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Ruth Cuadra

Think tank counters dystopian science fiction's 'wet blanket effect' on innovation (Wir... - 0 views

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    science fiction is an extraordinary storytelling medium that can help the audience realise that we are active agents in shaping our own futures rather than the victims of the default dystopias Can museums be a medium like that?
Ruth Cuadra

A 360TB disc that holds data for more than 1 million years? - 0 views

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    a glass storage medium that could potentially outlive humankind...an everlasting medium that consists of self-assembled nanostructures within fused quartz..wow!
Stuart Sean

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Megan Conn

Chalk Art: Child's Play or Vandalism? | Planetizen - 0 views

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    Chalk - a dying medium?
Ruth Cuadra

Networks and the Nature of the Firm - The WTF Economy - Medium - 1 views

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    The discussion around companies like Uber and Airbnb is too narrow. The issue isn't just employment, but a huge economic shift led by software and connectedness.
Stuart Sean

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Steve Prulhiere

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Four Ways to Keep the Museum Experience Relevant | Fast Company - 0 views

  • The event was successful from both historical and new metrics. Attendance surpassed projections and 1,700 new memberships were generated just from people waiting in line for the exhibition. More importantly for Ferriso, the city-wide experience changed how people perceive the museum.
  • Chinese residents from Chinatown got involved for the first time.
  • Kids showed up by the busloads. Local restaurants hosted after-parties for young patrons, and robust blog discussions were moderated by some of Portland's design community. By extending the conversation throughout the city, the museum was able to attract a new audience and re-energize its traditional base.
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  • Ferriso understood that the ability of the museum to involve more people in the conversation was based on the relevancy of the content.
  • The CDN content was particularly relevant to Portland and had the potential to attract a new audience--the young creative class.
  • Portland has had a long trade relationship with China due to its location in the Pacific Northwest, and city officials intend to forge even closer ties. Portland's entrepreneurs and business people are interested in understanding more about this global force that is transforming the sociopolitical dynamic of the world. In addition, the exhibition's focus on design, though not traditional for the museum, connected with Portland's thriving design community.
  • triggered local businesses that were not previously involved with the museum to get involved
  • Discussions are ongoing about bringing in more exhibitions that are relevant to local businesses.
  • They invited a small number of people from the creative community who they knew would help stimulate conversation, like a good host at a dinner party. These creators hosted their own events and were invited to blog on the exhibition's Web site.
  • The bigger challenge for the museum was releasing control of the conversation. Museums are historically cautious, and protective of the intellectual rigor of each exhibition.
  • Curation: Stay true to who you are."At the end of the day, you still need to present a point of view," said Jay. "Curation is still king." The museum was able to successfully move beyond the traditional museum experience and remain authentic because it understood its core promise--inspiring conversations through art and culture. The medium of social media did not become the museum's promise, but a means to connect with a new generation of potential patrons. It remained committed to curatorial rigor, the selection of collaborators was strategic, and the topic was timely and meaningful. By staying true to its purpose, the museum was able to be relevant to this new generation without alienating its traditional patrons. An 85-year-old board member said it best: "CDN allowed the museum to rethink how it connects with people."
  • New metrics are being discussed to measure the value of the conversations generated by the museum. Ideas include measuring repeat visits to the museum, quality of conversations, and influence (how do you measure the impact of inspiring the next Frank Gehry?).
Ruth Cuadra

Dark Matter - CODE | WORDS: Technology and Theory in the Museum - 1 views

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    This is a MUST read about why museum professional need to think bigger -- much, much bigger -- about the future. "The dark matter of the Internet is open, social, peer-to-peer and read/write--and it's the future of museums." Michael Edson hits the nail on the head.
Dayne Bell

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Ruth Cuadra

The Future of the Stacks - 3 views

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    If libraries were to disappear, cities and towns would lose essential "third places" that are open to the public.
Ruth Cuadra

The Case Against Sharing - 0 views

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    For the past few years, the "sharing economy" has characterized itself as a revolution. Across the U.S., high costs of living are driving more of the employed toward "side hustles," i.e. unprotected freelance work, the kind fostered by the sharing economy. 
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