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Nele Noppe

cupidsbow: "Let me show you my fannish entitlement" by cupidsbow - 0 views

  • What I'm wondering is: why do those opinions need to be justified with srs bzns??? I'm not arguing that there's anything wrong with serious debate, but why can't fans hold strong, emotional opinions without an accusation of entitlement (or hysteria, or whatever othering word is in vogue today) being made?While I'm not condoning harassment of show creators, I do wonder why it's entitled to express shock and dismay over a text, or behaviour, or trends within these shows, particularly if they were designed to shock and/or dismay. Are we meant to feel it, but not speak of it? I also wonder why our performance of fandom, in all its inconsistency, lapses of judgement, sudden passions, genuine resistances, porn, critique and everything else, is a type of entitlement. Isn't this *makes a swirly hand gesture taking in all the complexity*, in fact, fandom in its very essence?
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    "What I'm wondering is: why do those opinions need to be justified with srs bzns??? I'm not arguing that there's anything wrong with serious debate, but why can't fans hold strong, emotional opinions without an accusation of entitlement (or hysteria, or whatever othering word is in vogue today) being made? While I'm not condoning harassment of show creators, I do wonder why it's entitled to express shock and dismay over a text, or behaviour, or trends within these shows, particularly if they were designed to shock and/or dismay. Are we meant to feel it, but not speak of it? I also wonder why our performance of fandom, in all its inconsistency, lapses of judgement, sudden passions, genuine resistances, porn, critique and everything else, is a type of entitlement. Isn't this *makes a swirly hand gesture taking in all the complexity*, in fact, fandom in its very essence?"
Nele Noppe

A nightmare of capitalist Japan: Spirited Away - 0 views

  • "Our old enemy 'poverty' somehow disappeared, and we can no longer find an enemy to fight against" (Miyazaki, 1988). In other words, after Japan's industrial success since the Meiji restoration in 1890s and recovery from WWII cast out poverty from the nation, people still remain possessed by an illusion of gaining a wealthy everyday life and continue living with a gap between their ideal and real life. As a result, an endless and unsatisfying cycle of production and consumption has begun destroying harmony among family and community (Harootunian, 2000).
  • Zizek (1989) points out that people of late capitalism are well aware that money is not magical. To obtain it, it has to be replaced through labor, and after you use it, it will just disappear, as will as any other material. Allison (1996) adds to this point: "They know money is no more than an image and yet engage in its economy where use-value has been increasingly replaced and displaced by images (one of the primary definitions of post-modernism) all the same” (p. xvi).
  • Related to its presentation of the loss of spiritual values, the film elaborates an extensive critique of another contemporary global issue: identity confusion. A symptom of identity loss is seen in the way that cultures today encourage people to constantly refashion their self-image, so that individuals construct their identity based on ideals presented in popular media.
    • Nele Noppe
       
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  • Because of the gap between the real and the fantasy, people in late capitalist society become ever more unsatisfied with themselves. Perhaps, that is one of the reasons why people are more and more attracted to anime, where transformation of identity are easily visually accomplished. To illustrate, we may name a few examples from a popular daily life phenomenon among anime fans, called “cosplay.”
  • When you are cosplaying, your identity depends on what others know about the character, not on who you are. Cosplay, therefore, allows the players to change their identity.
  • Miyazaki stresses the importance of having a proper name to warn us against the possibility of losing our identity in the post-modern world. When Chihiro first gets hired by Yubaba, Yubaba alters Chihiro’s name to Sen. Later Haku explains to Chihiro that Yubaba controls people by stealing their names. The plot operates on the premise that if Chihiro forgot her original name, she would forget about her past and never be able to go back to where she was from.
  • Besides Chihiro and Haku, a key character representing identity confusion is No-Face, who has only a shadow-like body and a mask. The mask does not hide his face for he has no face; rather, the mask constructs his outside identity. Since the mask symbolizes a product that people can buy with money, here it indicates an unoriginal identity that people can construct by giving into materialism.
Nele Noppe

Queer theory - Wikipedia, the free encyclopedia - 0 views

  • In fact, it could be argued that queer theory's main project is not the interrogation of homosexuality, but the subverting and challenging of heterosexuality as 'natural' and 'unmarked'.
  • Queer theory's main project is exploring the contestations of the categorization of gender and sexuality. Theorists claim that identities are not fixed – they cannot be categorized and labeled – because identities consist of many varied components and that to categorize by one characteristic is wrong.
  • Acknowledging the inevitable violence of identity politics, and having no stake in its own ideology, queer is less an identity than a critique of identity. However, it is in no position to imagine itself outside the circuit of problems energized by identity politics. Instead of defending itself against those criticisms that its operations attract, queer allows those criticisms to shape its - for now unimaginable – future directions. "The term," writes Butler, "will be revised, dispelled, rendered obsolete to the extent that it yields to the demands which resist the term precisely because of the exclusions by which it is mobilized."
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