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Ruth Cuadra

Three Self-Healing Materials That Could Change the Future of Construction - 0 views

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    The future of sustainablity museums structures may benefit from: asphalt that re-sets itself with a dose of induction heating, concrete that patches up crack with the help of its living bacterial aggregate, and a recent discovery that some metals have self-healing properties.
Megan Conn

The Cheapest Generation - Derek Thompson and Jordan Weissmann - The Atlantic - 1 views

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    What would it mean for museums if indeed the next generation buys fewer homes and cars?  My first thought is a struggling construction and auto industry - and will that affect donations/sponsorships... but I'm sure there are more ramifications (let's make sure we have ample bike parking and bus stops!)...
Ruth Cuadra

Opening Up a 'Third Space" To Innovate Curricula-Journal of Social Sciences - Science P... - 1 views

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    South African educators have to construct the next practice in learning and teaching by integrating local and global knowledge in a unique space (what Bhabha refers to as a ‘third’ space).
Megan Conn

High-Speed Rail Researchers Dig Into Fresno's Historical Sites: The California Report |... - 0 views

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    Construction begun for high-speed rail.  Archaeology interpretation opportunity?
Ava Smith

Vectorworks Drafting and Modeling - 0 views

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    BluEntCAD uses Vectorworks software to develop architectural drafting, construction documents and 3D model for architects, designers and residential homebuilders.
Ava Smith

Chief Architect Drafting and Modeling Services - 0 views

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    Chief Architect software is without a doubt one of the most impressive architectural software to create 3D renderings, construction documents and material lists.
Steve Windhager

New "Green" Construction Code - 0 views

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    "green" is increasingly just becoming the way we do things ...
Elizabeth Merritt

How Germany Changed Its Mind, and Gave Benin Bronzes Back to Nigeria - The New York Times - 2 views

  • by a changing social consensus about the ethics of holding on to such items, and further strengthened by a backlash against Germany’s flagship cultural project: the Humboldt Forum,
  • Germany’s approach also contrasts with those of the United States and British governments, which have left decisions up to individual institutions
  • some of the most important museums in England cannot return their Benin Bronzes, even if they wanted to, without a change in the law. That includes the British Museum, which owns about 900 of the artifacts, arguably the world’s finest collection.
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  • a key turning point there occurred in 2019, amid growing public pressure.
  • a rising awareness in Germany of its own colonial crimes — including the killing of tens of thousands of Nama and Herero people in what is now Namibia. The atrocity, carried out between 1904 and 1908, is widely seen as the first genocide of the 20th century.
  • Until then, the main vehicle for discussing the return of the Benin Bronzes had been the Benin Dialogue Group, a network founded in 2010 that brought together Nigerian representatives and figures from European museums with bronzes in their collections. The group, however, favored loans over transfers of ownership.
  • The agreement stipulated that all objects that had been obtained “unethically” would be liable for return and directed institutions to facilitate claims by producing publicly available inventories.
  • obstacles remained on the Nigerian side. Although the country had requested the return of the bronzes since the 1970s, there was conflict over who would take ownership of the artifacts. Both the Nigerian government and the oba of Benin, whose family ruled the historical Kingdom of Benin from which they were looted, claimed that they owned the items. Godwin Obaseki, the governor of Edo State, where Benin City is, said he acted as a facilitator to resolve the dispute.
  • Ultimately, he said, the oba’s family, Nigeria’s museum commission and the government of Edo State agreed to join a trust together, with independent directors that oversee the construction and operation of the new museum.
  • the agreement allows for 168 pieces chosen by Nigeria’s museum commission to remain in Germany “so that Benin’s art can be shown to the world.” The approximately 350 other bronzes that were part of the Berlin museum collections will be transported to Nigeria once the pavilion is completed.
  • Edo Museum of West African Art
  • It remains unclear who will pay for the shipment and insurance of the remaining items in Germany, and he noted that the bronzes’ storage and upkeep will come at a considerable cost, including electrical bills for climate control.
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    The foreign minister's trip is the culmination of a yearslong process that upended Germany's approach to handling cultural items unjustly obtained during the colonial period. It is also part of a pioneering model for large-scale restitution, in which ownership is swapped before any artifacts change hands. Crucially, that approach allows for items to be restituted even if the country of origin does not yet have the facilities to store and exhibit them.
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