CogDogRoo - StoryTools - 1 views
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3. One True Media http://www.onetruemedia.com/ "...effortlessly combine photos and video clips with words and music to personalize your story. Quickly share with our Online Slideshow or get as creative as you want with our Video Montage." Upload images and audio for story track. Embed in blogs or directly post to YouTube/Google video, mySpace, Google Groups. Great template choices.
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20. VUVOX http://www.vuvox.com/ "turn your photos, video and music into professional quality presentations that can be easily shared with friends and family. " search images in flickr, google, upluad youtube video, embed code (see MasterNewmedia review).
Popcorn Maker - 0 views
Startup Clarifai's Machine-Learning Software Can Understand What's in Your Videos | MIT... - 0 views
iMovie Video Assignment Rubric - 1 views
Xtranormal | Text-to-Movie - 0 views
Launch of the Kaltura Cross-Campus Education Suite - 1 views
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Kaltura is a great platform for all kinds of work with video. Should we be making the case for piloting this as well as Sharestream? It's got a modern streaming server, editors, authentication and authorization, etc. Lots of other schools have such initiatives.
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We should definitely set up a pilot. Barrinton is in contact with Kaltura about a more complete trial of the editing functionality. How about we pull together a working group with representation from CNDLS, UIS, GNMC (who else?) invite Dahlgren, Art dept and College Dean's office. Actually, we need to step back and look at our goals before we create a large group that could slow down progress. let's talk . . .
ELI 2011 Annual Meeting - 0 views
The Monthly - Up Front August 2008 :: Digital Art and Soul | The Center for Digital Sto... - 0 views
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It’s the peculiar irony of storytelling that the more personal and specific a story is, the more universal its appeal. “Each man bears the entire form of man’s estate,”
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Grounded, as our species is, in the tangible, sense-based world, we effortlessly grasp unique concrete details: a childish sketch of a castle, two beaming women in white gowns, a golden-brown blade of grass. By comparison, impersonal abstractions—dying children, gay marriage, environmental crisis—fail to gain traction on the slippery geography of human emotion, or register deeply in our memory.
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The problem is, she frets (her Southern accent riveting every ear in the room), “I don’t have an interesting story.”
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