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About a quarter of US adults identify as evangelical Christian, and 80 percent of them express the belief that the modern state of Israel and the “re-gathering of millions of Jewish people to Israel” are fulfilments of biblical prophecy that show the return of Jesus is drawing closer. Andrew Chesnut, professor of religious studies at Virginia Commonwealth University, argues that Christian Zionism is now the “majority theology” among white US evangelicals.

the US media and political analysts often approach the Israel lobby as if it were composed solely of Jewish supporters, whose numbers are in fact far smaller than Christian Zionists—AIPAC only boasts 100,000 members, for instance, compared to CUFI’s reported five million—and who are also deeply divided on US policy on Palestine-Israel

evangelist John Nelson Darby, who through missionary tours across North America popularized the end of times narrative and Jews’ role in it. In 1891, fellow preacher William Blackstone petitioned US President Benjamin Harrison to consider Jewish claims to Palestine “as their ancient home”—five years before Theodor Herzl’s call for a Jewish homeland. Subsequent influential evangelists, such as Cyrus Ingerson Scofield, preached how the first telltale sign of the world coming to an end would be Jews returning to the Holy Land. Scofield’s widely read 1909 annotated Bible proclaimed these tenets.

Activists argue that while Christian Zionism may be a broadly held belief, it is not deeply held. “For most people who espouse this theology, it’s not the center of their belief,” Jonathan Brenneman, a Christian Palestinian-American activist, told me. “When people are confronted with the reality of what is going on in Palestine, the theology often falls apart.”

While the specific tenets of today’s Christian Zionism emerged in the nineteenth century, the movement’s ideological roots go back centuries, to the era during which Christianity became part of the Roman Empire under Constantine in the third century AD, stretching to the Crusades and then European colonialism—all cases in which plunder was accomplished under the cover of Christian ideology, namely the idea of the righteousness of Christian domination over non-Christian land and people

Not only do other lobby groups, such as CUFI, wield as much or more influence as AIPAC (financial and otherwise), but AIPAC, as MJ Rosenberg wrote in The Nation, “is not synonymous with Jews.” Of its 100,000 members, he explained, “most are Jewish but…many are evangelical (and other) Christians.”

Falwell and fellow Christian Zionist preachers like Pat Robertson of The 700 Club emphasized the idea that God will only support the United States if the United States supports Israel. “Robertson has described hurricanes and financial prosperity in the US as related to the US position on Israel,” said Burge, “and Falwell used to say that if America backs away from supporting Israel, God will no longer bless America.”

Christian Zionism’s merging of religion and politics has been the driving force behind its more recent influence on US policy. While Trump does not purport to hold evangelical beliefs, he carefully caters to his white evangelical base, gaining their support through the US embassy move and support for Israeli annexation of the Golan Heights and the West Bank, as well as through the choice of Mike Pence as vice president.

A 2017 poll by Lifeway Research, for example, demonstrated the generational divide. Only nine percent of older respondents considered the “rebirth” of Israel in 1948 as an injustice to Palestinians, while 62 percent disagreed and 28 percent said they weren’t sure. Among younger evangelicals, nineteen percent said that Israel’s creation was an injustice to Palestinians, 34 percent disagreed, and almost half weren’t sure.

“Christian Zionism is an extremist ideology, but it’s also incredibly broadly held and is part of a larger Christian package of belief,” he said. “Most people who hold it don’t realize they’re holding really hateful beliefs; it’s very much based on ignorance and insularity.” Brenneman adds that such beliefs are rarely challenged, particularly because the mainstream media plays into them by emphasizing, among other tropes, the idea that Israel is always in grave danger from the Palestinians or surrounding Arab states. The result: When Christian Zionists learn of Israel’s brutal treatment of the Palestinians, their belief system is vulnerable to disruption.

“The vast majority of people in the American church want to honor God and are pursuing the goodness of the world,” Cannon told me. “They are open to their mind being changed, but their underlying concern is they think if they shift their political perspective, they won’t be faithful to theology.” Cannon says using the example of Israeli settlements is productive in this regard. “It’s straightforward to show people that they are not following the basic Christian tenet of ‘love thy neighbor’ if they are supporting those who build a settlement on Palestinian farmland that’s been in that family for decades or a century,” she said. “The current realities speak for themselves. We show them that they can honor God while advocating for Palestinian rights, too.”

