The Microfame Game There's a new class of celebrity powered by the Internet. The stakes are smaller, but the rewards are within anyone's reach. These are the rules Read more: The Microfame Game and the New Rules of Internet Celebrity -- New York Magazine http://nymag.com/news/media/47958/#ixzz0YQDD9oYB

This is an article I found on Google Scholar. This article examines the use of social-networking sites and how we really use them to interact with friends. Social-Networking sites are designed to help us keep in contact with our "friends", however it seems that the more friends we have on these sites the less we actually interact with them. This study used Twitter as a means to study just how many "followers" one has and how many of them do they really keep in touch with on a daily basis. This is an important/article I can use for my project because I am studying the use of Twitter and Authorship. Many use Twitter to as a way to elicit thoughts to others, but who are they thoughts going to if they aren't our everyday friends? This study could reveal why so many of our thoughts are being used and taken from us, because we are allowing people to see them who we do not even know. I may be able to use examples from this article to support who uses Twitter and for what reasons.

An Internet celebrity, cyberstar or online celebrity is someone who has become famous by means of the Internet. Such fame is based less upon raw numbers, as with traditional media. Instead, the wide reach of the Internet allows people to reach a narrow audience across the world and so become famous within a particular internet community. Many millions of people write online journals or weblogs. In many cases, they write anonymously or their focus is upon a specialist topic. But if the author has or develops a distinctive personality, their fame will derive from this as much as from the content of their blog.

The Internet is setting a new standard for celebrity. Fame is no longer about getting "15 minutes"; it's about becoming famous to 15 people. "> text/html; charset=iso-8859-1

Web watch What began with high school boredom became a YouTube sensation. Since their posting in May, videos featuring Josh Womack's bat-spinning trick have gone viral. Through Monday, the four clips have received over 4.5 million views. The video shows Womack, a former second-round MLB draft pick who has made it as high as AAA, performing the "Tray Flip," in which he horizontally spins a bat 360 degrees in stride with his swing. Developed in high school batting practice, the trick's success has surprised the outfielder. "Everyone wants to be in the spotlight but I didn't really know how to handle it,

At first glance, Dirrty Glam resembles any trendy online magazine. It features famous faces like Lilly Allen and Sienna Miller on its cover, and combines fashion, film and music reviews with celebrity interviews. There is just one thing: Dirrty Glam's entire team, from editor in chief to public relations manager, is between 19 and 22 years old. The magazine, based in Paris, was started three years ago by Alie Suvelor, then 18 and now editor in chief. [ABSTRACT FROM PUBLISHER]

From penniless bloggers to geek entrepreneurs, these are the biggest and brightest stars on the Web. © Getty Images The Face of fame is changing. The ranks of the world's celebrities used to be dominated by millionaire actors, athletes and musicians, but the Internet has leveled the playing field. A kid with a video camera has access to as large an audience as the biggest Hollywood star. A mom with a blog can attract more readers than a best-selling author. And an opinionated entrepreneur can become a guru to millions.

Socialite Life has the lastest celebrity news. This information is posted onto this online website.

Reviews three 1997 books that attempt to unravel the origin, process, or consumption of 20th-century celebrity: Herbert G. Goldman's 'Banjo Eyes: Eddie Cantor and the Birth of Modern Stardom,' Leonard Leff's 'Hemingway and His Conspirators: Hollywood, Scribner's, and the Making of American Celebrity Culture,' and P. David Marshall's 'Celebrity and Power: Fame in Contemporary Culture.' Goldman's biography and Leff's analysis of Hemingway focus on the production of stardom, but Goldman ignores the dense cultural interplay of ideology and commerce that supports and disseminates fame. Marshall's elaborate theorizing cannot support his claim that audiences appropriate and reconceptualize Oprah Winfrey, Tom Cruise, and New Kids on the Block. Greater periodization is needed to further the exploration of celebrity begun by these works.

Discusses the role of the press agent in the early 20th century in maintaining public illusions about theater celebrities. The rise of cheap daily newspapers looking for sensational news and human interest stories increased the demand for publicity. This need for news gave rise to false stories designed to enhance the image of the star performer, who often was more than willing to present a certain personality to the public. Publicity for Sarah Bernhardt's 1906 tour was an example of the rising importance of the press agent in the early 20th century.

A paradox of sociology at the turn of the 21st century was that the discipline had largely abandoned the empirical study of journalistic organizations and news institutions at the moment when the media had gained visibility in political, economic, and cultural spheres; when other academic fields had embraced the study of media and society; and when leading sociological theorists had broken from the disciplinary canon to argue that the media are key actors in modern life. The author examines the point of journalistic production in one major news organization in the late 1990's and shows how reporters and editors managed constraints of time, space, and market pressure under regimes of convergence news making. The study considers the implications of these conditions for the particular forms of intellectual and cultural labor that journalists produce, drawing connections between the political economy of the journalistic field, the organizational structure of multimedia firms, new communications technologies, and the qualities of content created by media workers.

In the Internet environment, media must not only compete with one another but with a host of newcomers, including online companies with no traditional media ties and a variety of other entrepreneurs. This article reports the results of a content analysis of 422 Web sites associated with local newspapers, radio stations, and television stations in 25 of the largest metro markets in the United States. Results show that each medium has a relatively distinctive content emphasis, while each attempts to utilize its Web site to maximize institutional goals. Market size is found to be a relatively unimportant factor in shaping the content of these Web sites, but media type helps explain how these Web sites are differentiated. [J]

Newspaper columnist Walter Winchell coined the term 'celebutante' in 1939, referring to socialite Brenda Frazier and other quasi-celebrities of the day. The creation of blogs has morphed the word, resulting in the proliferation of the use of the prefix 'celebu-.' New words created with 'celebu-' have been used on the Internet and in other media to describe a variety of persons with celebrity-like status, including Paris Hilton, thus illustrating the linguistic impact of blogs.

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