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Ruth Cuadra

Neuroscience based music service helps you workl - 0 views

  • is a new neuroscience based music service that helps you focus, reduce distractions and retain information when working, studying, writing and reading. The technology is based on hard science and proven to be extremely effective at extending your attention span.
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    focus@will is a new neuroscience based music service that helps you focus, reduce distractions and retain information when working, studying, writing and reading. The technology is based on hard science and proven to be extremely effective at extending your attention span.
Ruth Cuadra

FEMA Strategic Foresight Initiative: Putting Foresight Into Practice - 0 views

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    The SFI report Crisis and Disaster Resilience 2030 focused on a deep analysis of future emergency management needs. The more recent document Toward More Resilient Futures: Putting Foresight Into Practice shifts the focus from theory towards practice.
Ruth Cuadra

New Churches Focus on Building a Community Life - NYTimes.com - 0 views

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    reinventing "church" in an increasingly secular culture
Ruth Cuadra

"Stacked" by Michael Harris | The Walrus | April 2012 - 1 views

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    Building a new library building gave designers and librarians a new way to think about what a library can be to a community.  Digital and physical coexist and people are a primary focus. Could a museum do as well?  How can you achieve this level of integration and community involvement without building a new building?
Johanna Fassbender

Getty Museums To Cut 34 Staff Jobs | UCIRA - 3 views

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    Is there a trend reversal going on? From focus on Education back to Collections?
Paul Spitzzeri

Collections for the future | Museums Association - 1 views

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    A 2005 report that does not appear to have a specific long-term focus (as in the future to 2030) but broadly outlines ideas for the "future." Still, this UK association does discuss ideas for improving the management, generally speaking, of museum collections.
Lisa Eriksen

A Relentless Widening of Disparity in Wealth - NYTimes.com - 0 views

  • Professor Piketty offers early-20th-century France as an example. “France was a democracy and yet the system did not respond to an incredible concentration of wealth and an incredible level of inequality,” he said. “The elites just refused to see it. They kept claiming that the free market was going to solve everything.”It didn’t.
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    Perhaps we should just focus on high-level, individual donors since they will own most all of the wealth?
Ruth Cuadra

The Urban Reordering: Can the United States Make it Stick? - 0 views

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    The repopulating of urban areas is certainly a trend that will affect museums.  But do you agree that the government should end the mortgage interest deduction because focus is shifting from suburbs to cities?  Don't people who buy condos in cities benefit from the same deduction as those buying houses in the suburbs?
Ruth Cuadra

Nike Backs Off Fuelband Wearable Fitness Trackers - 0 views

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    Nike moving away from hardware to focus on software integration with other platforms. A chink the armor of wearable technology as the next big thing that is already here?
Ruth Cuadra

Pratt Institute to Offer Master's With a Focus on Public Space - NYTimes.com - 1 views

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    Pratt Institute's Architecture School this fall plans to start a master's program in "Urban Placemaking and Management"...to be focused on creating successful public spaces based on community planning
David Bloom

The Promise and Peril of the 'Data-Driven Society' - NYTimes.com - 0 views

  • Up to now, the focus on the power and implications of Big Data technology has been involved social media, business decision-making and online privacy. Those are big subjects in their own right. So it’s not surprising that the notion of a data-driven society has not been much considered.
Ariane Karakalos

Plains Art Museum Seeks Community Involvement with Upcoming Exhibition « Plai... - 0 views

  • The exhibition, titled You Like This: A Democratic Approach to the Museum Collection, will be on display October 6 to January 15. All work in the exhibition will have been chosen by the public through crowdsourcing.
  • three-step process
  • advisory pane
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  • short survey online
  • pieces to choose from, so the panel will help narrow the focus based on the data from the survey.  After that, the public will b
  • After that, the public will be able to vote online for the specific pieces that will be part of the exhibition.
Ariane Karakalos

Four Ways to Keep the Museum Experience Relevant | Fast Company - 0 views

  • The event was successful from both historical and new metrics. Attendance surpassed projections and 1,700 new memberships were generated just from people waiting in line for the exhibition. More importantly for Ferriso, the city-wide experience changed how people perceive the museum.
  • Chinese residents from Chinatown got involved for the first time.
  • Kids showed up by the busloads. Local restaurants hosted after-parties for young patrons, and robust blog discussions were moderated by some of Portland's design community. By extending the conversation throughout the city, the museum was able to attract a new audience and re-energize its traditional base.
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  • Ferriso understood that the ability of the museum to involve more people in the conversation was based on the relevancy of the content.
  • The CDN content was particularly relevant to Portland and had the potential to attract a new audience--the young creative class.
  • Portland has had a long trade relationship with China due to its location in the Pacific Northwest, and city officials intend to forge even closer ties. Portland's entrepreneurs and business people are interested in understanding more about this global force that is transforming the sociopolitical dynamic of the world. In addition, the exhibition's focus on design, though not traditional for the museum, connected with Portland's thriving design community.
  • triggered local businesses that were not previously involved with the museum to get involved
  • Discussions are ongoing about bringing in more exhibitions that are relevant to local businesses.
  • They invited a small number of people from the creative community who they knew would help stimulate conversation, like a good host at a dinner party. These creators hosted their own events and were invited to blog on the exhibition's Web site.
  • The bigger challenge for the museum was releasing control of the conversation. Museums are historically cautious, and protective of the intellectual rigor of each exhibition.
  • Curation: Stay true to who you are."At the end of the day, you still need to present a point of view," said Jay. "Curation is still king." The museum was able to successfully move beyond the traditional museum experience and remain authentic because it understood its core promise--inspiring conversations through art and culture. The medium of social media did not become the museum's promise, but a means to connect with a new generation of potential patrons. It remained committed to curatorial rigor, the selection of collaborators was strategic, and the topic was timely and meaningful. By staying true to its purpose, the museum was able to be relevant to this new generation without alienating its traditional patrons. An 85-year-old board member said it best: "CDN allowed the museum to rethink how it connects with people."
  • New metrics are being discussed to measure the value of the conversations generated by the museum. Ideas include measuring repeat visits to the museum, quality of conversations, and influence (how do you measure the impact of inspiring the next Frank Gehry?).
Garry Golden

What is engagement, and when is it meaningful? | Museum Questions - 0 views

  • Garry Golden commented, “There is always risk of being seen as trendy or just buzz– but ‘engagement’ is a huge concept being explored today by people across the learning world…. I think engagement is a concept worth exploring.” And blogger Gretchen Jennings responded, in a post on her Museum Commons blog,  that she has and continues to “[urge] museum educators to focus less on formal education materials and methods and more on interpretive planning in exhibitions and visitor engagement in the museum, both on site and online. So I have decided to explore engagement in more depth. What is it, anyway? What would it mean for the-profession-formerly-known-as-museum- education to facilitate visitor engagement?
smithwarner277

writemyassignment - 5 views

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