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[George Siemens] June 12th, 2007 "...It's the change underlying these tools that I'm trying to emphasize. Forget blogs…think open dialogue. Forget wikis…think collaboration. Forget podcasts…think democracy of voice. Forget RSS/aggregation…think personal networks. Forget any of the tools…and think instead of the fundamental restructuring of how knowledge is created, disseminated, shared, and validated. But to create real change, we need to move our conversation beyond simply the tools and our jargon. Parents understand the importance of preparing their children for tomorrow's world. They might not understand RSS, mashups, and blogs. Society understands the importance of a skilled workforce, of critical and creative thinkers. They may not understand wikis, podcasts, or user-created video or collaboratively written software. Unfortunately, where our aim should be about change, our sights are set on tools. And we wonder why we're not hitting the mark we desire. Perhaps our vision for change is still unsettled. What would success look like if we achieved it? What would classrooms look like? How would learning occur? We require a vision for change. It's reflected occasionally in classroom 2.0 or enterprise 2.0 projects. But the tool, not change centric, theme still arises. We may think we are talking about change, but our audience hears hype and complex jargon. What is your vision for change?"

NB: I am tagging this post by George Siemens "Digital Promise" though it was published in 2007, because what he wrote then is very pertinent to the 2011 Digital Promise initiative.

Alexis Boisseau - 21 septembre 2011 "Comment sait-on qu'une œuvre fait désormais partie du domaine public et que, tout en restant une création de son auteur original (ce qu'on appelle le «droit moral», qui est éternel), on peut la rééditer ou réinterpréter sans payer de «droits patrimoniaux»? La loi est un bon premier guide, mais elle est tellement truffée d'exceptions qu'on ne peut se soustraire à des recherches parfois très longues. Dans la situation la plus courante, quand l'œuvre est «individuelle», les droits subsistent pour les ayants droits 70 ans après le 1er janvier qui suit la mort de l'auteur. Cette règle est née d'une directive européenne qui n'a été transposée en droit français qu'en 1997 et remplace, pour les œuvres qui n'étaient pas dans le domaine public au 31 décembre 1995 la durée de 50 ans de protection qui était en vigueur avant."

In French, but very clearly written, so maybe Google Translate won't make too much of a hash of it.

Ernesto Priego, Sept 12, 2011 "Social media is becoming increasingly important in teaching and research work but tutors must remember, it's a conversation not a lecture, says Ernesto Priego"