an experiment, after all."

"Zoe Roben, an English teacher at Harvest Collegiate High School in Manhattan and enthusiastic Moth listener, wanted students at her small public high school to have a more sophisticated understanding of how to tell personal stories. So in the fall, she invited Moth educators to Harvest Collegiate to carry out an afterschool workshop with nine kids, while she acted as the teacher liaison. For eight weeks, the students and adult supervisors brainstormed and practiced telling their stories, and at the end delivered their tales before the school and again at a Moth office, where they were recorded. The theme was courage. Students told stories about kitchen disasters, lost hamsters and minor acts of adolescent agitation, like chopping off hair. Anxious at first about their ability to perform, students came to embrace the experience, Roben said. "They were glowing at the end, with the feeling that they could get up in front of an audience and do something this big," she said. "It was knowing they had something to say, and experiencing their own voice as something valuable," she added."

An article about the lasting effects of high school experiences. Could be nicely paired with sophomore readings. 

""The best literary precedent for what we're enduring now is not the static image of Big Brother but the turbulent eruptions of King Lear," wrote the Washington Post's Ron Charles in May. Or is it The Handmaid's Tale, also an Amazon top seller? Or, maybe, Brave New World? America's high school English teachers are asking the same questions. After watching the tumult of the 2016 presidential election play out inside their classrooms last year, and after a summer of hate-filled violence, many are retooling the reading lists and assignments they typically give their students. They worry that the classic high school canon doesn't sufficiently cover today's most pressing themes-questions about alienation and empathy and power-and that the usual writing prompts aren't enough to get students thinking deeper than an average cable news segment."

"How can we honor this process and make school writing about discovery? Instead of leading students to feel that school writing must be separate from their lived realities, how can writing allow students to find meaning through a process of creating? At Science Leadership Academy in Philadelphia, where I teach, we adopted common language to help us unify our writing instruction. Throughout the four years of high school, we emphasize thesis statements and the crafting of arguments. While I believe there is much value to this approach, I've also come to believe that we should do more to help young people develop their writing craft."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

This is the site for a student-staffed writing center at Clarkstown High School in NY. It began as a teacher-staffed center, but it became too burdensome for teachers alone to help the high volume of kids, so they brought in peer tutors. Now it is almost entirely student run. Now there is at least one teacher in the center at lunch and after school, but he or she works as a mentor to the student tutors. 

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."