Ballard was a brilliant futurist and his dystopian novels and short stories anticipated the 80s cyberpunk of William Gibson, exploring with a twisted sense of humor what Jean Lyotard famously dubbed in 1979 The Postmodern Condition: a state of ideological, scientific, personal, and social disintegration under the reign of a technocratic, hypercapitalist, “computerized society.” Ballard had his own term for it: “media landscape,” and his dark visions of the future often correspond to the virtual world we inhabit today.
Sci-Fi Author J.G. Ballard Predicts the Rise of Social Media (1977) | Open Culture - 0 views
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Ballard made several disturbingly accurate predictions in interviews he gave over the decades (collected in a book titled Extreme Metaphors)
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he gave an interview to I-D magazine in which he predicted the internet as “invisible streams of data pulsing down lines to produce an invisible loom of world commerce and information.” This may not seem especially prescient (see, for example, E.M. Forster’s 1909 “The Machine Stops” for a chilling futuristic scenario much further ahead of its time). But Ballard went on to describe in detail the rise of the Youtube celebrity: Every home will be transformed into its own TV studio. We'll all be simultaneously actor, director and screenwriter in our own soap opera. People will start screening themselves. They will become their own TV programmes.
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Narrative Napalm | Noah Kulwin - 0 views
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there are books whose fusion of factual inaccuracy and moral sophistry is so total that they can only be written by Malcolm Gladwell
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Malcolm Gladwell’s decades-long shtick has been to launder contrarian thought and corporate banalities through his positions as a staff writer at The New Yorker and author at Little, Brown and Company. These insitutitions’ disciplining effect on Gladwell’s prose, getting his rambling mind to conform to clipped sentences and staccato revelations, has belied his sly maliciousness and explosive vacuity: the two primary qualities of Gladwell’s oeuvre.
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as is typical with Gladwell’s books and with many historical podcasts, interrogation of the actual historical record and the genuine moral dilemmas it poses—not the low-stakes bait that he trots out as an MBA case study in War—is subordinated to fluffy bullshit and biographical color
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