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Vahur Puik

Museums Mull Public Use of Online Art Images - NYTimes.com - 0 views

  • But Mr. Dibbits of the Rijksmuseum maintains that letting the public take control of the images is crucial to encouraging people to commune with the collection. “The action of actually working with an image, clipping it out and paying attention to the very small details makes you remember it,” he said.
Vahur Puik

Connecting Communities: FADGI Still Image Working Group's Impact on the Library of Cong... - 0 views

  • Similar analyses done on the Farm Security Administration photo collection at the Library determined a higher scanning resolution was required for groups of negatives in the collection. This determination was especially significant because many historic negatives are deteriorating, which means this may be the last chance to digitize them for preservation and access
  • A spectrally neutral target for transmissive materials (think photographic negatives rather than printed photos) is also in development
Vahur Puik

Why Flickr Commons? (and why Wikimedia Commons is very different) - 0 views

  • We’ve even started to move some photographic collections that were acquired as ‘archives’ into ‘objects’ in their own right
  • And photography is becoming an important marker of what we do at the Powerhouse
  • The Wikimedia Commons is, currently, a pool of images which can be used for many purposes
  • ...4 more annotations...
  • However without visibly active community around the images they exist without a clear ‘intended purpose’
  • For us, the overall community effect of Flickr and the deep engagement by a small but passionate group of Flickr users, has been the most positive result for us.
  • combative social norms
  • We have research that this actually increases sales
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