“Christian Zionism is not just the John Hagee’s of the world, but is found in Protestant mainline churches, including those that have divested from companies that profit from the Israeli occupation,” he said. “It’s a more nuanced and diffused theology found at the level of hymns as well as in the pulpit.” This phenomenon is also part of what liberation theologian Marc H. Ellis calls the “ecumenical deal” between Christians and Jews, in which mainline Christians are silent on Israel’s abuse of Palestinians to repent for Christianity’s historic anti-Semitism.

Abuata says the Christian movement for Palestinian rights has grown significantly in the past decade, noting that 10 years ago he wouldn’t have been welcomed into 80 percent of the mainline Christian denominations and churches with which he now coordinates.

While Christian Zionism has certainly internationalized in recent years, growing in popularity in Africa, Latin America, and Asia, Abuata says the movement countering Christian Zionism has as well.

While genocide recognition is often a raison d’être for the Armenian diaspora – most of whom are the descendants of those who fled the 1915 massacres – many of the Armenians who stayed behind see it as a burden. “The recent bill in the U.S. was passed to upset Turkey. It had nothing to do with us,” Nor Zartonk’s Mıhçı said. “When the diaspora pushes for the recognition of the genocide in foreign parliaments, we suffer the backlash here,” said Sesil, the beautician. “Each time this debate is brought onto the international agenda, we fear for our children.”

A recent report from the Hrant Dink Foundation, an organization set up following Dink’s death to promote inter-cultural dialogue and tolerance, found that in 2018, Armenians were the second most common target of hate speech in Turkey, after Jews.

“There is no question the genocide happened. My grandfather lost his entire family. He told me this story every day, like a tale,” Sesil said. “But why is America putting this on the agenda right now? It happened 100 years ago.”

All six branches of Ajisafe’s Sanctuary Praise Church, one of Sierra Leone’s largest Evangelical communities, have been indefinitely shut down by the social welfare ministry pending further investigations. Police have been dispatched to each location to prevent anyone from entering after CID officials claimed that “credible information” indicated the existence of a plot to burn down the church’s Freetown headquarters.

who says just because some hateful comments were said that suddenly every Muslim in the country is going to jump for an opportunity to destroy the man? By assuming so, the government is just reinforcing that stupid narrative about Muslims the pastor put out in the first place

Members of the Inter-Religious Council of Sierra Leone have condemned Ajisafe’s statements. The council’s secretary general, Reverend Dr Usman Jesse Fornah, said Sierra Leone’s Christians have lived “a peaceful coexistence with Muslims and want it to continue”. The organisation’s president, Sheikh Abu Bakarr Conteh, emphasised Islam’s peaceful nature and urged his followers to forgive Ajisafe and refrain from passing judgement on their Christian neighbours.

“Loud bells are ringing,” said Resch, citing terrorism, hate crimes, police misuse of power, public corruption, organized crime and more. “The time from flash to bang and the trajectory toward violence has been sharply condensed. We need to move more quickly and choose the least bad answers.”

well-grounded suspicion of the FBI still threads through its history with religious groups and religious social justice activists

Weitzman looked back decades, when Quakers, Black Muslims and Catholic anti-war activists were seen as suspicious and FBI Director J. Edgar Hoover positioned the agency as upholding Judeo-Christian values in opposition to “godless communism.” Hoover’s effort to degrade the reputation of the Rev. Martin Luther King Jr. and to undermine the civil rights movement is still very much top-of-mind for many African-Americans

Shopkeepers in the thronging bazaar don mandatory armored vests and helmets to sell hand-pulled noodles, tailored suits and baby clothes.

police depots with flashing lights and foot patrols be built every 500 meters (yards)— a total of 1,130, according to the Hotan government. The AP saw cavalcades of more than 40 armored vehicles including full personnel carriers rumble down city boulevards. Police checkpoints on every other block stop cars to check identification and smartphones for religious content

Southern Xinjiang, the vast desert basin from where many of the students came, is one of the most heavily policed places on earth.

