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Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 0 views

quod.lib.umich.edu/...n-workflows-start-with-the-web

OpenWeb XML XHTML-CSS HTML5-CSS3-JavaScript IDML

shared by Gary Edwards on 07 Nov 13 - No Cached
  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
  • ...44 more annotations...
  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Using the Web as a Production Platform
  • Gary Edwards on 07 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
  • Gary Edwards on 07 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
Gary Edwards

Skynet rising: Google acquires 512-qubit quantum computer; NSA surveillance to be turne... - 0 views

www.infowars.com/-be-turned-over-to-ai-machines

Skynet NSA-Patriot-Act-NDAA NSA-Google

shared by Gary Edwards on 20 Jun 13 - No Cached
  • Gary Edwards on 20 Jun 13
     
    "The ultimate code breakers" If you know anything about encryption, you probably also realize that quantum computers are the secret KEY to unlocking all encrypted files. As I wrote about last year here on Natural News, once quantum computers go into widespread use by the NSA, the CIA, Google, etc., there will be no more secrets kept from the government. All your files - even encrypted files - will be easily opened and read. Until now, most people believed this day was far away. Quantum computing is an "impractical pipe dream," we've been told by scowling scientists and "flat Earth" computer engineers. "It's not possible to build a 512-qubit quantum computer that actually works," they insisted. Don't tell that to Eric Ladizinsky, co-founder and chief scientist of a company called D-Wave. Because Ladizinsky's team has already built a 512-qubit quantum computer. And they're already selling them to wealthy corporations, too. DARPA, Northrup Grumman and Goldman Sachs In case you're wondering where Ladizinsky came from, he's a former employee of Northrup Grumman Space Technology (yes, a weapons manufacturer) where he ran a multi-million-dollar quantum computing research project for none other than DARPA - the same group working on AI-driven armed assault vehicles and battlefield robots to replace human soldiers. .... When groundbreaking new technology is developed by smart people, it almost immediately gets turned into a weapon. Quantum computing will be no different. This technology grants God-like powers to police state governments that seek to dominate and oppress the People.  ..... Google acquires "Skynet" quantum computers from D-Wave According to an article published in Scientific American, Google and NASA have now teamed up to purchase a 512-qubit quantum computer from D-Wave. The computer is called "D-Wave Two" because it's the second generation of the system. The first system was a 128-qubit computer. Gen two
  • Paul Merrell on 22 Jun 13
     
    Normally, I'd be suspicious of anything published by Infowars because its editors are willing to publish really over the top stuff, but: [i] this is subject matter I've maintained an interest in over the years and I was aware that working quantum computers were imminent; and [ii] the pedigree on this particular information does not trace to Scientific American, as stated in the article. I've known Scientific American to publish at least one soothing and lengthy article on the subject of chlorinated dioxin hazard -- my specialty as a lawyer was litigating against chemical companies that generated dioxin pollution -- that was generated by known closet chemical industry advocates long since discredited and was totally lacking in scientific validity and contrary to established scientific knowledge. So publication in Scientific American doesn't pack a lot of weight with me. But checking the Scientific American linked article, notes that it was reprinted by permission from Nature, a peer-reviewed scientific journal and news organization that I trust much more. That said, the InfoWars version is a rewrite that contains lots of information not in the Nature/Scientific American version of a sensationalist nature, so heightened caution is still in order. Check the reprinted Nature version before getting too excited: "The D-Wave computer is not a 'universal' computer that can be programmed to tackle any kind of problem. But scientists have found they can usefully frame questions in machine-learning research as optimisation problems. "D-Wave has battled to prove that its computer really operates on a quantum level, and that it is better or faster than a conventional computer. Before striking the latest deal, the prospective customers set a series of tests for the quantum computer. D-Wave hired an outside expert in algorithm-racing, who concluded that the speed of the D-Wave Two was above average overall, and that it was 3,600 times faster than a leading conventional comput
Gonzalo San Gil, PhD.

