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As Kevin Slavin says in Design as Participation, “You’re Not Stuck In Traffic—You Are Traffic.”3

The “new media” monopolists of Silicon Valley and the once-dominant traditional print media have clearly agreed that the “fake news” frenzy is a convenient pretext to step up their censorship of the internet through new algorithms, allowing them to boost their profit margins and silence opposition through a new framework of “algorithmic censorship.”

Last April, Google clamped down on alternative media with new structural changes to its algorithms — accompanying the change with an announcement tarring alternative media with the broad black brush of “misleading information, unexpected offensive results, hoaxes and unsupported conspiracy theories” as opposed to what it called “authoritative content.”As a result, organic search-engine traffic to these sites uniformly plummeted to less than half of what it had previously been, devastating many publishers.

The “new media” monopolists of Silicon Valley and the once-dominant traditional print media have clearly agreed that the “fake news” frenzy is a convenient pretext to step up their censorship of the internet through new algorithms, allowing them to boost their profit margins and silence opposition through a new framework of “algorithmic censorship.”This new model overwhelmingly favors those who see information and journalism as an article of commerce alone. It poses a stark threat not only to internet users’ ability to access information, but to the ability of citizens and social movements that hope to interact with, participate in, and wield influence over the political and economic activities that determine our lives and the fate of communities across the world.

Hedges calls attention to the algorithms of Facebook, Google and Twitter, and how they steer traffic away from anti-war and progressive websites, while Miller speaks of the frightening historical precedent of the homogenization of the press. "I think what we have seen over the decades since the mid-'70s, and I'm going to make a provocative comparison here, is something analogous to what the Nazis called gleichschaltung, which means streamlining," Miller says. "When they came to power, they made it their business to make sure that not only all media outlets but all industries, all sectors of the culture, would be streamlined, which meant getting rid of anyone who was not fully on board with the Nazi program."