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The convergence of vintage design and propaganda is a thing of beauty and power, be it in science or in politics. Ben Perry’s massive collection of 20th-century Soviet and Russian propaganda, advertising, and art posters, created between 1917 and 1991, offers a beautiful perspective on mid-century design and the modernist aesthetic from the other side of the Iron Curtain.

These works are warnings; feverish missives churned out by half-mad prophets and visionaries whose message is uniform and clear: If we do not change our ways, these wastelands and teeming urban slums will be our future

But in order to effect any such change, there has to be a spark—these writers have to force the reader to feel emotions powerful enough to disrupt our routines; to shatter thought patterns and leave us so shaken that we have no choice but to alter our lives.