Net Neutrality Rules Are Already Forcing Companies To Play Fair, And The Giant ISPs Abs... - 0 views

www.techdirt.com/...-isps-absolutely-hate-it.shtml

Net Neutrality rules already force ISPs play fait US hate companies

shared by Gonzalo San Gil, PhD. on 21 May 15 - No Cached
  • Gonzalo San Gil, PhD. on 21 May 15
     
    "from the please-stop-doing-your-job dept The FCC's net neutrality rules don't even go into effect until June 12, but they're already benefiting consumers. You'll recall that the last year or so has been filled with ugly squabbling over interconnection issues, with Level 3 accusing ISPs like Verizon of letting peering points congest to kill settlement-free peering and drive Netflix toward paying for direct interconnection."
Gonzalo San Gil, PhD.

#irespectmusic says 100 Years is Long Enough: The Danger of Pie-ism for All Creators - 0 views

musictechpolicy.wordpress.com/...er-of-pie-ism-for-all-creators

shared by Gonzalo San Gil, PhD. on 02 Mar 15 - No Cached
  • Gonzalo San Gil, PhD. on 02 Mar 15
     
    [# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.
  • ...1 more comment...
  • Gonzalo San Gil, PhD. on 02 Mar 15
     
    # ! copyright is not to promoe creation? so, it should we enough to hold the rightss DURING Author's Life? Everything beyond is a swindle... Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.
  • Gonzalo San Gil, PhD. on 03 Mar 15
     
    [# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.
  • Gonzalo San Gil, PhD. on 03 Mar 15
     
    [# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.
Paul Merrell

PATRIOT Act spying programs on death watch - Seung Min Kim and Kate Tummarello - POLITICO - 0 views

www.politico.com/...ct-spying-programs-117976.html

surveillance state NSA 502-program legislation must-read

shared by Paul Merrell on 15 May 15 - No Cached
  • With only days left to act and Rand Paul threatening a filibuster, Senate Republicans remain deeply divided over the future of the PATRIOT Act and have no clear path to keep key government spying authorities from expiring at the end of the month. Crucial parts of the PATRIOT Act, including a provision authorizing the government’s controversial bulk collection of American phone records, first revealed by Edward Snowden, are due to lapse May 31. That means Congress has barely a week to figure out a fix before before lawmakers leave town for Memorial Day recess at the end of the next week. Story Continued Below The prospects of a deal look grim: Senate Majority Leader Mitch McConnell on Thursday night proposed just a two-month extension of expiring PATRIOT Act provisions to give the two sides more time to negotiate, but even that was immediately dismissed by critics of the program.
  • Paul Merrell on 15 May 15
     
    A must-read. The major danger is that the the Senate could pass the USA Freedom Act, which has already been passed by the House. Passage of that Act, despite its name, would be bad news for civil liberties.  Now is the time to let your Congress critters know that you want them to fight to the Patriot Act provisions expire on May 31, without any replacement legislation.  Keep in mind that Section 502 does not apply just to telephone metadata. It authorizes the FBI to gather without notice to their victims "any tangible thing", specifically including as examples "library circulation records, library patron lists, book sales records, book customer lists, firearms sales records, tax return records, educational records, or medical records containing information that would identify a person." The breadth of the section is illustrated by telephone metadata not even being mentioned in the section.  NSA going after your medical records souand far fetched? Former NSA technical director William Binney says they're already doing it: "Binney alludes to even more extreme intelligence practices that are not yet public knowledge, including the collection of Americans' medical data, the collection and use of client-attorney conversations, and law enforcement agencies' "direct access," without oversight, to NSA databases." https://consortiumnews.com/2015/03/05/seeing-the-stasi-through-nsa-eyes/ So please, contact your Congress critters right now and tell them to sunset the Patriot Act NOW. This will be decided in the next few days so the sooner you contact them the better. 
Gary Edwards