Xinjiang is now hiring 40 times more police per capita than populous Guangdong Province

To enter the Hotan bazaar, shoppers first pass through metal detectors and then place their national identification cards on a reader while having their face scanned. The facial scanner is made by China Electronics Technology Group (CETC), a state-owned defense contractor that has spearheaded China’s fast-growing field of predictive policing with Xinjiang as its test bed. The AP found 27 CETC bids for Xinjiang government contracts, including one soliciting a facial recognition system for facilities and centers in Hotan Prefecture

The government’s tracking efforts have extended to vehicles, genes, and even voices. In February, authorities in Xinjiang’s Bayingol prefecture, which includes Korla, required every car to install GPS trackers for real-time monitoring. And since late last year, Xinjiang authorities have required health checks to collect the population’s DNA samples. In May, a regional police official told the AP that Xinjiang had purchased $8.7 million in DNA scanners — enough to analyze several million samples a year.

When a Uighur businessman from Kashgar completed a six-month journey to flee China and landed in the United States with his family in January, he was initially ecstatic. He tried calling home, something he hadn’t done in months to spare his family unwanted police questioning. His mother told him his four brothers and his father were in prison because he fled China. She was spared only because she was frail

This month, Xinjiang announced it would require every government employee in the region to move into a Uighur home for a week to teach families about ideology and avoiding extremism.

AP reporters were later detained by police, interrogated for 11 hours, and accused of “illegal reporting” in the area without seeking prior permission from the Korla government. “The subjects you’re writing about do not promote positive energy,” a local propaganda official explained. Five villagers said they knew authorities had taken away the young student; one said he was definitely alive, the others weren’t sure. When asked, local police denied he existed at all.

is “liberty, equality, solidarity” really what the West stood for in terms of its engagements with minorities at home, and colonized peoples abroad?

Islam isn’t a newcomer. A decade ago, I wrote a book titled Muslims of Europe: The ‘Other’ Europeans that included an examination of Islam’s long European history. But one could write an encyclopedia that focused only on the history of Muslim European communities and figures, be they in premodern Spain and Portugal or the Emirate of Sicily or indeed the many Northern and Western Europeans who became Muslims. Framing Islam as a newcomer immediately restricts the scope of discussion that is needed. And such framing leads to a focus on salvaging broken models rather than seeking a new model for the West

The fear of Islam is where all of these insecurities come together—a world religion being caricatured to represent all the trials of the world coming upon “us.”

the subject of religion always arises when pundits and intellectuals discuss the ostensible faltering of the West

As Ryan notes, the sociologist Rogers Brubaker has characterized this stance as “a secularized Christianity as culture. … It’s a matter of belonging rather than believing.” He further describes the attitude as being one in which, “We are Christians precisely because they are Muslims. Otherwise, we are not Christian in any substantive sense.”

Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

a project that institutions such as the British Council have tried to bring to fruition, through enterprises like “Our Shared Europe” and “Our Shared Future,” which sought to uncover the huge amount of historical evidence that showed that Muslims and Islam played much wider historical roles internally in the West than was hitherto understood.

a form of Christianity that focuses on solidarity with the oppressed, rather than promoting tribalistic hate against the “other,” is precisely what Europe needs more of

If the West is to look for a better future, intellectuals ought to be transcending untenable readings of their history and looking for better ideas.

one could write an encyclopedia that focused only on the history of Muslim European communities and figures, be they in premodern Spain and Portugal or the Emirate of Sicily or indeed the many Northern and Western Europeans who became Muslims. Framing Islam as a newcomer immediately restricts the scope of discussion that is needed. And such framing leads to a focus on salvaging broken models rather than seeking a new model for the West.

Righting that wrong means not simply reimagining a new national myth to gather around, but Westerners forging a new narrative that dispenses with the historical marginalization of “them” in favor of creating what has always been a mythical “us.” What is needed is a new notion of “us” that emerges strongly and true, based on values and principles that the peoples of the West will be able to rally around in a cohesive manner for generations to come.

"anti-Muslim violence, hate speech, discrimination and marginalisation" were "swiftly proliferating in Europe where Muslims (or those perceived as such) are now being identified as a primary target by political parties and violent far-right movements alike,"

EU countries dropped references to the importance of the coordinator on anti-Muslim hatred after Poland said if that was to be in the text, then it wanted a special coordinator on "Christianophobia" in Europe as well

French policies paid more attention to combatting antisemitism and the EU Commission has had a coordinator in that role in place since 2015, giving the impression of a "hierarchy" of EU concern, the 41 civil groups pointed out