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Lari Tanner

Paris Review - The Art of Fiction No. 12, William Faulkner - 0 views

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    " Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool. INTERVIEWER Does a writer compromise in writing for the movies? FAULKNER Always, because a moving picture is by its nature a collaboration, and any collaboration is compromise because that is what the word means-to give and to take. INTERVIEWER Which actors do you like to work with most? FAULKNER Humphrey Bogart is the one I've worked with best. He and I worked together in To Have and Have Not and The Big Sleep. INTERVIEWER Would you like to make another movie? FAULKNER Yes, I would like to make one of George Orwell's 1984. I have an idea for an ending which would prove the thesis I'm always hammering at: that man is indestructible because of his simple will to freedom. INTERVIEWER How do you get the best results in working for the movies? FAULKNER The moving-picture work of my own which seemed best to me was done by the actors and the writer throwing the script away and inventing the scene in actual rehearsal just before the camera turned on. If I didn't take, or feel I was capable of taking, motion-picture work seriously, out of simple honesty to motion pictures and myself too, I would not have tried. But I know now that I will never be a good motion-picture writer; so that work will never have the urgency for me which my own medium has. INTERVIEWER Would you comment on that legendary Hollywood experience you were involved in? FAULKNER I had just completed a contract at MGM and was about to return home. The director I had worked with said, "If you would like another job here, just let me know and I will speak to the studio about a new contract." I thanked him and came home. About six months later I wired my director friend that I would like another job. Shortly after that I received a letter
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    Sorry this interview is rather long, but I posted it because Faulkner talks about his books/stories being made into movies and how he feels about it. This is another example that makes me think it would be good for both classes, EMAC6300 and DigitalText.
Lari Tanner

A day made of glass - 4 views

I remember this video in Cassini's class as well. It is pretty fascinating. Something that he pointed out that needs to be mentioned is not just the product but the way in which they market it, t...

Corning glass community gadgets software identity surveillance privacy technology

anonymous

Internet in Iceland - 8 views

This is definitely an interesting article to look at after the readings for this week, I am a little surprised that the United States is only fourth on this list because I feel like we have a lot o...

research Internet Iceland

norma martin

When loved ones die, why is it so hard to memorialize their lives online? - 1 views

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    Social media is the world many of us live in....and die. NJM
norma martin

From Medium Blog Post to Book: Dinovember Comes to Life in Print - 1 views

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    Refe Tuma had always dreamed of writing a book, but he never thought it would be about dinosaurs. After having their fourth child, Refe and his wife Susan found themselves looking for ways to get their kids excited, and as Refe puts it, "give them something to look forward to each day even though mom and dad were tired."
purplekimchi

Is First Kiss the most successful fashion film ever? | Dazed - 0 views

  • So far, Wren founder and creative director Melissa Coker has maintained that the cast in the film are actually her real-life friends and colleagues. They're just, you know, super good-looking. Obvs. 
    • purplekimchi
       
      This gets to the question of authenticity.
purplekimchi

Iran's Khamenei bans online chatting between unrelated men and women - Al Arabiya News - 1 views

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    One of the many reasons I am glad I don't live there. :) #emac6300
purplekimchi

Me, Myself, and Authenticity - The Atlantic - 0 views

  • But some linguists and music historians say the reality is more nuanced. For one thing, frequent use of "I" doesn't signal a haughtier sense of one's status but the opposite, according to James Pennebaker, the social psychologist who invented the text-analysis program used in the 2011 study of song lyrics. The higher a person's standing, the less frequently that person uses 'I' words, according to Pennebaker in his book, The Secret Life of Pronouns: What Our Words Say About Us.
  • People who tell the truth use the word 'I' more.
  • No, "we" isn't necessarily such a communal word after all. It often comes off as presumptive and exclusionary, and can be seen as one group speaking—out of turn—for others.
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  • Even in science writing, where personal pronouns were once forbidden, some journals are now open to informal, active language—though "we" has gained acceptance more quickly than "I."
  • But if someone is saying something that happened to them and it resonates with your own experience, then you don't call it narcissistic. You call it poetry.
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    No, "we" isn't necessarily such a communal word after all. It often comes off as presumptive and exclusionary, and can be seen as one group speaking-out of turn-for others.
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