Zoho Blogs » Firefox 3.1 & Google Chrome: Javascript Wins, Flash/Silverlight ... - 0 views

blogs.zoho.com/...ipt-wins-flashsilverlight-lose

chrome ria silverlight webkit zoho

shared by Gary Edwards on 08 Sep 08 - Cached
  • Gary Edwards on 08 Sep 08
     
    ZOHO Speaks about Chrome: "The biggest losers in Google's announcement are not really competing browsers, but competing rich client engines like Flash and Silverlight. As Javascript advances rapidly, it inevitably encroaches on the territory currently held by Flash. Native browser video is likely the last nail in the coffin - and Google needs native browser based video for its own YouTube, so we can be confident Google Chrome and Firefox will both have native video support, with Javascript-accessible VOM (video object model) APIs for web applications to manipuate video. As for Silverlight, let me just say that if Silverlight is the future of web computing, companies like us might as well find another line of work - and I suspect Google and Yahoo probably see it the same way too. More speculatively, I believe we will witness the emergence of Javascript as the dominant language of computing, as it sweeps the client side and starts encroaching on the server. The server landscape today is split between "enterprise" platforms like Java and .NET on the one side (we ourselves are in the Java camp on the server side), and "scripting" languages like PHP, Python, Ruby on the other, with Javascript firmly entrenched on the client. Languages like Ruby promise tremendous dynamism and flexibility to the developer, but their relatively weak execution environments have held them back. It is telling that both Java and .NET come with state of the art just-in-time compilers, while none of the major scripting languages do......" Interestingly, ZOHO already has a prototype running on Chrome! Solves tons of performance problems for them, as well as givign them an on-line / off-line story (Gears). The success of Chrome depends on Chrome "killer apps"; Not browser surfing features! And we already have a number of killer apps that will immediately take advantage of Chrome: gMail, gReader, gMaps and Google Docs! ZOHO will no doubt use Chrome to put themselves squarely i
Paul Merrell

The punk rock internet - how DIY ​​rebels ​are working to ​replace the tech g... - 0 views

amp.theguardian.com/...e-tech-giants-snoopers-charter

internet freedom decentralization

shared by Paul Merrell on 02 Feb 18 - No Cached
  • What they are doing could be seen as the online world’s equivalent of punk rock: a scattered revolt against an industry that many now think has grown greedy, intrusive and arrogant – as well as governments whose surveillance programmes have fuelled the same anxieties. As concerns grow about an online realm dominated by a few huge corporations, everyone involved shares one common goal: a comprehensively decentralised internet.
  • In the last few months, they have started working with people in the Belgian city of Ghent – or, in Flemish, Gent – where the authorities own their own internet domain, complete with .gent web addresses. Using the blueprint of Heartbeat, they want to create a new kind of internet they call the indienet – in which people control their data, are not tracked and each own an equal space online. This would be a radical alternative to what we have now: giant “supernodes” that have made a few men in northern California unimaginable amounts of money thanks to the ocean of lucrative personal information billions of people hand over in exchange for their services.
  • His alternative is what he calls the Safe network: the acronym stands for “Safe Access for Everyone”. In this model, rather than being stored on distant servers, people’s data – files, documents, social-media interactions – will be broken into fragments, encrypted and scattered around other people’s computers and smartphones, meaning that hacking and data theft will become impossible. Thanks to a system of self-authentication in which a Safe user’s encrypted information would only be put back together and unlocked on their own devices, there will be no centrally held passwords. No one will leave data trails, so there will be nothing for big online companies to harvest. The financial lubricant, Irvine says, will be a cryptocurrency called Safecoin: users will pay to store data on the network, and also be rewarded for storing other people’s (encrypted) information on their devices. Software developers, meanwhile, will be rewarded with Safecoin according to the popularity of their apps. There is a community of around 7,000 interested people already working on services that will work on the Safe network, including alternatives to platforms such as Facebook and YouTube.
  • ...3 more annotations...
  • Once MaidSafe is up and running, there will be very little any government or authority can do about it: “We can’t stop the network if we start it. If anyone turned round and said: ‘You need to stop that,’ we couldn’t. We’d have to go round to people’s houses and switch off their computers. That’s part of the whole thing. The network is like a cyber-brain; almost a lifeform in itself. And once you start it, that’s it.” Before my trip to Scotland, I tell him, I spent whole futile days signing up to some of the decentralised social networks that already exist – Steemit, Diaspora, Mastadon – and trying to approximate the kind of experience I can easily get on, say, Twitter or Facebook.
  • And herein lie two potential breakthroughs. One, according to some cryptocurrency enthusiasts, is a means of securing and protecting people’s identities that doesn’t rely on remotely stored passwords. The other is a hope that we can leave behind intermediaries such as Uber and eBay, and allow buyers and sellers to deal directly with each other. Blockstack, a startup based in New York, aims to bring blockchain technology to the masses. Like MaidSafe, its creators aim to build a new internet, and a 13,000-strong crowd of developers are already working on apps that either run on the platform Blockstack has created, or use its features. OpenBazaar is an eBay-esque service, up and running since November last year, which promises “the world’s most private, secure, and liberating online marketplace”. Casa aims to be an decentralised alternative to Airbnb; Guild is a would-be blogging service that bigs up its libertarian ethos and boasts that its founders will have “no power to remove blogs they don’t approve of or agree with”.
  • An initial version of Blockstack is already up and running. Even if data is stored on conventional drives, servers and clouds, thanks to its blockchain-based “private key” system each Blockstack user controls the kind of personal information we currently blithely hand over to Big Tech, and has the unique power to unlock it. “That’s something that’s extremely powerful – and not just because you know your data is more secure because you’re not giving it to a company,” he says. “A hacker would have to hack a million people if they wanted access to their data.”
Gonzalo San Gil, PhD.

