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It used to be that only a select number of people could achieve celebrity status. Typically those involved in film, athletics, and politics were the only people to reach such heights. Dr. Jean M. Twenge and Dr. W. Keith Campbell explore the depths and consequences of self-admiration. They argue that becoming a celebrity is now an "equal opportunity dream," especially due to the development of the Web. Narcissism is natural and the wealth of technologies at our disposal make it so simple for anyone to achieve fame. This is a postmodern cause and effect. The increase of media and web technologies made available to the masses break down hierarchies. Fame is no longer just for the privileged few.

This video helps show how the view of fame has changed as it becomes part of the post modern era. It depicts how Richard Heany potentially used his six year old son to attempt to gain national recognition. It was rumored that this former Wife Swaps contestant planning to create a new reality show in which he and his scientific experiments would be the star. Heany did anything he could to attempt to gain the fleeting attention of today's population. He utilized the sympathetic and curious natures of people and manipulated them in an attempt to make himself a household name.

This article deals with the latest phenomenon of sexting which the author considers to be the post modern form of flirting. Sexting seems to have not only shaped the younger generation but it has played a part in how younger kids regard erotic situations. It also examines the ways in which the technology advancements of today have shaped the way the younger generation approaches pornography and how the mobile ability of cell phones makes it so much easier to engage in such activity. "21st century media technology makes everyone a moviemaker, distributor and presenter. Sexting makes everyone, including teenagers, pornographers." This alone shows how post modern sexting is in that there is no longer a hierarchy. Now the masses have the control and are able to decide what the content is which affirms the idea that everyone, by way of user generated content, is able to do what they please and even have their fifteen minutes of fame or in this case, fifteen minutes of exposure.

The youtube channel of the internet sensation Miranda. A fictional character created by a college theatre major searching for her big break, Miranda has become an internet celebrity seemingly overnight, with her outrageous performances of popular songs and delusional instructional singing videos. Since the character was created over a year ago, she has since booked concerts and appearances all over the world, thanks to the technology of youtube, facebook, twitter, and a lot of shameless self promotion. She's become a viral video phenomenon and an excellent example of the fifteen minutes of fame in the postmodern era.

"Oh No They Didn't", commonly referred to as ONTD, is a celebrity news and gossip site on the blogging site livejournal.com. Sporting the mantra, "the celebrities are disposable. the content is priceless." on the main page, this site stands apart from the countless other celebrity gossip sites out there because its content is largely user-generated, and every member has the ability to post stories if they so choose. All members also have the ability to comment on every post. Along with facilitating the fifteen minutes (or more) of fame for every celebrity chronicled, ONTD has become a place where all bloggers are created equal- no more waiting for Perez Hilton to break a story on his site. As soon as a member gets word of a story, the story is broken, and a free for all can then ensue.

A video documentation of the planning and execution of one of the most successful and famous flash mobs in history. The group Improv Everywhere, known for their flash mob stunts, rose to fame with this "mission"- having all the participants go into Grand Central Station in New York City and freeze for several minutes, then resume regular life without a blink. Using elements of performance art and postmodern theatre, as well as an extensive use of various technologies to pull it all off, this playful stunt is a prime example of the postmodern flash mob phenomenon.

Dan Ackerman Greenberg is co-founder of the Commotion Group, a company that has found great success by promoting online videos in an effort to make them go "viral." Today, more and more people are seeking fame and recognition through online communities like YouTube. Dan Ackerman Greenberg provides a series of steps and advice to follow when creating and promoting a video. This online posting is very postmodern, because it exemplifies the breakdown of hierarchy. One used to rely on a publicist or agent to promote oneself. Now, anyone can do it themselves. The fact that a promotion company is offering advice to the masses on how to succeed alone own is particularly postmodern.

This book by Frederick Levy explores the phenomenon that YouTube has become in our world. He addresses YouTube's history, as well as the direction in which the viral video craze is headed. One section of particular interest is titled, "Culture Shock." Levy presents an interesting idea of community through the Web. The thing that makes the YouTube revolution so post-modern is the fact that a sense of community develops through the internet. People around the world can interact and connect with one another with virtually no face-to-face contact. This trend breaks down social norms and cultural expectations previously placed on a community.

This group of videos was a play created by several students at the university of Michigan who wrote the musical based on and parodying the Harry Potter book series by J.K. Rowling. They then casted the parts and performed it for a 3 day period of time and 5 times in total at a local non-profit student-run theater company, but was video-taped and put on YouTube. The reason this video is post-modern because if it weren't for YouTube, the play would never have become as popular as it is today, where people around the country know of it. Due to the success of the video series on Youtube, the writers and producers are able to create more and more plays and musicals are becoming exponentially more famous they would have been had a site like Youtube not been created. Now the creators and actors in this musical are appearing on television and such fame would not be possible if the internet and current technology was available.