[# ! #Tech:] Discover to which package a file belongs to - Linux Audit - 0 views

linux-audit.com/rmine-file-and-related-package

package file belonging GNU-Linux dependencies admin

shared by Gonzalo San Gil, PhD. on 04 Oct 16 - No Cached
  • Gonzalo San Gil, PhD. on 04 Oct 16
     
    "Sometimes you want to know the related package of a file, before installation, or when it is already there. This is of great help during system hardening or general system cleanups. In this article we have a look at several ways to determine the relationships between files and the package they belong to."
  • Gonzalo San Gil, PhD. on 04 Oct 16
     
    "Sometimes you want to know the related package of a file, before installation, or when it is already there. This is of great help during system hardening or general system cleanups. In this article we have a look at several ways to determine the relationships between files and the package they belong to."
Gonzalo San Gil, PhD.

Michael Robertson: Helping Publishers Avoid the Google Destroyer - 0 views

www.michaelrobertson.com/archive.php

Michael Robertson SolidOpinion help publishers avoidance Google Facebook destroyer

shared by Gonzalo San Gil, PhD. on 30 May 16 - No Cached
  • Gonzalo San Gil, PhD. on 30 May 16
     
    "If you're an online news publisher then Google is not your friend. Neither is Facebook. (No matter how fast articles load.) They want to suck away all content and keep all the advertising money. Google has already achieved much of this and Facebook is not far behind. With the loss of advertisers, many publishers have been lured into slimy clickbait ads, which slow the website and damage the user experience. T"
  • Gonzalo San Gil, PhD. on 30 May 16
     
    "If you're an online news publisher then Google is not your friend. Neither is Facebook. (No matter how fast articles load.) They want to suck away all content and keep all the advertising money. Google has already achieved much of this and Facebook is not far behind. With the loss of advertisers, many publishers have been lured into slimy clickbait ads, which slow the website and damage the user experience. T"
Gonzalo San Gil, PhD.

Once Again, The Brussels Attacks Were An Intelligence Community Failure, Not An 'Encryp... - 0 views

www.techdirt.com/...e-not-encryption-problem.shtml

brussels attacks intelligence community failure not encryption problem

shared by Gonzalo San Gil, PhD. on 25 Mar 16 - No Cached
  • Gonzalo San Gil, PhD. on 25 Mar 16
     
    "After the Paris attacks late last year, we noted that it was clear that they were evidence of an intelligence community failure, rather than an "encryption" problem -- which kind of explained why the intelligence community quickly tried to blame encryption. But, as we noted, most of the attackers were already known to the intelligence community and law enforcement -- and there's still little evidence that they used any encryption. "
  • Gonzalo San Gil, PhD. on 25 Mar 16
     
    "After the Paris attacks late last year, we noted that it was clear that they were evidence of an intelligence community failure, rather than an "encryption" problem -- which kind of explained why the intelligence community quickly tried to blame encryption. But, as we noted, most of the attackers were already known to the intelligence community and law enforcement -- and there's still little evidence that they used any encryption. "
Gonzalo San Gil, PhD.

RIAA Says YouTube is Running a DMCA Protection Racket - TorrentFreak - 0 views

torrentfreak.com/-dmca-protection-racket-160412

riaa says youtube dmca protection racket Hollywood vs. Silicon Valley #HollywoodvsSiliconValley

shared by Gonzalo San Gil, PhD. on 16 Apr 16 - No Cached
  • Gonzalo San Gil, PhD. on 16 Apr 16
     
    " Andy on April 12, 2016 C: 110 News In the latest broadside in the content takedown debate, RIAA chief Cary Sherman has suggested that Google-owned YouTube is short-changing the labels by operating a DMCA-protected protection racket. Unsurprisingly Google sees things quite differently, noting that the tools already exist to take down unauthorized content on a permanent basis."
  • Gonzalo San Gil, PhD. on 16 Apr 16
     
    " Andy on April 12, 2016 C: 110 News In the latest broadside in the content takedown debate, RIAA chief Cary Sherman has suggested that Google-owned YouTube is short-changing the labels by operating a DMCA-protected protection racket. Unsurprisingly Google sees things quite differently, noting that the tools already exist to take down unauthorized content on a permanent basis."
Gonzalo San Gil, PhD.

Free Software Foundation statement on the GNU Bash "shellshock" vulnerability - Free So... - 0 views

fsf.org/...-bash-shellshock-vulnerability

free software foundation statement gnu bash vulnerability shellshock + check command

shared by Gonzalo San Gil, PhD. on 28 Sep 14 - No Cached
  • Gonzalo San Gil, PhD. on 28 Sep 14
     
    "by Free Software Foundation - Published on Sep 25, 2014 04:51 PM A major security vulnerability has been discovered in the free software shell GNU Bash. The most serious issues have already been fixed, and a complete fix is well underway. GNU/Linux distributions are working quickly to release updated packages for their users. All Bash users should upgrade immediately, and audit the list of remote network services running on their systems. " [# ! + http://security.stackexchange.com/questions/68168/is-there-a-short-command-to-test-if-my-server-is-secure-against-the-shellshock-b]
  • Gonzalo San Gil, PhD. on 28 Sep 14
     
    "by Free Software Foundation - Published on Sep 25, 2014 04:51 PM A major security vulnerability has been discovered in the free software shell GNU Bash. The most serious issues have already been fixed, and a complete fix is well underway. GNU/Linux distributions are working quickly to release updated packages for their users. All Bash users should upgrade immediately, and audit the list of remote network services running on their systems. "
Gonzalo San Gil, PhD.

Get into Docker - A Guide for Total Newbies | Voxxed - 1 views

www.voxxed.com/...cker-a-guide-for-total-newbies

Docker guide newbies tutorial containers virtualization networks Internet

shared by Gonzalo San Gil, PhD. on 18 May 15 - No Cached
  • Gonzalo San Gil, PhD. on 18 May 15
     
    "Have you heard about Docker? Most likely. If not, don't worry, I'll try to summarise it for you. Docker is probably one of the hottest technologies at the moment. It has the potential to revolutionise the way we build, deploy and distribute applications. At the same time, it's already having a huge impact in the development process. "
  • Gonzalo San Gil, PhD. on 18 May 15
     
    "Have you heard about Docker? Most likely. If not, don't worry, I'll try to summarise it for you. Docker is probably one of the hottest technologies at the moment. It has the potential to revolutionise the way we build, deploy and distribute applications. At the same time, it's already having a huge impact in the development process. "
Gonzalo San Gil, PhD.

Installing LAMP (Linux, Apache, MariaDB and PHP) on Fedora 22 - 0 views

www.tecmint.com/-apache-mysql-php-on-fedora-22

installing lamp linux apache MariaDB PHP fedora Fedora 22

shared by Gonzalo San Gil, PhD. on 12 Jun 15 - No Cached
  • Gonzalo San Gil, PhD. on 12 Jun 15
     
    "The LAMP abbreviations is taken from the first letter of each package that it has - Linux, Apache, MariaDB and PHP . Since you already have Fedora installed, the Linux part is complete, else you can follow the following guides to install Fedora 22."
  • Gonzalo San Gil, PhD. on 12 Jun 15
     
    "The LAMP abbreviations is taken from the first letter of each package that it has - Linux, Apache, MariaDB and PHP . Since you already have Fedora installed, the Linux part is complete, else you can follow the following guides to install Fedora 22."
Gonzalo San Gil, PhD.

MPAA Targets New Anti-Piracy Ads... At People Who Already Paid To Go See Movies | Techdirt - 0 views

www.techdirt.com/...dy-paid-to-go-see-movies.shtml

MPAA targets anti-piracy ads people already bought movie tickets absurd

shared by Gonzalo San Gil, PhD. on 29 Jun 15 - No Cached
  • Gonzalo San Gil, PhD. on 29 Jun 15
     
    "from the strategery! dept There's that old joke that you've probably heard (in part because we've mentioned it in other contexts), about the drunk man searching for his keys under a streetlight, while admitting that he lost them further down the street. When asked why he's looking over by the light instead, he says "because that's where the light is." People even refer to this as the streetlight effect. And you can see it in all sorts of odd places."
Gary Edwards

Flex/Flash: About Singleton, Threads and Flex | Blogging about Software Development - 0 views

www.bloggingaboutjava.org/...out-singleton-threads-and-flex

flash flex java swf

shared by Gary Edwards on 12 Jun 08 - Cached
  • Flex applications are, like Flash applications, compiled into an SWF file. Once a user visits the webpage containing your Flex application, the SWF file is downloaded to and run from the client computer. Instead of a seperate session each user receives their own copy of your Flex application. The client computer runs the Flash VM, which in turn fires up the local copy of your Flex application. Furthermore, Flex uses the Actionscript scripting language. The current version is Actionscript 3. Actionscript 3 is single-threaded. By now you probably already see where this is going. The single-threaded nature of Flex applications means synchronization is not required.
  • Gary Edwards on 12 Jun 08
     
    Flex applications are, like Flash applications, compiled into an SWF file. Once a user visits the webpage containing your Flex application, the SWF file is downloaded to and run from the client computer. Instead of a seperate session each user receives their own copy of your Flex application. The client computer runs the Flash VM, which in turn fires up the local copy of your Flex application. Furthermore, Flex uses the Actionscript scripting language. The current version is Actionscript 3. Actionscript 3 is single-threaded. By now you probably already see where this is going. The single-threaded nature of Flex applications means synchronization is not required.
  • anonymous on 28 Sep 13
     
    Live Roulette from Australia, Fun and Free! Now you can play Real "www.funlivecasino.com.au" Live Roulette for Fun in Australia on a brand new website, FunLiveCasino.com.au. Using the latest internet streaming technologies, Fun Live Casino lets you join a real game happening on a real table in a real casino, all broadcast Live! You can see other real players in the casino betting on the same results you do giving you ultimate trust in the results as they are not generated 'just for you', like other casino gaming products such as 'live studios' or computer generated games. Its amazing to think next time your really in the casino that you might be on camera, and people online might be watching! The future is scary! Imagine that one day soon this will be the only way people would gamble online because the internet is full of scams, you have to be super careful, and why would you play Online Roulette any other way except from a Real Casino you can visit, see, hear and trust! Amazingly this site is completely Free and has no registration process, no spam, no clicks and no fuss. Just Instant Fun "www.funlivecasino.com.au" Free Live Roulette! Give it a try, its worth checking out! "www.funlivecasino.com.au" Australia's Online Fun Live Casino! Backlink created from http://fiverr.com/radjaseotea/making-best-156654-backlink-high-pr
Gary Edwards

Google and the Linux desktop - Stephen Vaughn-Nicols responds to DavidCoursey: Gooogle... - 0 views

blogs.computerworld.com/google_and_the_linux_desktop

android windows webkit

shared by Gary Edwards on 11 Mar 09 - Cached
  • Google's goal? To set up a cloud-based set of Windows file-compatible applications that will work hand-in-glove with Google Linux-powered desktops. Google already has the applications: Google Docs, GMail, Google Calendar, etc. etc. Now, just add an operating system where they, and not the boys from Redmond, call the shots, and they're in business.
  • Gary Edwards on 11 Mar 09
     
    Google's goal? To set up a cloud-based set of Windows file-compatible applications that will work hand-in-glove with Google Linux-powered desktops. Google already has the applications: Google Docs, GMail, Google Calendar, etc. etc. Now, just add an operating system where they, and not the boys from Redmond, call the shots, and they're in business.
Gary Edwards

How HTML 5 Is Already Changing the Web - Webmonkey - 0 views

www.webmonkey.com/..._5_Is_Already_Changing_the_Web

css3 html5 webkit

shared by Gary Edwards on 25 Sep 08 - Cached
  • Gary Edwards on 25 Sep 08
     
    HTML 5 represents the biggest leap forward in web standards in almost a decade. Unlike the specifications that came before it, HTML 5 is not merely intended to present content to a web browser. Its goal is to bring the web into maturity as a full-fledged application platform - a level playing field where video, sound, images, animations, and full interactivity with your computer are all standardized. And it may be a long way off still, but elements of HTML 5 are already reshaping the way we use the web.
Gonzalo San Gil, PhD.

"How To Learn Absolutely Nothing In Fifteen Years," By The Copyright Industry | Torrent... - 0 views

torrentfreak.com/-the-copyright-industry-141214

how to learn nothing copyright industry worst ignorance refusal be taught media culture entertainment democracy freedom access

shared by Gonzalo San Gil, PhD. on 15 Dec 14 - No Cached
  • Gonzalo San Gil, PhD. on 15 Dec 14
     
    " By Rick Falkvinge on December 15, 2014 C: 0 Opinion The Pirate Bay was shut down this week. Whether or not it resurfaces, that event has already triggered a wave of innovation that will spawn exciting new sharing technologies over the coming years, just like when Napster was shut down fifteen years ago" [# ! The #worst… # ! … #ignorance is the #refusal to be #taught.]
  • Gonzalo San Gil, PhD. on 15 Dec 14
     
    " By Rick Falkvinge on December 15, 2014 C: 0 Opinion The Pirate Bay was shut down this week. Whether or not it resurfaces, that event has already triggered a wave of innovation that will spawn exciting new sharing technologies over the coming years, just like when Napster was shut down fifteen years ago"
Paul Merrell

Verizon Will Now Let Users Kill Previously Indestructible Tracking Code - ProPublica - 0 views

www.propublica.org/...y-indestructible-tracking-code

surveillance state Verizon tracking-cookies

shared by Paul Merrell on 01 Feb 15 - No Cached
  • Verizon says it will soon offer customers a way to opt out from having their smartphone and tablet browsing tracked via a hidden un-killable tracking identifier. The decision came after a ProPublica article revealed that an online advertiser, Turn, was exploiting the Verizon identifier to respawn tracking cookies that users had deleted. Two days after the article appeared, Turn said it would suspend the practice of creating so-called "zombie cookies" that couldn't be deleted. But Verizon couldn't assure users that other companies might not also exploit the number - which was transmitted automatically to any website or app a user visited from a Verizon-enabled device - to build dossiers about people's behavior on their mobile devices. Verizon subsequently updated its website to note Turn's decision and declared that it would "work with other partners to ensure that their use of [the undeletable tracking number] is consistent with the purposes we intended." Previously, its website had stated: "It is unlikely that sites and ad entities will attempt to build customer profiles.
  • However, policing the hundreds of companies in the online tracking business was likely to be a difficult task for Verizon. And so, on Monday, Verizon followed in the footsteps of AT&T, which had already declared in November that it would stop inserting the hidden undeletable number in its users' Web traffic. In a statement emailed to reporters on Friday, Verizon said, "We have begun working to expand the opt-out to include the identifier referred to as the UIDH, and expect that to be available soon." Previously, users who opted out from Verizon's program were told that information about their demographics and Web browsing behavior would no longer be shared with advertisers, but that the tracking number would still be attached to their traffic. For more coverage, read ProPublica's previous reporting on Verizon's indestructible tracking and how one company used the tool to create zombie cookies.
  • Paul Merrell on 01 Feb 15
     
    Good for Pro Publica!
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